You could always simply pause the digital and reflect away. ;-)
Actually that's a major issue with digital more generally and has been since long before streaming.
Very few people have the attention span to be still actively/continuously engaged 55 minutes into a 67 minute CD never mind a 200-item playlist. There is something quite natural about the rhythm of 20 minutes a side. Even your average classical concert - which is a setting far more geared up to intensive listening than sitting in your living room with all its distractions - seldom lasts more than an hour without an interval (and is usually more like 45-50 minutes, two sides of an LP). Same applies to a jazz set. The musicians' attention and ability to focus and project, and the listeners' ability to listen, react and appreciate, operate in sync.
One of my issues with CD when it came out - that its capabilty for instant stop-start-flick-forward cheapened the musical experience - is there in even worse form with streamed music, and the fact that music no longer has to be purchased and looked after, no sleeve notes to read or artwork to enjoy, cheapens the experience further. If music is merely an unmetered, all but free commodity, like water, how can we ever come to value it in the same way as we valued the album from our youth we saved for and played over and over again till we knew every word, every note, every inflection?
Indeed I strongly believe that the ability to touch an object, the delay between selection and gratification, the ritual of playback, and feelings of ownership and personal relationship with owned music are as much a driver of the vinyl revival in recent years than anything to do with sound quality. Satisfaction operates on many levels.
I guess this is a little like the thinking behind the Italian 'slow food' movement. But I guess there will always be people happy with a burger.