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Fabulous coverage Ron. Pictures don't do the justice that these snippets of each room show
THX Ron! Great montage of rooms there... That 6 box Evolution speakers system is pretty wild... I once had Infinity IRS Betas... I thought 2 panels and 2 huge sub boxes was a lot! Of course the IRS beta towers were 'only' 1.7 meters tall... not over 2 meters like your Gryphons.
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THX Ron! Great montage of rooms there...
That 6 box Evolution speakers system is pretty wild
I once had Infinity IRS Betas... I thought 2 panels and 2 huge sub boxes was a lot! Of course the IRS beta towers were 'only' 1.7 meters tall...
not over 2 meters like your Gryphons.
The biggest system I ever had was 2 pairs of Acoustat Spectra loudspeakers, stitched together with an Accuphase F-25 active crossover. The Acoutstat Spectra 2200 ran down to 100 hz and then I crossed them to the Acoustat Spectra 4400 as sub woofers (they are full range speakers but the 2200s were more transparent in the mids and highs). The Spectra 2200s are 1.7 meters tall and the Spectra 4400s are 2.4 meters tall! The Spectra 4400 were flat to 20 Hz in my room and had the tightest and most authoritative bass I ever had (even better than the Betas 4 x 12 servo controlled woofers). Acoustat used a thicker film than most other electrostats, which A) helped their longetivity greatly (they never need refurbishment unless physically damaged...and they don't arc) and B) gave them much more heft in the bass, which is a common complaint about electrostats. They had bass slam!Thank you!
It is a striking-looking speaker system to me! I'm very curious about the woofer driver design.
I think in my video you can see them pumping hard even on Eva Cassidy. So I think there might be something interesting and unusual going on in that design.
I remember pining over the Betas. But today the real biggies, obviously, are Gary's Genesis 1.1/Dragon/Prime loudspeakers.
As a result of a religious experience of the audio nature at Lyric Hi-Fi in 1987, the IRS V is the speaker that got me into this hobby. I love the lineage of how the Pendragon is Flemming's tribute to the IRS V.
Gary's design choices in the big Genesis versus Flemming's design choices in the Pendragon remain a source of fascination for me.
Sounds like a very interesting speaker system/set-up. Why did you ever wander away from that?The biggest system I ever had was 2 pairs of Acoustat Spectra loudspeakers, stitched together with an Accuphase F-25 active crossover. The Acoutstat Spectra 2200 ran down to 100 hz and then I crossed them to the Acoustat Spectra 4400 as sub woofers (they are full range speakers but the 2200s were more transparent in the mids and highs). The Spectra 2200s are 1.7 meters tall and the Spectra 4400s are 2.4 meters tall! The Spectra 4400 were flat to 20 Hz in my room and had the tightest and most authoritative bass I ever had (even better than the Betas 4 x 12 servo controlled woofers). Acoustat used a thicker film than most other electrostats, which A) helped their longetivity greatly (they never need refurbishment unless physically damaged...and they don't arc) and B) gave them much more heft in the bass, which is a common complaint about electrostats. They had bass slam!
Sounds like a very interesting speaker system/set-up. Why did you ever wander away from that?
I was looking for some kind of explanation about the mic location relative to the system in each room.
There is a sameness to each video.
I would’ve expected a greater variety of sounds from the various systems.
How can you determine that whatever you are hearing is not approximately representative of the sound in the room this if you weren't there?
Why?
Based on what I hear on the video, to me, and only to me, based on what I hear, there is a sameness to the sound from each room/system, with only a few exceptions.
. . .
What I can not determine is if the systems all sounded more or less similar, or if the recording technique presents a more or less sameness to the viewer/listener.