So, WBF, what’s your favorite recording of Mahler 2?

godofwealth

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This week, Esa-Pekka Salonen gives his last performance with the SF Symphony playing the Mahler Second symphony. This symphony has been recorded by so many conductors and orchestras that it’s a rite of passage for conductors. I’m listening now to the Pentatone recording featuring Semyon Bychkov with the Czech Philharmonic, which made a lot of classical charts in 2023. It’s a nice recording in high res, but it’s not as ferociously exciting to me as the old Solti analog vinyl on Decca with Heather Harper. I recall many years ago Mike Fremer savaging a modern digital recording by Simon Rattle with the CBSO that had been praised by Gramophone magazine. In the opening few seconds, as the double basses dig in for the powerful opening theme, Fremer complained that he only heard mush. He then proceeded to pull out the old Solti vinyl recording where each double bass is heard in sharp relief, growling like a bunch of angry bulldogs.

Bychkov takes it slow and leisurely. It’s a Cadillac sedan performance, not a burn-the-tires Porsche sound. As a recording, it’s superior to the old Solti analog vinyl in climaxes. But it’s not hugely moving. We might be back to the famous J. Gordon Holt law: the better the recording, the more boring the performance. But I’m being critical. There’s much to enjoy here. Let’s face it. As was frequently said about Beethoven, perhaps Mahler 2 is a symphony that’s better than it can ever be played. Best to simply sit down with the score and enjoy it. A great symphony by a brilliant composer. I like his songs as much or more than his symphonies, FWIW.


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The Mehta Vienna Philharmonic recording on Decca/London is highly regarded. I have both that and the Walter Columbia on 15ips 2 track tape. Larry
 
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Too easy Sir;
The ultimate moment of my concert going life;


The absolute pinnacle performance.

Kindest regards, G.

What an opportunity.

Warner Classics released Tennstedt's Mahler with the LSO ... May(?) 2025, alas only on streaming ... as best I can tell. This may be the same collection they released in 2011 on CD.
 
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I have a Mahler thread on another site, see the link in my signature. Of course the 2nd is popular with several great performances and releases over the years. I think I'm of the same mind as @dcc

In no particular order of preference, I have 3 favorite interpretations: Bruno Walter, Georg Solti and Leonard Bernstein.

Mahler 2 Walter LP M2S601.jpg

Mahler 2 Solti LSO Decca 475 8501.jpg

Mahler 2 Bernstein NY Philharmonic.jpg
This is from Bernstein's 2nd Mahler Cycle. Perhaps the most thrilling opening double basses.

Another consideration...

Mahler's 2nd was a signature piece for Otto Klemperer. His 1963 recording from EMI/Angel made in Kingsway Hall London with the Philharmonia Orchestra features Elisabeth Schwarzkopf and Hilde Rossl-Majdan and continues since that day as a thriller. One of my copis is from Pathe Marconi (French EMI) with a cool cover. 2C181-00570/1

"This is an essential recording for any collection: the greatest interpretation of Mahler's Second ever placed before the public, made under ideal studio conditions ...." Review.

Mahler Sym 2 Klemperer La Voix De Son Maître ‎2C 181 005701.JPG
The Klemperer is more frequently found with a cover similar to this below. The branding across the top may be Columbia or Angel - 2 albums. I've seen the packaging with two separate covers or as one. COLUMBIA SAX 2473 2474, ANGEL 3634. There is also an EMI UK release as a box with a picture of Klemperer smoking a cigar on the cover. ASD 2691-92 or SLS-806.
Mahler Sym 2 Klemperer Columbia SAX 2474.jpg

A reissue with this cover was offered by Warner Classics in 2023 on LP.

Kubelik, Haitink, and Abbado are worthy listens. DG recently released Abbado's Maher 2 with its The Original Source Seriecs (TOS) AAA treatment.

Mahler 2 Abbado Chicago SO DG TOS 4867130.jpg
DG 4867130

Abbado's Lucerne Festival Orchestra Mahler performances (DVD only) are very well received.
 
