I apologise for my last comment, I let the attacks get to me.
Let me try again from a different direction. I changed my speakers from Thrax Lyra's to Altec A7's (costing a fraction of the Thrax, but hopefully giving me the sound I was looking for). I wanted to record the sound from each early on to make sure it was a good idea. I had previously opened a YouTube channel and, using my iPhone 8 without external microphones or other enhancements, recorded the first movement of Scheherazade (LSC-2446, RCA Living Stereo) playing through the Thrax Lyra's . I then recorded my system playing that same first movement of Scheherazade through the Altec's (
) and compared the two video's on YouTube. I did not hear the improvement I had expected (a bit harsh sounding), but thought I could make improvements to the Altec's and get the improvement I was looking for.
At first it was the crossover's. I purchased a pair of Hiraga-style crossovers built by Pete Riggle in Washington State using large NOS oil-filled caps and recorded Scheherazade again, same phone, no external microphone, after the change in crossovers (
. Sound much improved, harshness gone but quieter and with resonances I did not like. I added reinforcements to the inside of the bass cabinet, 1"x 2" beams glued and screwed to the insides in irregular patterns so as not to form standing waves, added wool felt between and over those and onto the inside of a new back panel, I also changed the metal treble horn for a wooden exponential horn (two rows of five cells) built by Markus Klug in Germany and added in the super tweeters allowable with Pete's crossovers resulting in this
. Then, to match the Alnico magnet woofer (Altec 416-8B) with Alnico behind the treble horn, I changed the ferrite compression drivers (Altec 902-8B) for new Altec 802-8G series II compression drivers. I also purchased some super tweeters which Pete Riggle's crossovers handle, but not sure adding a third speaker helps. This next video is without, but with the new compression drivers, the volume of the new speakers needs tweeking
. This shows how incremental A/B changes can be monitored and used to guide further changes.
What else is interesting is to look at video's made at the hi-fi show and compare them with your own system video's. In my case, as I already explained, I prefer to compare only show video's playing records (and there is no guarantee those weren't cut from digital masters) to limit confounding factors. I am not saying you must restrict yourself to only digital systems, whatever floats your boat.
This explains my use of iPhone 8 mobile phone videos, and hopefully reveals why improving the sound quality of those home videos with external microphones etc., would make it impossible to compare yours with hi fi show videos in any meaningful way. Hence, my comment to Ron.