You state that Mike’s videos have been bad, but there are dozens of people on this site (including me) that have said it’s one of the best sounding systems they’ve ever heard.I don’t think so. You know Jeff, you go around throwing insults and I have yet to read a meaningful, knowledgeable or informative post from you. Don’t focus on me, show everyone else what you have to contribute on this forum. Point me and others to some of your content here with any substance! You like posting pictures of your room and of your system, nothing new there. How long have you been in this hobby? What is your technical background and related experience? Let us in on what makes jeff1225 more than your average garden variety poster on here. Let’s see what you have to say about yourself and let’s read your valuable contributions on this forum.
I don't need to go to Sterling Sound I have owned and operated a vinyl cutting system myself. It is beyond obvious that vinyl has riaa curve. Yet it is a common myth that digital files destined to be cut to analog *require* different mastering ( which in the industry nowadays refers to adjustments prior to the transfer ) versus the digital format release. The whole concept of 'mastering' has evolved from the physical format only days.Why would you EQ a digital file with the required RIAA equalization for vinyl? I’m curious to read your response.
Every LP is equalized to meet the cutting heads excursions, and by default are mastered to meet those requirements. Then there are the frequency response and dynamic range limitations with the analog and digital media.
Go to Sterling Sound Studio and you will find that recordings are Mastered separately for vinyl stamping and for digital distribution.
You state that Mike’s videos have been bad, but there are dozens of people on this site (including me) that have said it’s one of the best sounding systems they’ve ever heard.
I post pictures of my room. I strive to create a relaxing and inviting place to listen to music. You post pictures of your hoarders collection of random equipment. I haven’t heard of another member visiting your room, so who knows how good it sounds. Who knows if it’s even accessible to other people.
I, like many others, have had you on ignore. I’m going to see if I can tolerate your posts (they are entertaining) but will probably just put you back on ignore.
I have a low tolerance for delusional people.
Why do I need to invite strangers to my house to validate anything?
People may quibble with the ratio, but I think that one hour of listening to music together, in real life, in front of a real system, playing a track you both know, enormously facilitates mutual understanding of each other's subjective preferences, vanquishes misunderstandings and mistaken assumptions, and is worth more than 100 hours of fencing on WBF over remotely-recorded, digitally-recorded videos of unfamiliar analog-recorded music on unfamiliar systems.
This video made some very valid points! To be honest I am in agreement with most of what has been said. The whole customer/ dealer/ manufacturer scenario is very well laid out.
LOL. Are you serious?
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Absolutely, go back and read my posts for technical information and assess my subject matter expertise.
Carlos, people may not like your tone or agree with everything you say, but you do take your posts seriously and you provide information from which people can learn. I appreciate that. For all this talk about inclusion and diversity, there’s not a lot of tolerance for opposing points of you.
Social media is turning into Asocial media.
Audio is not a competition , if you like what you hear at home you have succeeded .
May be i ll post vids of the Gryphon Apex running my speakers next year .
You can t please everybody so its useless trying it
Mike is a clear audio winner , he doesnt have to prove himself with a vid
Have you forgotten already when I explained to you the advantages of active crossover over passive crossovers? I would think that you as a “speaker designer” would have found the information useful and been grateful .but instead you write silly stuff like the above.
Little grasshopperNo i forgot i cant remember and having heard many many active systems over the years there is only one that did it right FM acoustics.
People can put as much technical advantages in a design as they want , but if it sounds crap to me then its just another dead end i dont need to explore
It is the lack of knowledge that I was alluding to.Oh that discussion , i stand fully behind what i wrote there
It is the lack of knowledge that I was alluding to.
Its your own lack of knowledge in that discussion you didnt provide anything new .
My opinion is exactly the same as then
Lol! I see that it didn’t sink in. I guess that we’ll have to let others judge for themselves because I will not be re-explaining it again.
What’s the end game of these interactions? Are we on some sort of competitive endeavors that we need to understand other's subjective preferences, vanquish misunderstandings and mistaken assumptions?
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