probably i have immortalized this cartridge in my brain but my all time fave is the ADC XLM-original version. it had the full, round, buoyant bass of the real thing, wonderful mids with wide open staging and imaging, and a top that made cymbals reminiscent of what i have heard live. it was mounted on a rabco st4 and later a grace 707.
since then i used numerous carts including the grado f1+ which was better than it should have been and the equivalent of the black (fte+1) that was likewise. there have been ATs including the ML170/150 (nice), stanton 881s (tasty) a couple of ortofons, a krell mc (miyabi), FR1IIIf (excellent), oc9II (likewise), and currently i have revisited my grace f9e. it keeps reminding me why it is highly sought after.
somewhere in the middle of things i uses a micro-acoustics 2002e which i dearly loved. very linear, great staging and imaging, great tracking. too bad someone doesn't pick up THAT flag.
all this on the following system:
http://cgi.audioasylum.com/systems/588.html
i spent many hours listening on my friend's system to the orofon kontrapunkt b which i would dearly love to own.
i owned a new original sumiko blue point with the styrene pmount adaptor (yes, it was a pmount). i bought the lyle cartridges aluminum block adpaptor which ameliorated its mediocre top and bottom performance, which did not keep up with its exemplary midrange sound and imaging. even THAT didnt make it totally acceptable. my friend had a BP2 which we called he boxcar, and it was only about equal to the BP1/Lyle block mod.
i once owned a v15III but couldn't stand it. i do own a v15Vxmr mounted nicely on a sumiko hs12 headshell and could never warm up to it as it is ultimately uninvolving. i would truly like to get the jico SAS stylus for it as i have heard that it cures the problem. perhaps someday.