However, does got to show that we cannot believe all of the things that we read in print.
But but but ... how are we mortals going to assemble a "great" system without such reviewer insight ...
However, does got to show that we cannot believe all of the things that we read in print.
LOL, very "diplomatic" response ...
Ha ha. It was real diplomatic wasn't it? I'll take fact over fiction any day of the week. If I present information that comes from a very well-respected reviewer like MC and you want to tell me he has no idea what he is talking about, I want to see some facts that backs up your assertion. If that's being argumentative, so be it.
Does that mean in 2010 Davey thought the tweeters were Esotar just like MC said in 1992?
(...) And let's count the MANY errors that even some of the most respected reviewers have made over the years.
tb1
It is why I discard strongly negative reviews - most of the time they are due to the inability of the reviewer of creating a system or proper listening conditions for this precise equipment or negative biases.
I did, but I did it unintentionally. I bought a pair of subs to go with my Def Tech speakers that cost almost $2K each and now I'm using them with the LS50s. My custom made Sound Anchor stands for the LS50s cost over half as much as the LS50s. Anybody else doing that? Does Davey have the SF stands to go with his SF speakers? If so, are those the stands you put the LS50s on? According to Martin Colloms, the stands are "no less than 39" tall" which is pretty tall and would possibly place the center of the LS50 driver over the top of your head. Now, since according to Davey Martin Colloms got it all wrong with regards to what drivers are in the GH cabinets, maybe Martin can't measure speaker stands either and the height is actually just perfect for the LS50s.
But back to your premise that no one is using a $2K sub with a pair of $1500 speakers because for $3500 you can really buy something special. Really? Like what?
Davey, nice post ...
1st, I have no experience with your specific speakers so I certainly won't quote some reviewer who probably has MUCH less experience with said equipment than the long time owner. That would be extremely presumptuous, wouldn't it (notice no question mark)
Davey, if you don't mind me asking, how "small" is your room, and therefore do you listen in the "near-field". I've recently moved from a relatively small dedicated listening room to a much bigger non-dedicated living room with HT system intertwined ... a learning experience & project upon itself.
tb1
TBone, Davey's room is small, but sounds excellent. He has some smart treatments, and he sits roughly 5 feet from the speakers. He also has some nice high ceilings. The whole house is rather lovely.
Davey seems like a very nice guy who's truly knowledgeable and very proud of his system, so I'm not surprised you enjoyed your visit ... my old room was similarly small, although a touch bigger. Some speakers, especially smaller "monitor" variants, are usually preferred with near-field listening, would you agree?
tb1
(Thiel CS2.4)
My CS2.4s have been in continuous production for almost 12 years. I think they are on to something.My experience with Thiel is limited to only a few demo's/auditions (models# I forget), the one thing I specifically recall about one specific in-home audition though ... when supplied with a good source & powered by older Classe amps ... truly impressive.
tb1
DaveyF is a very nice host with a wonderfully optimized system / I almost crapped myself when he showed me some of his rare pressings. I don't have a turn table set up at home.
I'm surprised that experience didn't make you rush out ... and buy a LP12.
tb![]()
Unfortunately, Daveys TT is being modded and readied for action
I have 5000 CD/SACDs and 500GB of hi rez stuff to keep me busy.
Davey, my apologies for hi-jacking your thread ...
Perhaps it's the Linn LP12 culture, but I'm betting many a LP12 owner would "keel" to upgrade.
SACD playback within my system has been mostly disappointing to date, except for the odd exception (all very expensive and hardly justified considering the available software I covet) but that said, one day I wish to adopt a hi-end computer based hi-rez source. Certainly that day beckons ... but unfortunately, I don't think it's going to be an easy transition within the context of my present system ...
tb1
Check out any of the Reference level Marantz players and true DSD SACDs
Recently auditioned a new Marantz "reference level" SACD player - and was impressed to a degree.
Actually, its CD performance impressed me more (not because it's was better than SACD, rather because it was better than anticipated considering my prior experiences with such players). The ONLY time I've been impressed with SACD as a true high-rez source was when playing true DSD material.
Hell, even the famed and much over-hyped Sony SCD1/777 players (which didn't fair well in my system) were relatively impressive when playing DSD based material ... but alas ... still not enough DSD based material exist (which I covet) to justify the expense.
Never-the-less ... the Marantz proved to be a very nice player indeed.
If and when I decide to buy into hi-rez digital ... hopefully it will include all digital formats.
tb1
I wasn't trying to play 'gotcha,' I was actually focused on the OP's review and discussion of the driver elements to the extent it provided additional information. I'm taking the high road, have no interest in proving anybody right or wrong. My main contribution to this thread- re optimization, rather than 'single variable' testing- was already addressed.
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