In the last 9 nights, I had the main system playing from the time I get home until the next morning when I leave for work. After listening, I have left my bedroom door open, commanded the Hegel Mohican to go into repeat cd mode! doze off to dreamland and then awake to beautiful music the following morning.
From inside my bedroom, it sounds like there is a live performance in the next room. For example, a piano will sound like there is a piano being played in the next room. The entire frequency is very evenly reproduced, there is no frequency that's emphasized. The dynamics are unrestrained allowing the loudness to freely ascend and descend.
Inside the music room, the presence of the piano is felt. The sense of it vibrating there, its resonance, its woodiness. It simply and distinctly sounds like a piano.
On my listening seat, the soundstage is huge, really big. When I turn my head to the left, the stage extends yonder beyond the left side wall. I feel the same sense of the right side wall disappearing and the soundstage extending through the wall when I turn my head to the right. Instruments and singers are life size. The layering I initially missed is plain to hear. I can tell when a singer is more stage front than another Singer. In a chorus, I can tell the singers are of different heights. The voices are beautifully distinct from each other. The soundstage is exactly the same as with the Spectral DMA360 S2. It starts from the front of the speakers and extends right through the back wall. The frequency range is extended and very evenly done. The bass is full and satisfying even without subwoofer. The highs are extended, even delicate sounds are not just hinted but realistically blended in. The ambience is not too obvious or even slightly emphasized, it is just the way it is when attending the show. It is amazing how busy the stage can get with the amount of details that are resolved yet it is not difficult to track the details. The sound is so devoid of "hifiness" the chain of equipment used to reproduce the music does not seem to exist. There is no listening fatigue. It's amazing how musically satisfying it is and how quickly time flies by.
So far I have yet to hear of anyone who has asked Leif for a loaner pair of MB cables to audition who hasn't purchased the cable. They are something all audiophiles need to hear in their own system
Thank you Steve.
I will definitely invite Jerry and Philip over.
I suppose it is the top to bottom extension of the frequency range and the even handedness in its execution that makes instruments sound so complete and so real. I am beginning to feel that cables may be more important than electronics and speakers. I feel excited to rotate all my amplifiers into the system. And I am not even listening to a full loom.
Enjoy Steve.
I have received from confidential sources information indicating that the hyperbole police are focused on this thread, and that charges are being prepared.
I have received from confidential sources information indicating that the hyperbole police are focused on this thread, and that charges are being prepared.
Thank you Steve.
I will definitely invite Jerry and Philip over.
I suppose it is the top to bottom extension of the frequency range and the even handedness in its execution that makes instruments sound so complete and so real. I am beginning to feel that cables may be more important than electronics and speakers. I feel excited to rotate all my amplifiers into the system. And I am not even listening to a full loom.
Enjoy Steve.
I agree with Ron about the hyperbole, but the more I read about these cables, I must confess, the more curious I've become. I would really like to hear them in a familiar system or my own to see what all the fuss is about. It may be very well justified.
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