Audio Note Kondo IO-XP cartridge

Congratulations.

IME SFz doesn’t like to be placed over another component. It performs best over its own feet on the rack. BTW it (SFz) should be set to balanced unless you’re experiencing a hum problem that you cannot solve.
Thank you @mtemur

The Weiss is turned off when i play vinyl.

Why balanced and not 1.5 ?

*edit

Never mind .. Read the
 
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@Juiced how does it sound?
Too early to say,
still fine tuning it.

- Unlike the Zyx u-ex100 which sounds best with sme s2 headshell.
the io-xp sound better with a much heavier headshell (ortofon lh-9000).

- switching back and forward between SME original tonearm cable and Kondo ls-41.
for now i'm sticking to the sme tonearm cable.

the io-xp is more nuanced but nothing jaw dropping.
 
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Thank you @mtemur

The Weiss is turned off when i play vinyl.
It doesn't matter whether Weiss is turned on or off. SFz sounds better on its own feet sitting on the rack.

Why balanced and not 1.5 ?

*edit

Never mind .. Read the
MC cartridges are inherently balanced sources, which is why using the SFz in balanced mode provides the best performance—and is actually the standard operating mode.

As stated on the page you linked:

“When there is no hum observed, use this unit at Balanced position for wider and deeper sound stage.”

Other options are for eliminating hum but switches the SUT into unbalanced mode, which doesn’t sound as good as balanced.

IO-XP doesn't sound as lively as IO-M. Personal preferences play a role.
 
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I’ve found the IO-m to sound very natural and with great instrument timbre and textures. It does not exaggerate anything.
It’s not a WOW cartridge. That’s why I like it, it creates music not sound effects.
From my experience with Zyx, they are more on the Wow factor, they have very open high frequencies but less accurate on the timbre and textures.
YMMV

P.S. I would place the Kondo SUT as far as I can from the phonostage.
Make sure you ground it on both directions.
Try grouding it to the TT as well.
The IO-m is an extremely sensitive cartridge, due to its low output and low impedance.
 
@iaxel spot on with the IO-M creating music not sound effects, I really enjoy this cartridge.

I’m curious to hear more feedback on the XP as well from others.
 
sticking to the original sme tonearm,
sounds amazing! and no hum on "balanced".

this cart and sut combo is really something special.

moved the sfz as far as possible

WhatsApp Image 2025-08-02 at 14.07.24.jpeg

and i really like the look of it

WhatsApp Image 2025-08-02 at 14.43.01.jpeg
 
“When there is no hum observed, use this unit at Balanced position for wider and deeper sound stage.”
With the Kondo LS-41 interconnects, the hum is only audible if I turn the volume knob all the way up, which is not feasible.
In normal or extremely loud listening, the hum is not audible at all.

It appears that in "balanced" mode, the entire length of the cartridge-to-SUT interconnect is much more susceptible to EMF.

So I'm guessing this is normal and I can leave it on balance..

What does Kondo mean by:
"use a 2-conductor type shielded phono cable"
"Please note that Balanced mode is not available with a turntable wherein shielded section is grounded."

I need illustrations to better understand o_O
 
With the Kondo LS-41 interconnects, the hum is only audible if I turn the volume knob all the way up, which is not feasible.
In normal or extremely loud listening, the hum is not audible at all.
That’s alright IMO

It appears that in "balanced" mode, the entire length of the cartridge-to-SUT interconnect is much more susceptible to EMF.
Certainly the other way around.

So I'm guessing this is normal and I can leave it on balance..
You’re right, balance is the normal operation mode of the SFz SUT.

What does Kondo mean by:
"use a 2-conductor type shielded phono cable"
"Please note that Balanced mode is not available with a turntable wherein shielded section is grounded."

I need illustrations to better understand o_O
There’s actually an illustration of this on the Kondo website.

It means that a regular tonearm cable with RCA terminations is required, but the negative conductor should not be connected to the shielding. A separate ground conductor should also be present. Additionally, the negative conductor should be the same type as the positive conductor, which is the case with most tonearm cables.

If the negative conductor (blue or green pins) is connected to ground, balanced mode will not be possible.
 
There’s actually an illustration of this on the Kondo website.

It means that a regular tonearm cable with RCA terminations is required, but the negative conductor should not be connected to the shielding. A separate ground conductor should also be present. Additionally, the negative conductor should be the same type as the positive conductor, which is the case with most tonearm cables.

If the negative conductor (blue or green pins) is connected to ground, balanced mode will not be possible.
yes i see it but can't read (yet) schematics

sfz_img5e.png

my ground connection setup, let me know if it’s ok :

sme 3012r >> kondo ls-41 rca-rca cable (no ground) >> kondo sfz
WhatsApp Image 2025-08-15 at 20.25.09.jpeg


kondo sfz >> built-in ls-41+ground cable >> ear 88pb phono input and ground
WhatsApp Image 2025-08-15 at 20.25.10.jpeg

micro seiki rx-5000air base ground >> ground cable >> ear 88pb second ground
Screenshot 2025-08-15 at 20.53.31.png WhatsApp Image 2025-08-15 at 20.25.09 (1).jpeg
 
yes i see it but can't read (yet) schematics

View attachment 156323

my ground connection setup, let me know if it’s ok :

sme 3012r >> kondo ls-41 rca-rca cable (no ground) >> kondo sfz
View attachment 156324


kondo sfz >> built-in ls-41+ground cable >> ear 88pb phono input and ground
View attachment 156325

micro seiki rx-5000air base ground >> ground cable >> ear 88pb second ground
View attachment 156326 View attachment 156327
The schematic shows the difference between balanced and unbalanced configurations. In unbalanced mode, set via the front selector, the negative signal is tied to ground. In balanced mode, the circuit uses the voltage difference between the positive and negative signals.

