Probably the most valuable formula for reaching a setup that optimizes engagement with the music.
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I believe he's saying the opposite - tweeter to tweeter / ear to tweeter, should equal 0.83? He mentions 1:1 with an equilateral triangle puts the speakers too far apart.Nice interview. Jim Smith is a legacy name in audio and I didn't know much about him. I learned a great deal about his background and his set-up approach. Thanks, Lee!
Of interest, Jim's "magic" starting ratio of 0.83 (for ear to tweeter/tweeter to tweeter distance) is the exact inverse of Wilson't recommended starting ratio of 1.2 (tweeter to tweeter/ear to speaker). I guess great minds think alike.
tweeter to tweeter / ear to tweeter, should equal 0.83
Tweeter to Tweeter * 1.2 = Listening Distance Example: 100 inch tweeter to tweeter = 120 inch listening distance (DAW range)I believe he's saying the opposite - tweeter to tweeter / ear to tweeter, should equal 0.83? He mentions 1:1 with an equilateral triangle puts the speakers too far apart.
Thanks for the feedback. Jim is a low talker but we have since moved on to Rode Wireless Go II lapel mics.Another nice production Lee, thanks for posting it. A little feedback: I found Jim's somewhat dusky voice harder to hear than yours which is clear and obvious. I don't know if that was mic placement or Jim talking softer.
Sorry, perhaps I need some more coffee, but, in the video Jim says X is the distance between the tweeters, and Y is the distance ear to tweeter.
However, in another post here on WBF, Jim wrote:
Jim Smith:
I always listen and adjust the set-up based on what I hear, but more often than not, when I'm done, it'll be about 83%.
X is the distance from ear to tweeter. Y is tweeter-center to tweeter-center. FWIW - when Wilson's X is 1.2 and their Y is 1, it happens to equal 83.33%.
When I visited Lee, the sound was congested somewhat (for my taste), as the speakers were a bit too close together. As a point of reference, I measured them after listening briefly, and they were at 79% when I initially tested them, before readjusting them by ear.
It's all a matter of taste - for me, wider separation than - say, 84% - definitely yields more accurate imaging, but at the cost of a reduced ME factor - Musical Engagement.
It winds up being the same ratio. It’s better imho to use X as the tweeter to tweeter distance as it makes very clear it’s not an equilateral triangle at all. And it feels more logical to start at the speakers then move to the ear distance.Sorry, perhaps I need some more coffee, but, in the video Jim says X is the distance between the tweeters, and Y is the distance ear to tweeter.
However, in another post here on WBF, Jim wrote:
Jim Smith:
I always listen and adjust the set-up based on what I hear, but more often than not, when I'm done, it'll be about 83%.
X is the distance from ear to tweeter. Y is tweeter-center to tweeter-center. FWIW - when Wilson's X is 1.2 and their Y is 1, it happens to equal 83.33%.
When I visited Lee, the sound was congested somewhat (for my taste), as the speakers were a bit too close together. As a point of reference, I measured them after listening briefly, and they were at 79% when I initially tested them, before readjusting them by ear.
It's all a matter of taste - for me, wider separation than - say, 84% - definitely yields more accurate imaging, but at the cost of a reduced ME factor - Musical Engagement.
I've always found the further you can get your speakers apart (boundaries notwithstanding) yields the best biggest image. Of course, appropriate toe - in, treatment, speaker type and listening preference also come into account. .83 IMO and IME is too close together.
Not really. If you place them too wide the center fill collapses. It’s a balancing act. Jim’s formula gets you close enough to do refinements.I've always found the further you can get your speakers apart (boundaries notwithstanding) yields the best biggest image. Of course, appropriate toe - in, treatment, speaker type and listening preference also come into account. .83 IMO and IME is too close together.
Not really. If you place them too wide the center fill collapses. It’s a balancing act. Jim’s formula gets you close enough to do refinements.
Thanks Peter, agreed, 83% is a ratio, not a fixed distance. Also, I would call Jim's 83% a good starting point, along with the rule of thirds. You get a solid, dense, center image with a strong specificity of off - axis instruments, singers, etc. You may also get a bit more "meat on the bones". The tradeoff is that you end up with a bit narrower sound stage, and if you don't need / want extra "meat on the bones", you may also lose some clarity IME.As I understand it, the 83% is simply a ratio, not a fixed distance. Jim noticed this only after comparing the ratios of various set ups he completed. In other words, it is not the target, but a coincidence after the fact based on listening results of many, many systems that sounded right to him.
I would view it as a rough starting point based on Jim's observations and his extensive set up experience. Because it is a ratio, the distance between speakers will vary depending on room dimensions and seating distance from the speakers. The further away one sits, the further apart the speakers are from each other, based on this ratio.
Lee, I see you have Wilsons, notorious for setting speakers up close to side wall boundaries, so I find this particularly amusingNot really. If you place them too wide the center fill collapses. It’s a balancing act. Jim’s formula gets you close enough to do refinements.

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