Nice review. Class D has improved over the dry, musty upper midrange of the past. They used to make me cringe with that sort of flat, dry sound.
I picked up some Rotel surround amps (ICE) from around 2008 for a couple of hundred and was surprised that they sounded really good. No harshness, wide imaging and very fast detailed response. Musty sound gone. I use them to have a ‘hot weather’ system without the hot amplifiers I typically use. Wavacs are reserved for late fall to early spring.
So then I also got the most economical GANfet, the mini Gan 5, used. It really sounds good, especially for such a compact, cool package. It seems quite a bargain for both power and sound quality.
My generalizations are that these particular Class D amps seem to be linear sounding (maybe because of the PCM chopping and reconstruction process?) with high and wide sound that is ‘optically’ correct on imaging. They are not the last word on depth, but percussion speed is very fast sounding and detailed. They are ‘literal’ amps, without that being pejorative. I can have a satisfying audiophile experience listening to them.
I think these Class D as I have at least put the standard BJT push pull AB types to bed, but other amp types (Class A, SET etc.) can still have magic that is desirable. At least with my particular Class D samples, the traditional types of tube etc. have better depth of field and the ‘swelling’ effect of outward bound, back and forth distance effects, texture etc.
Of course, the Atma-Sphere Class D are craft devices and are surely better than what I have, especially with the enhanced GANfet tech.