More importantly, your ground connection is incorrect and is likely causing a ground loop.
WhatsApp Image 2025-08-15 at 20.25.09.jpeg
In order to fix it:
- You should run a copper wire between the tonearm and the SUT ground taps indicated by the green line.
- The SUT’s ground wire is already correctly connected to the phono stage, and it should stay there.
- The ground wire from the turntable base/plinth is, in my opinion, unnecessary, since it will already be grounded through the tonearm ground wire—at least in setups where the armboards are metal. This is the case with the Air Force III Premium and the Kondo SFz. If grounding the plinth ever becomes necessary, the ground wire should be connected to the SFz SUT’s ground lug.

Side note: You should definitely remove the plastic caps indicated by the yellow arrows—they degrade the sound. Don’t forget to remove the ones on the amplifier as well.
 
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The schematic shows the difference between balanced and unbalanced configurations. In unbalanced mode, set via the front selector, the negative signal is tied to ground. In balanced mode, the circuit uses the voltage difference between the positive and negative signals.

More importantly, your ground connection is incorrect and is likely causing a ground loop.
View attachment 156333
In order to fix it:
- You should run a copper wire between the tonearm and the SUT ground taps indicated by the green line.
- The SUT’s ground wire is already correctly connected to the phono stage, and it should stay there.
- The ground wire from the turntable base/plinth is, in my opinion, unnecessary, since it will already be grounded through the tonearm ground wire—at least in setups where the armboards are metal. This is the case with the Air Force III Premium and the Kondo SFz. If grounding the plinth ever becomes necessary, the ground wire should be connected to the SFz SUT’s ground lug.

Side note: You should definitely remove the plastic caps indicated by the yellow arrows—they degrade the sound. Don’t forget to remove the ones on the amplifier as well.
Done.

Discovered something interesting
Connected the ground cable from the turntable plinth to a specific leg of the stand, and it lowered the hum more in balanced mode!

It only had an effect on a specific leg, which now acts and reacts like a ground rod.
It probably has something to do with the proximity to the tonearm cable.

WhatsApp Image 2025-08-16 at 01.57.37.jpeg
 
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maybe you should use a grounding wire as thick as possible, at least 1mm², it will have a lower resistance for the small voltage differences with grounding issues.
 
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maybe you should use a grounding wire as thick as possible, at least 1mm², it will have a lower resistance for the small voltage differences with grounding issues.
You are probably right.

I'll test it, see if I get better results.


I'm using a short steel wire from the VDH The-ISIS cable
 
maybe you should use a grounding wire as thick as possible, at least 1mm², it will have a lower resistance for the small voltage differences with grounding issues.
With kondo sfz set to "balanced” .

WhatsApp Image 2025-08-23 at 14.51.22.jpeg

and for some odd reason the stand leg that is under/closest to the tonearm increase or decrease ground hum if i touch it with anything conductive.
It's doing that just by proximity when nothing is physically connected to it!

So i have connected the stand leg to the turntable plinth ground pole and it really lowered the ground hum on "balanced”.
and if i touch the leg with my hand it lowers the hum a tiny bit more, with shoes or without.
It's like my body weights acts like a Entreq product or something.

WhatsApp Image 2025-08-23 at 14.51.22 (1).jpeg
 
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Try playing with the location of the SUT.
Place it as far as possible from the turntable and the phono/integrated amp.
Even place it on the floor the furthest you can from your electronics.
It may be some inductance from other transformers in your system (perhaps the one inside your integrated).
 
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There might be a grounding issue with tonearm. Try connecting a wire to the ground post of SFz without removing anything and connecting the other end to the headshell, armwand etc.
 
Oh, sorry—I think I made it sound like the hum is a serious issue.

It’s nothing like that.
I can hear the hum only at maximum volume, which I would never actually play.

I just noticed that at that volume, the hum decreases slightly when I touch the stand leg.

My amp is connected directly to the wall socket.

The phono is connected to the Puritan156, which is plugged into another wall socket on the same electrical line.
 
My amp is connected directly to the wall socket.

The phono is connected to the Puritan156, which is plugged into another wall socket on the same electrical line.
That’s the issue. All components (amp, phono stage, etc.) must be connected to the same socket/electrical line in order to prevent ground loops. You should choose either to connect them all directly to the wall or all to the AC filter. There shouldn’t be any difference in hum when you touch, even at maximum volume.
 
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That’s the issue. All components (amp, phono stage, etc.) must be connected to the same socket/electrical line in order to prevent ground loops. You should choose either to connect them all directly to the wall or all to the AC filter. There shouldn’t be any difference in hum when you touch, even at maximum volume.
That’s what I have suspected.

Been searching for a unfiltered power strip that will be a good match with kondo amp and phono, any recommendations?

thinking of ordering this furutech
 

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