Thank you @mtemurCongratulations.
IME SFz doesn’t like to be placed over another component. It performs best over its own feet on the rack. BTW it (SFz) should be set to balanced unless you’re experiencing a hum problem that you cannot solve.
Too early to say,@Juiced how does it sound?
It doesn't matter whether Weiss is turned on or off. SFz sounds better on its own feet sitting on the rack.Thank you @mtemur
The Weiss is turned off when i play vinyl.
MC cartridges are inherently balanced sources, which is why using the SFz in balanced mode provides the best performance—and is actually the standard operating mode.Why balanced and not 1.5 ?
*edit
Never mind .. Read the
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SFz MC step-up transformer | AUDIO NOTE
www.audionote.co.jp
With the Kondo LS-41 interconnects, the hum is only audible if I turn the volume knob all the way up, which is not feasible.“When there is no hum observed, use this unit at Balanced position for wider and deeper sound stage.”
That’s alright IMOWith the Kondo LS-41 interconnects, the hum is only audible if I turn the volume knob all the way up, which is not feasible.
In normal or extremely loud listening, the hum is not audible at all.
Certainly the other way around.It appears that in "balanced" mode, the entire length of the cartridge-to-SUT interconnect is much more susceptible to EMF.
You’re right, balance is the normal operation mode of the SFz SUT.So I'm guessing this is normal and I can leave it on balance..
There’s actually an illustration of this on the Kondo website.What does Kondo mean by:
"use a 2-conductor type shielded phono cable"
"Please note that Balanced mode is not available with a turntable wherein shielded section is grounded."
I need illustrations to better understand![]()
yes i see it but can't read (yet) schematicsThere’s actually an illustration of this on the Kondo website.
It means that a regular tonearm cable with RCA terminations is required, but the negative conductor should not be connected to the shielding. A separate ground conductor should also be present. Additionally, the negative conductor should be the same type as the positive conductor, which is the case with most tonearm cables.
If the negative conductor (blue or green pins) is connected to ground, balanced mode will not be possible.




The schematic shows the difference between balanced and unbalanced configurations. In unbalanced mode, set via the front selector, the negative signal is tied to ground. In balanced mode, the circuit uses the voltage difference between the positive and negative signals.yes i see it but can't read (yet) schematics
View attachment 156323
my ground connection setup, let me know if it’s ok :
sme 3012r >> kondo ls-41 rca-rca cable (no ground) >> kondo sfz
View attachment 156324
kondo sfz >> built-in ls-41+ground cable >> ear 88pb phono input and ground
View attachment 156325
micro seiki rx-5000air base ground >> ground cable >> ear 88pb second ground
View attachment 156326 View attachment 156327

Done.The schematic shows the difference between balanced and unbalanced configurations. In unbalanced mode, set via the front selector, the negative signal is tied to ground. In balanced mode, the circuit uses the voltage difference between the positive and negative signals.
More importantly, your ground connection is incorrect and is likely causing a ground loop.
View attachment 156333
In order to fix it:
- You should run a copper wire between the tonearm and the SUT ground taps indicated by the green line.
- The SUT’s ground wire is already correctly connected to the phono stage, and it should stay there.
- The ground wire from the turntable base/plinth is, in my opinion, unnecessary, since it will already be grounded through the tonearm ground wire—at least in setups where the armboards are metal. This is the case with the Air Force III Premium and the Kondo SFz. If grounding the plinth ever becomes necessary, the ground wire should be connected to the SFz SUT’s ground lug.
Side note: You should definitely remove the plastic caps indicated by the yellow arrows—they degrade the sound. Don’t forget to remove the ones on the amplifier as well.

You are probably right.maybe you should use a grounding wire as thick as possible, at least 1mm², it will have a lower resistance for the small voltage differences with grounding issues.
With kondo sfz set to "balanced” .maybe you should use a grounding wire as thick as possible, at least 1mm², it will have a lower resistance for the small voltage differences with grounding issues.


That’s the issue. All components (amp, phono stage, etc.) must be connected to the same socket/electrical line in order to prevent ground loops. You should choose either to connect them all directly to the wall or all to the AC filter. There shouldn’t be any difference in hum when you touch, even at maximum volume.My amp is connected directly to the wall socket.
The phono is connected to the Puritan156, which is plugged into another wall socket on the same electrical line.
That’s what I have suspected.That’s the issue. All components (amp, phono stage, etc.) must be connected to the same socket/electrical line in order to prevent ground loops. You should choose either to connect them all directly to the wall or all to the AC filter. There shouldn’t be any difference in hum when you touch, even at maximum volume.
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