I don’t like the Solti both recording and performance. Klemperer original is great and super expensive. Mehta Decca recording is good for sonic tests, but performance is not. Tennstedt Mahler 2 and 3 are good performances, but digitally recorded vinyl.
 
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Bruno Walter was Mahler's assistant. He had a very close relationship with Mahler and conducted the debuts of Mahler's Das Lied von der Erde and his Ninth Symphony.
 
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I like the Decca sound, you can walk through the rows of orchestras (3D sound)
 
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For a Mahler acolyte like me, I love this thread. I have probably listened to Mahler more than any other composer so hearing what other people like is always interesting and appreciated. There are other Mahler comments in other WBF threads but I can't recall if there is one on M2 specifically. That said, below is a review of M2 by the great Dave Hurwitz, who I adore for his candor, his encyclopedic musical knowledge and his sense of humor. This guy has forgotten more about Mahler (and most composers) than I will ever know. More importantly I am generally of like mind about his opinions of many works including, but hardly limited to, Mahler.

Here is the Hurwitz commentary regarding his preferences for M2 performances. What I like specifically is his reasoning for why he likes or dislikes a given performance. Although he often makes comments about the SQ of a particular recording, he is musician, so his major bias is not surprisingly, the music. Many of those discussed above are mentioned in his survey of best M2 performances but there are many that were not. See what you think!

 
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The program notes for the concert described some aspects of Mahler’s life that had a huge impact on his compositions. He was one of 14 children (gasp!), but only 5 of his siblings survived to adulthood. Death surrounded Mahler from the beginning and he inscribed his thoughts about the first movement in terms of how man is oblivious to his impending death. He generally detested writing descriptions of his music, calling it a “crutch for a cripple”. He died relatively young in his 50’s of a heart condition, knowing full well his end was nearing.
 
For the first movement, Mahler wrote this commentary:

We stand by the coffin of a well-loved person. His life, struggles, passions and aspirations once more, for the last time, pass before our mind’s eye. And now in this moment of gravity and emotion which convulses our deepest being. . . our heart is gripped by a dreadfully serious voice. . .
What now? What is this life—and this death? Do we have an existence beyond it? Is all this only a confused dream, or do life and this death have a meaning?


Another fascinating story relates how Mahler played on the piano the first movement for the famous conductor Hans von Bulow. Bulow hated it, saying that if that could be called music, he didn’t know what music was. Ironically, Mahler who was struggling with how to finish the symphony got the crucial breakthrough for the final movement while attending Bulow’s funeral. It seems like a weight was lifted from his mind with Bulow’s death.

In describing this flash of insight, Mahler wrote: “Then the choir, up in the organ-loft, intoned Klopstock’s Resurrection chorale. It flashed on me like lightning, and everything became plain and clear in my mind! It was the flash that all creative artists wait for—‘conceiving by the Holy Ghost!’”

He finished the symphony finally, and it was premiered the following year, in 1895, with Mahler conducting the Berlin Philharmonic. Now that would have been a concert worth attending!
 
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Here is the Hurwitz commentary regarding his preferences for M2 performances.

He did pull the Fischer out of his hat at the end. It wouldn't be my personal 'top' pick but it's a reasonable choice and excellent sound quality. The swell when it first came out was somewhat amazing and it certainly picked up Mahler interest among classical lovers -- which, imo, is a good thing.

Lot's of other Mahler 2s to consider. It is interesting who (the always entertaning) Hurwitz does not include in his survey... :D

Tilson-Thomas
Claudio Abbado
Kaplan (thankfully)
Loren Maazel
George Szell
Scherchen
Zinman
Inbal
Kubelik
Horenstein
Leinsdorf
Zander
Jansons
Noseda
Chailly
Barbirolli

Canna recall (transcript please) -- did he mention Haitink or Rattle for the 2nd?

More indepth coverage on Symphony 2 from Tony Duggan.
 
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