Interesting seeing these comments about the VM95SH from a few years ago. I discovered this cartridge over the last year or so, and now have a couple of them, one stock and one with a RigB body. I also have a few of the shibata, elliptical and micro line styluses.
I too have been extremely impressed with the cartridge, cheap though it is. I have not had a $20,000 cartridge, but I have had things such as Lyra Etna SL, Van den Hul Colibri, Zyx Ultimate, Phasemation PP2000, Benz LPS, Transfiguration Proteus and others. My current MCs are a Lyra Delos, Ortofon Jubilee and Cadenza Bronze and Zyx 4D.
In many ways, the VM95 is not as good as any of these cartridges. It is even not as good as the slightly more expensive AT mm cartridges such as the VM540ML and VM740ML. Certainly in hifi terms the MCs sound more balanced, more detailed, more nuanced. The (slightly) more expensive AT cartridges have more inner detail and a bigger soundstage.
And yet the VM95SH and VM95ML are amongst the most musically satisfying cartridges I have heard, more so than some MC cartridges in the $5-10k range. They are well balanced, have a full, sweet tone and convey the heft and fullness of music. For example, in symphonic music, a good MC cartridge will bring out the inner detail of the string section, but often it will sound thin and lacking the fullness we hear in the concert hall. The VM95 does not let you hear the inner detail of the orchestra, but it does convey the fullness, that big envelope of sound that the string section produces. Similarly, play some jazz with a walking acoustic bass line - the VM95 reproduces that bass line with a palpability and a presence that I have heard from few other cartridges. It manages to convey the joy and emotion of music, where many expensive MCs can reproduce the details but somehow miss the purpose of the music.
The VM95ML is in my view the best of the VM series (and the good news is that the styluses are cheap and interchangeable once you have the cartridge body) with the SH stylus sounding a little warmer but less incisive. The RigB version of the body is better still, and tightens things up slightly without losing what is great in the cartridge.
Most people buying cheaper cartridges will naturally be using them on cheaper turntables, arms and phono stages, and anyone hearing the cartridge on this type of system might naturally dismiss it. I am using mine with a PTP Solid 9, and either Audio Origami PU7 titanium arm or Ortofon AS 212R arm, both extremely good arms. The best phono stage I have with MM capability is my Ayre P5Xe. These components are far from the extreme high end, but are significantly above the entry level turntables that would normally use these cartridges, and show that they really do benefit from high quality ancillaries. The new Ortofon arm in particular has been a spectacular match with the VM95.
Given their extremely cheap price (by the standards of this forum) it is definitely worth experimenting with the VM95 series.