I dropped out of audio about 10 years ago, to return this last summer. Last I knew, a pair of Spendor S100s sold for ~$3500. Now they're, what, ~$12,000? Can't imagine they sound any less than than Marlon Brando's voice as the Godfather. When I sold gear in the late-90s, a CAT was the most expensive preamp in the store and a pair of Audio Physic Virgos (S'phile Class A) sold for ~$5500. The sticker shock of today's pricing is yet to wear off.
As for the $35K arm, well, why not? It's a free market. We don't have to buy it, not as if I personally ever could. At the same time, we don't have to accept the pricing as a sonic determinate. Meaning, this arm shouldn't necessarily be taken more seriously than, say, a Graham solely due to its positioning. There's a conquest buyer for everything. It's a nice carrot.
I know a couple of things - the tonearm is designed for the characteristics of the grooves of an LP. The bass is mono and hence cut horizontally. The high frequencies are stereo, hence the motion of the stylus in vertical. So, the tonearm has two different geometries - a shorter length and hence lower effective mass for horizontal, and a longer length and higher effective mass vertically.
I dropped out of audio about 10 years ago, to return this last summer. Last I knew, a pair of Spendor S100s sold for ~$3500. Now they're, what, ~$12,000? Can't imagine they sound any less than than Marlon Brando's voice as the Godfather. When I sold gear in the late-90s, a CAT was the most expensive preamp in the store and a pair of Audio Physic Virgos (S'phile Class A) sold for ~$5500. The sticker shock of today's pricing is yet to wear off.
We shouldn't Shaffer but we do.
I can bet you this is the first of several arms costing much more. It won't take long. And because of its price it will be considered as the arm to own. From the pictures of the arm here, the construction doesn't seem any extraordinary, compared to the exquisiteness of a Triplanar, Durand Telos or a Graham 1.5T .. Maybe the sound is the difference ... Anyhooo
I am at the low scale of the story with a SME iV.. So I am sure SME will be next with a SME X in the neighborhood. Come to think .. Tonearms manufacturers have been holding back for a while in this world of 100K TT Now the Pandora box has been opened![]()
No sure I understand this one but. Care to elaborate?
This thread should be a sticky. The moderators can just substitute the name of the next expensive audio product to be released and we can save everyone a lot of time and anxiety.
FWIW, as in all product categories in a (more or less) free market, whether they be $25,000+ handbags, $295 hamburgers, ad infinitum, there will invariably be a product that sets the far extreme of expense. Each individual must make their choice whether they a) receive fair value for the expense and b) have the wherewithal to afford said expense. That someone makes the decision to purchase an extremely expensive product does not invalidate your choice not to purchase it or to purchase something much less costly.
THAT said, Gary, when are you bringing the tonearm to my place so I can hear it in my system![]()
THAT said, Gary, when are you bringing the tonearm to my place so I can hear it in my system![]()
The Air Tangent cost 12k (a bit more with the remote control VTA option) 10 years ago and nobody screamed. What would that be in today's pricing? Did anyone scream about the price of the Goldmund Reference table--despite the difficulty keeping the table and especially the arm, aligned and running.
You know I am really shocked by how everyone has ganged up on Gary regarding the price of the Vertere and virtually no one has talked about how it sounds (I will hopefully get to hear it tomorrow at the show). As has been said before, show me ANY product in ANY market where the BEST is the cheapest? A rarity if it happens.
Besides which, this forum is about what's the best sounding audio products and in Gary's humble estimation (I do think he does have some credibility as a manufacturer), this is the best arm he has heard. Others may disagree but as has also been said here many times--and many have been correctly criticized--how can anyone comment on the sound without having heard the arm??? Or for that matter actually seen the arm close up and personal? No one is twisting anyone's arm to buy the tonearm.
I think Gary deserved the benefit of the doubt here guys!
That's because I had the time to quiz the engineers, and I helped write the English version of the brochure. This arm I only saw for the first time on Sunday. I'm quizzing Touraj, but he's a bit cagey about some of the things that he's incorporated. He spoke to Robert Harley for much longer than he did me.
I know a couple of things - the tonearm is designed for the characteristics of the grooves of an LP. The bass is mono and hence cut horizontally. The high frequencies are stereo, hence the motion of the stylus in vertical. So, the tonearm has two different geometries - a shorter length and hence lower effective mass for horizontal, and a longer length and higher effective mass vertically.
