IMHO, there is too much redundancy in the high end but MBL was not part of that. Their loudspeakers are unique.
[please forgive my poor English]
I agree 100% with you on
that.
And I am 100% sure they will find a solution, because, yes, their loudspeakers are unique and excellent in their own kind. Continuity (orders, sales, support) is still running perfectly well currently, as has been officially stated, and I have complete confidence in them.
The thing is: as they
will find a solution which will come from an investor, the latter could raise his eyebrow when he will see that the brand charges sub-20K prices (in Europe) for its two first models*, on a market now populated by super-expensive loudspeakers. The investor could be tempted by a price-surge. (I am 100% sure that their prices will soon go up.)
Conclusion: if I would be highly interested by a pair of MBL, I would place an order at once to pick them at the present price. Because they said they can produce and deliver quite normally.
* (and
all MBL models embed the same midrange-and-tweeter unit)
I can't resist: here is a Google translation of my enthusiastic post about the MBL system on the Brussels show in 2021. Posted on a French speaking forum. It was well-written in French, my mother tongue, but I'm sure some words will sound weird in this Google translation. Apologies. So I did the best I could to adapt it.
GOOGLE TRANSLATION
Imperial system, which delivers captivating and heady musicality, and a very "concert hall" sonic rendition. It's all a matter of perspective: here, the sonic perspective is more that of the listener in the concert hall, not that of the microphones on the stage. But the details and the "air" are present nonetheless; that's the real feat. And I didn't at all have the feeling of listening to low-efficiency speakers: on some recordings, it had an exhilarating live quality. Other recordings sounded more muffled. By contrast, French singer Barbara ("Pierre") was breathtakingly articulate, clear, and emotional.
Jürgen Reis, the chief engineer and technical director, makes classical recordings (including some of the Concerto Köln), plays in a rock band, and sings in a choir. It seems to me that all of this can be heard.
It seemed to me that everything was conveyed with disconcerting ease: opera, rock, French songwriters, symphonic, with very natural sounds, but changing according to the recordings. And high sound pressure levels (SPL) can be reached too, without obvious distortion (at least audibly): at about 10m from the speakers, I measured a SPL of 85dB! 10 meters away! Knowing that they radiate their energy over 360°, spread in all directions, it is therefore all the more remarkable to reach such a level, at such a distance, in a particular direction.
On Sunday, 5 minutes before closing time, the MBL hall was still nearly full. A young amateur musician I talked with (he plays piano, vocals, guitar), and who endures what his perfect pitch allows him to hear, was ecstatic in front of the MBL system, and raved about it (as all attendees did).
PS: for those who fancy omnidirectional speakers, the little
126 model is already a little wonder: from € 12 930 per pair.