
The House Of Gryphon, initial set-up was with the Diablo 300 driving the Trident II.



Pantheon & Trident. I'm 6' tall (1.85m) as a point of reference.

That's a v nice high powered class AB on the rear panel of the Trident II.
I had the opportunity last month to spend a day listening to the Trident II with the Diablo 300, Antileon EVO, Colosseum & Mephisto. Preamps were mainly the Zena but also the Pandora. Source was the Mikado CD player feeding the Legatto DAC.
Sonically, we are enjoying the Pantheons immensely and think that they are a bargain in high end terms; even in our large living / listening room, we have found the bass to be nicely textured with lots of definition & articulation. They throw a wide, three dimensional soundstage and will rock out when needed and disappear like mini monitors if properly installed. The most telling feature is their ability to convey emotion & passion; they can easily bring an adult to tears listening to an emotional performance (such as Pandora, my wife while listening to Foy Vance "It Burns"). If you turn up the volume in anger, for an iconic rock classic, such as LZ's "Whole Lotta Love" - we have measured 110dB at the listening chair, with the speakers just ambling along nicely. In contrast to the Vivid Giya G1 series 2, the Pantheon are richer & more musical sounding, while the Giyas are more resolute for listening to the recording. So do you want to listen to the music or the recording ?
Trident II; what do you get if you spend three times as much money as the Pantheon ? The cheapest Gryphon monoblocks are more than half the price of the Tridents, so that is a major consideration. The Tridents are a sealed enclosure, versus ports in the Pantheon. The Tridents are 3dB less efficient than the Pantheon as a result. Not having any ports, mean that the Tridents are easier to position in a room. With adjustable dampening & amplitude from the listening chair via remote control, means that the speakers are easier to dial in.
Trident II are extremely impressive both sonically & visually. Its a sealed cabinet, with tighter & more articulate bass than the Pantheon. Where the Trident differs from most of the competition is that it has a huge class AB amplifier bolted to the rear panel that drives the four woofers. The amp is rated at 500W RMS or 2,000W peak power. So the mids & highs are 95dB efficient, in reality you only need a good 20W amp to drive these; so an excellent 845 amp would do the trick, as would any of the Gryphon class A amps. So how does it sound ? No surprise that it sounds like a scaled down Kodo versus a larger Pantheon. I really like the Mundorf air motion transformer found in all the Gryphon speakers, wonderfully airey highs, the transition between all the drivers is absolutely seamless. The tonal texture is sophisticated enough to allow one to differentiate between a Guarneri or a Strad or a Hamburg Steinway versus a New York Steinway. Even the Diablo 300 had a wonderful relaxed presentation driving the Tridents, clearly we were listening to the low powered class A output of the Diablo 300 - effortless is what came to mind.
Personally, I hope to swing later on in the year, the Trident II with Colosseum monos with either walnut burl side panels or red leather with black stitching. More anon.