Peter,
I didn't have the time to address your posts during the day, so I'm doing it now. I'm flattered that you found 99% of my post to be correct. What I cannot understand though, is your very presence in this thread.
You said you were 'invited', and gave us a link to the post #157 (http://www.whatsbestforum.com/showthread.php?12023-Trinity-DAC&p=238432&viewfull=1#post238432). I went to this post, and apart from mentioning your DAC and posting a link to a review on 6moons, the poster didn't say a single word which could make you feel invited to start posting here (If there was anything strange about this post, is the very fact that someone made an effort to register to the forum, only to write a single post with the info on your DAC - but that is another story ...).
There have beed quite a few DACs mentioned in this thread - MSB, dCS, Zanden, CH. And yet, I haven't seen Martin Reynolds of dCS, Larry of MSB or Florian Cossy of CH joining the thread, not to mention bashing competing product ! That would be simply unimaginable ! Those guys are real gentelmens (and above all - have better things to do).
I first wanted to write that you do not even realise, how wrong you are speculating about the PN figures of this OCXO, which FYI performs MUCH better than the $30 Crystek XO you are using, both in ppm and PN figures (not to mention implying that people participating in this thread do not know what PN is and how to calculate the jitter figures out of it for a given bandwith); I wanted to to clarify, that the Trinity does not use a passive I/V - which you spent a whole paragraph describing + other things you have assumed but are not correct - but then I realised, that it would simply be waste of time. You are bashing the product without even knowing the design - because bashing a competing product is your way of promoting your own product.
I would be surprised if Dietmar spent 5 more minutes of his time answering your questions. When I emailed him asking some technical details about the OCXO he uses, he told me that he was asked by his by his american distributor not to post on the forums anymore. To be perfectly clear - that was two days before you joined this thread. He posted once or twice more since, rebutting some nonsense people posted in this and other thread, but I believe he understood by now, that it doesn't make much sense.
You got a fair offer from Audiocrack to test your design in his system (who is a well nown member with quite spectacular system) - but you have turned it down. You had your chance to show sth more than the endless, self promoting posts you write all over the Internet - but you decided not to.
I think we shoud stop the discussion here.
You got a fair offer from Audiocrack to test your design in his system (who is a well nown member with quite spectacular system) - but you have turned it down. You had your chance to show sth more than the endless, self promoting posts you write all over the Internet - but you decided not to.
Adam,
There was no such offer, and I can attest to that fully.
Yes - let's get back to the sound and music!!! At Audioarts I listened to the Trinity dac with usb from a computer as well as through the Trinity transport/media player. There was no question that the best sound I heard was through the transport/media player. It sounded so alive and effortless that it really takes time to process this sound. The difference here is that I was not thinking at all about any parameters which I always do with other dacs. Another thing that sold me was the type of music we listened to. With all other dacs I'm always looking for the best recording but with the Trinity, all those old cd's from the 80's that we dismiss as awful sounding, sound better with the Trinity than hi-res on current top dacs! Bottom line it's about the quality of the recording and it's clear that the "industry" and it's pets want you to think otherwise.
A dac should be completely transparent of course, it is after all a digital to analogue converter, traditional NOS designs and
designs with a valve it put will change the sound.
Keith.
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