-it was probably some lousy digital that was making the speakers cringe.![]()
These were cringe-worthy DSD files I provided!
-it was probably some lousy digital that was making the speakers cringe.![]()
These were cringe-worthy DSD files I provided!![]()
Who wants a "lean and mean" speaker cable? I couldn't use my MIT bi-wire cables with the magic network boxes so I had to dig out an old pair of Synergistic Research cables that have the power supply to make them behave. They sound great with the LS50s.
See? I was wrong twice in the same day!
See? I was wrong twice in the same day!
I was not sure you could handle being wrong twice in one day.Played through the same dac you own no less.
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I have some killer drum tracks that I use to test systems with. I brought them to work where we have the LS50 and played them. I just about fell of my chair. I could not believe the way the LS 50s were reproducing the bass. Absolutely amazing. I kept thinking boy, had I forgotten how these speakers sounded and had *this much* bass. Right then my chief designer walks in and says he had just added the new Revel sub to the room! The sub was actually behind me in the corner. He had used the DSP programming to blend the sub with the LS50. The integration was amazing. I could swear the bass was coming out of the LS50 cones. Even after he told me I could not localize the sub.
The Revel sub took this speaker to a subliminal level. To this day I can't get over the amazing transformation that Revel provided to the set up.
So count me in the (converted to) subwoofer camp when it comes to LS 50. Of course, getting the subs placed and blended into the LS50 with smooth response is key. There will be many ways to do it wrong and have it be boomy, etc.
I have some killer drum tracks that I use to test systems with. I brought them to work where we have the LS50 and played them. I just about fell of my chair. I could not believe the way the LS 50s were reproducing the bass. Absolutely amazing. I kept thinking boy, had I forgotten how these speakers sounded and had *this much* bass. Right then my chief designer walks in and says he had just added the new Revel sub to the room! The sub was actually behind me in the corner. He had used the DSP programming to blend the sub with the LS50. The integration was amazing. I could swear the bass was coming out of the LS50 cones. Even after he told me I could not localize the sub.
The Revel sub took this speaker to a subliminal level. To this day I can't get over the amazing transformation that Revel provided to the set up.
So count me in the (converted to) subwoofer camp when it comes to LS 50. Of course, getting the subs placed and blended into the LS50 with smooth response is key. There will be many ways to do it wrong and have it be boomy, etc.
I really like the Mytek and I'm high on DSD files. One thing I'm pretty sure of is that how you heard the LS50s is not the way I hear them. I have four subs with 14" drivers with each of the four drivers having their own 1800 watt amp (not to mention another eight 14" passive radiators). My LS50s are sitting on custom made stands from Sound Anchor. I'm powering the LS50s with a Krell KSA-250 amp. There is nothing thin, bright, lean, or stressed sounding with my setup.
Andre-I said earlier that I have never heard the SF GH speakers and therefore have no idea how they sound. I know the woofer was made by Scanspeak and the tweeter is a Dynaudio Estotar. I'm a big fan of both of those companies and I trust that SF integrated them correctly in their beautiful enclosures.
Thanks. It is the new Revel B110: http://www.revelspeakers.com/Products/Details/231Great post! Price on the Revel sub?![]()
Thanks. It is the new Revel B110: http://www.revelspeakers.com/Products/Details/231
Check out the LFO (low frequency optimization) software there (runs on both Mac and Windows). It is really cool and best software I have seen for sub optimization.
Retail price is $2000.
Not necessarily, Andre. It gives you the flexibility to locate the woofer in the room in a way that optimizes performance and avoid some room interactions, while positioning the mid-tweets for best imaging, soundstage and all that other 'stuff.' As to price balance between the two aspects, perhaps, but the idea of separating the woofs from the rest makes good sense.Cool thanks.
But let's consider the possibility of an audiophile buying $1500 speaker and a $2000 sub.
IMO a foolish move since $3500 gets you into range where you can get a damn good integrated speaker.
I remember the SF from the 90's- it was a gorgeous looking speaker and an impressive listen; I imagine it probably ranks as a classic of its type. Just wondering whether you can claim to have fully compared the two speakers on a level playing field in this sense: I gather, perhaps mistakenly, that you had to use the Nordost cable for the KEF speaker to eliminate variables in your comparison. Though that may be sound scientific method, perhaps that cable, or even the amp choices, were not optimal for the KEF. I have found that the synergy of all components, including the wire, contributes to the overall result. Of course, changing other things, apart from the speakers, makes any comparison harder by far. And, I gather, given the little KEF's price point, perhaps the typical buyer wouldn't be spending crazy money on cables and amps to get to the best result. So, I'm not discounting what you heard, but question whether the 'isolating all variables' approach is a valid one for judging components, recognizing that this may lead to endless variables, chaos and, inevitable insanity. But, isn't that how we roll?![]()
Not necessarily, Andre. It gives you the flexibility to locate the woofer in the room in a way that optimizes performance and avoid some room interactions, while positioning the mid-tweets for best imaging, soundstage and all that other 'stuff.' As to price balance between the two aspects, perhaps, but the idea of separating the woofs from the rest makes good sense.
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