Why would anyone expect, or even want, consensus? Especially on this forum.
I think this is the best rationalisation and summation of the reality of virtually every audio thread ever written.
The market is the consensus, streaming is now 90% of music consumption, CD and vinyl just the crumbs…
…And so the lack of consensus on What's BEST will continue. The consensus on What's CONVENIENT has already been formed. The market has spoken there.
Marc I’m not sure what dimension the UK rematerialised in post Brexit but server file based audio is by faaaaar the least CONVENIENT sound source to setup, to maintain and among the most challenging to optimise. It makes alchemy look like a science and is wracked with pain.
There is more art tied up in the optimisation of a turntable, but there is nothing convenient about operating and maintaining server based music systems and without extraordinary support in setup and operation it is an anxious minefield for those of us who are computer challenged unless you can happen to afford Taiko… and even then.
CD players are easily the most convenient music source. CD as source is what I setup for my parents who are in their late 80’s and like so many of us old enough to qualify as audiophiles and to be not at all tech savvy but more likely tech allergic.
CD players are soooo convenient and easy and simple to setup and to use… they are the exemplar of being CONVENIENT. They are also much less absorbing to learn how to use. Immediately and reassuringly familiar and I’d suggest far less complex or possible or in needing to optimise… unless you’re still using green marker pens on the edges of your CDs.
I'm still considering streaming, because I know over time I'm missing out on a lot of new music.
Getting into server and file based music systems aren’t at all about convenience… they are a trial by fire… they're a complete pita initially and then quite often from then on in… and just when you think you’ve got it sussed out the compuuuter says nooo… and I’m not sure how many server setups even then are really that well sorted out. For those who’ve undergone the waterboarding in the setup process it’s not about ease (and never about convenience) but about the challenge of getting an immediacy of access to much of the storehouse of music world wide and creating the kind of learning environment to connect to and discover music and exposure to learn more about what makes for the greatest music performance.
To get to a tipping point where the challenges of that electronic environment aren’t a constraint to musical engagement only comes with a lot of time, a lot of commitment and/or expenditure to get a system setup properly and managed and used at its best… and even then the computer gargoyles will eventually update you with the kind of surprise they like to give you down in Tartarus.