Welcome to What's Best Forum's first member system visit video. In this video meet Jim Yager, who just installed PBN Audio's giant M777 loudspeakers, driven by Jadis JA30 amplifiers.
Welcome to What's Best Forum's first member system visit video. In this video meet Jim Yager, who just installed PBN Audio's giant M777 loudspeakers, driven by Jadis JA30 amplifiers.
Congrats, truly a fine system. Thank you for sharin.Welcome to What's Best Forum's first member system visit video. In this video meet Jim Yager, who just installed PBN Audio's giant M777 loudspeakers, driven by Jadis JA30 amplifiers.
What an amazing video of this beautiful audio room. Great overview of the room. Very nice interview of Jim talking about his gear. A big goldstar in the side line for his beautiful Montana turntable. Great job Ron, and again a very beautiful room Jim.Welcome to What's Best Forum's first member system visit video. In this video meet Jim Yager, who just installed PBN Audio's giant M777 loudspeakers, driven by Jadis JA30 amplifiers.
How many of these types of videos do you anticipate making? There are quite a few members local to you.
Welcome to What's Best Forum's first member system visit video. In this video meet Jim Yager, who just installed PBN Audio's giant M777 loudspeakers, driven by Jadis JA30 amplifiers.
Great video Ron. Looking forward to many more of them.great video Ron, a fun watch.
and congrats to Jim for a fine, well considered system. i enjoyed Jim's explanations of his reasons for, and results of, the changes. much to learn from that. as i recall i heard those speakers at the SoCal audio show a few weeks ago and was impressed.
I think it would be really cool if there was just a bit more emphasis on the sound of the system and why it sounds the way it does. For instance, around the 3:30 mark, Ron asks Jim about his optical cartridge and Jim explains what he likes about it and how it sounds different from the other cartridge. This would have been an excellent place to record two short clips from the listening seat of the same music being played by each cartridge. I know, this complicates things and would make the video longer, but it would also supplement what Jim is describing, and I personally would find it fascinating.
I see a real opportunity here to expose readers to gear in a home setting to broaden exposure and introduce them to stuff in a relaxed way. It could be such a good format for combining an owner's thoughts about a specific topic and then supported by actually hearing it.
Personally I would prefer Ron have the microphone at the sitting position. Having said that I agree with everything else you posted. It’s just I would like the recording to tell me what I would hear in the sweet spotWhat I noticed in this video, in common with most all videos which try to 'capture' the sound of a system, is that the sound picked up by the microphones is so indistinct and overcome with room ambience/echo that the 'system' might as well be a boom box from what I can hear. The only solution I can suggest is making a recording from a fixed position relatively close to the speakers, possibly using a portable stereo digital recorder. While this still won't capture the true sound of the system, it will at least have a fighting chance of capturing a good idea of what the speakers can do. Otherwise, great video!
What I noticed in this video, in common with most all videos which try to 'capture' the sound of a system, is that the sound picked up by the microphones is so indistinct and overcome with room ambience/echo that the 'system' might as well be a boom box from what I can hear.
The problem with that is that microphones don't hear the same way as humans do, and there would be way more apparent room ambience than a person would hear if in that position. Recording with a stereo dummy head would cure a lot of this but would require people listen through headphones to hear what's going on to best effect. To record with microphones, we need to 'cheat' the perspective in order to make up for that disconnect between what human ears pick up and what microphones 'hear' to have a more honest representation of the original sonic event. My years as a recording engineer has taught me that.Personally I would prefer Ron have the microphone at the sitting position. Having said that I agree with everything else you posted. It’s just I would like the recording to tell me what I would hear in the sweet spot
No need to go with high zoot Earthworks microphones - just a good handheld digital recorder placed probably 5' from the speakers would do it. The audio from that recorder could be edited into the soundtrack when the whole video is being edited.I understand, and I agree. Component zoom-ins and room pans and the like are shots solely for visual purposes. The sound recorded is strictly for fun.
If I wanted to start recording thoughtfully to capture as reasonably accurately as possible the sound of the system, I would position the two Earthworks microphones in the listening position on a mic stand and keep the video camera still.
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