Natural Sound

Mr. Lamm liked his Russian tubes I guess because he was comfortable in what he knew about their performance characteristics. The 6C33c isn’t the most linear of triodes and has special heater and output transformer needs but it can sound damn good nonetheless. I have owned several amps with that tube (not a Lamm though) and still own an Ayon Spark that I use in my DIY active system.
The prettiest sounding amp I think I have owned though is my Silvercore 2A3 amp…you just melt when you hear it. Crystal clear mids with some softening of the frequency extremes…but that mid!!

Mr. Lamm liked his Russian tubes I guess because he was comfortable in what he knew about their performance characteristics. The 6C33c isn’t the most linear of triodes and has special heater and output transformer needs but it can sound damn good nonetheless. I have owned several amps with that tube (not a Lamm though) and still own an Ayon Spark that I use in my DIY active system.
The prettiest sounding amp I think I have owned though is my Silvercore 2A3 amp…you just melt when you hear it. Crystal clear mids with some softening of the frequency extremes…but that mid!!
Most set tubes last for 1000’s of hours, unfortunately the 633C isn’t one of them. The 300B, which can and was buried in the ground for telephone use can last upwards of 10,000 hours. Lamm couldn’t have foreseen the issues with Russia but I do wish he made some SET amps with more common tubes. Although I’m extremely happy with my Triode Corp 300b amps, I would have loved to try Lamm ML2’s on the Hartsfields. Too much risk now.

This is such a cottage industry/hobby, once a designer passes on, his company is essentially defunct.
 
Most set tubes last for 1000’s of hours, unfortunately the 633C isn’t one of them. The 300B, which can and was buried in the ground for telephone use can last upwards of 10,000 hours. Lamm couldn’t have foreseen the issues with Russia but I do wish he made some SET amps with more common tubes. Although I’m extremely happy with my Triode Corp 300b amps, I would have loved to try Lamm ML2’s on the Hartsfields. Too much risk now.

This is such a cottage industry/hobby, once a designer passes on, his company is essentially defunct.
I am getting surprisingly long life from the ones in my Ayon amp…not sure why but it just works year after year…
 
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Thats the mig jet socket millitäry quality the best in a long run

Yes, probably it was the best 50 years ago ... Before it rusted miserably. Just commented on the photo in the link you posted.

BTW, as far as I have read, the fighter jet story is a non documented legend, there is no evidence of it being installed in actual fighter aircraft.
 
Yes, probably it was the best 50 years ago ... Before it rusted miserably. Just commented on the photo in the link you posted.

BTW, as far as I have read, the fighter jet story is a non documented legend, there is no evidence of it being installed in actual fighter aircraft.
Then go ahead and buy some high-end Teflon socket that will then be boiled at 300° Celsius by the 6c33. I'm not forcing anyone to buy something like that. It's a series regulator tube in the mig 25 go to an aircraft museum and you'll know where it sits
 
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My speakers are specified as 16 ohm with 105 dB sensitivity. I have a small room and usually listen at levels around 70 dB with peaks around 85 dB. On rare occasions, I may blast some rock and reach 95 dB. I listen mostly to small and large scale acoustic music, both classical and jazz with some classic rock. I sit about 14' from my speakers. I figure that I use less than 1 watt or about 5.5% of available power for most listening. According to the measurements in my ML2 manual, total harmonic distortion plus noise is 0.5% for 1 W from 20-20KHz. It is 1% distortion plus noise at 5 W and 2% at 18 watts, levels I never reach.

The second criticism is that SETs can not do bass, and should therefore be used for the midrange and tweeter only. My corner horns use a compression driver from 500 Hz up to about 15K Hz. The 15" paper cone woofer fires into a folded horn with open back into the front corners of my room and radiate out along the front and side walls, extending the size of the horn. I figure total extension is from the mid 30s up to around 15K Hz, though I have not measured it. At some point I may look into two subwoofers driven by my second pair of ML2 amplifiers, but I am quite satisfied at the moment.

I do not question the claimed SET limitations, but I do not hear those limitations with my amp/speaker pairing in my room. Or, it is possible that I hear them, but do not recognize them for what they are. Regardless, I enjoy what I hear. Here is a recent video of a female voice and acoustic double bass. To me, this sounds open, effortless, extended and low in distortion. I hear clarity and energy.

Still going strong...

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The video was shot with a mobile device?
 

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