Fantastic story...very methodical! Mine:
Background
We tried Entreq the Silver Tellus around the time we were auditioning the Tripoint Troy SE. Overall, the overall clarity and articulation that came from the Tripoint won out, and I was very happy to go with Troy SE at the time. However, I still remember the Entreq possessed a particular strength with rhythm and particularly the power and timing of upper bass that was really special...and I never forgot that.
Fast forward 10 years Later
Like you, I was contemplating new things in grounding. However, my first approach was to REPLACE/UPGRADE the Troy SE to something bigger/badder...with Tripoint. At the same time, remembering the 'talents' of Entreq and now hearing about lots of other brands, I thought I should investigate SGS as well as Entreq. I did some calling around.
Enter Entreq Tungsten Generation
Entreq's distributor here made it super easy, and we ended up bringing over a sample system of 2 components to try. This was their latest Tungsten generation of grounding boxes.
Combine that with their Peak 4 binding posts and their Olympus grounding cables...wow. Remarkable density of tone, ease of complex orchestral music that removed the sense of mechanical reproduction...but overall, it gave the system a similar 'foundational power' that the original Gryphon Mephisto was so well known for...but now with the articulation and delicacy (and surprisingly greater extension) of the Robert Koda K160s.
Ready to substitute Tripoint for Entreq?
So with the trial going well, I removed ONE cable from the Tripoint in getting ready to have only the Entreq...big mistake! Things started to collapse from clarity and soundstage...yeeks...put it back right away!
Now What? Keep them both!
And that is exactly what we did:
Tripoint Troy SE (Tripoint Grounding Cables...standard)
- Zanden Chassis - all 4-boxes
- Torus and Burmester 948
- Kaleidescape
Entreq Dual Plutons & Single Infinity Tellus Tungsten (Peak 4 binding posts and Olympus reference grounding cables)
- Robert Koda Pre - Special Chassis Grounding point
- Robert Koda Amps - Special Chasses Grounding point + Plus using the Single Infinity Tellus Tungsten to add an entire extra module to boost the grounding for the heavier amps
- Signal - Zanden
- Signal - Robert Koda Pre
- Signal - Sub
Result?
The above is still burning in...around day 3...takes about 9.5 days to get there because the grounding cables are extremely long due to placement...normally takes around 5.5 days...but the improvements already are:
- all the clarity, extension that you get with Tripoint...and it is truly extreme in its ability to enable that clarity
- a remarkable sense of power, grace and ease with the Entreq...
- also a true sense of real-life body, density of tone
- and a sense of FILLED SPACE (ie, in the same way a jazz club does not have 5 separate instruments in their own space, but more a sense of a cohesive large sound wave coming forward, with occasional added locate-able sound from a single drum strike or sax note) With the addition of the Entreq you get that same sense of a properly filled, real-life space where you can tell where individual instruments are, but the space in between is not dead but comes alive with ambient noises, along with that sense of cohesive large sound wave
- And yes, bass and timing are just off the charts...electronic music is sensationally powerful, articulate and the timing brings multiple sounds like whispers or wind (once perceived as just randomly added to the track) together in perfect rhythm (on beat or syncopated) with the main beat...remarkable.