This gives the tonearm a higher resonance frequency horizontally and a lower resonance frequency vertically. The result to my ears is that bass is tighter, better defined and more dynamic, but with no loss of clarity, air and shimmer in the higher frequencies.
Here's a picture of the man reading WBF and going WTF?
View attachment 7514
and what's a leaf bearing?
they had leaf springs on old cars.....
http://en.wikipedia.org/wiki/Leaf_spring
i would assume there is some sort of pivot point and a hanging mass to spring off it.
Myles
I don't see the issue as ganging on Gary. It is a fair question to ask.
(...) You know I am really shocked by how everyone has ganged up on Gary regarding the price of the Vertere and virtually no one has talked about how it sounds (I will hopefully get to hear it tomorrow at the show). As has been said before, show me ANY product in ANY market where the BEST is the cheapest? A rarity if it happens.
Besides which, this forum is about what's the best sounding audio products and in Gary's humble estimation (I do think he does have some credibility as a manufacturer), this is the best arm he has heard. Others may disagree but as has also been said here many times--and many have been correctly criticized--how can anyone comment on the sound without having heard the arm??? Or for that matter actually seen the arm close up and personal? No one is twisting anyone's arm to buy the tonearm.
I think Gary deserved the benefit of the doubt here guys!
Not only is price an integral part of the equation, it is also one of the factors that establishes credibility in one's mind. There is nothing unfair or negative about discussing price and value...
Ack,
How do you establish the value of a tonearm without listening to it in an adequate system and comparing it with alternatives?
IMHO, reverse engineering is not the a proper way of establishing it. It is nice to please our curiosity, but nothing else, unless it was all a scam.
BTW, I have no doubts that if all members of WBF would join to place a common direct order the price could reduce to less than usd 12000 ...![]()
Value is a very subjective thing - didn't we cover this? Reverse engineering works very well for me and it's a big part of the equation to me - notice, it's not the ONLY factor in the equation; I simply don't buy into the 'how it sounds' as being the sole determining factor - exactly more so here where it's virtually impossible to A/B arms. There is a LOT to be had by exploring the technology behind each component, and it's exactly because most manufacturers themselves use technology to their benefit in their designs; I truly do not believe in magic. Similarly, I got a pretty good idea of how a BMW drives before I ever drove one, and I placed a _partial_ value on these cars based solely on things like weight distribution, gear and drive train ratios, torque et al. So you can assume that to me, there is absolutely no personal value in any high end component if the technology isn't there, and on the other hand, technology, if it's there, offers a large partial value.
EDIT: When I redid my crossover with Mundorf parts and made other structural modifications, I had nothing else to base the value of the changes but technical information and calculations; the audible results were as expected - technology at work.
EDIT: When I redid my crossover with Mundorf parts and made other structural modifications, I had nothing else to base the value of the changes but technical information and calculations; the audible results were as expected - technology at work. I am not buying another speaker that won't push its crossover bar as high.
(...) There is a LOT to be had by exploring the technology behind each component, and it's exactly because most manufacturers themselves use technology to their benefit in their designs; I truly do not believe in magic. Similarly, I got a pretty good idea of how a BMW drives before I ever drove one, and I placed a _partial_ value on these cars based solely on things like weight distribution, gear and drive train ratios, torque et al. So you can assume that to me, there is absolutely no personal value in any high end component if the technology isn't there, and on the other hand, technology, if it's there, offers a large partial value.
my Durand Telos lists at $16,500 (last time i checked).
a month or so ago i was able to audition a 'hot-rod' upgrade to my Telos, a substitute of a Sapphire cartridge plate for the metal one that is standard. i'll just say that it was easy to hear how it exposed the distortion of the metal cartridge plate. this Sapphire cartridge plate costs around $5k. i decided once i heard what it does to buy it....which pushes my Telos to $21,500.
having a Sapphire cartridge plate made is not cheap. whether 3 or 5 or 100. i could hear what it obviously did for the performance.
all i'm saying is that there are pieces that are not cheap to make that are very expensive. if they provide clear performance improvements then one has to make a decision how important those improvements might be.
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