KrellFan1,Precisely! The good news is that it’s a problem in the past, happily now resolved with everything installed and working perfectly without issue and all sounding great.
We agree that there is a good reason why the pro studios AND folks like those at Benchmark (due to their presence in the studio industry ) as well as Peter Lyngdorf have opted for these connectors.
I’m hopeful that what I have cobbled together will last me until my end days, tbh, and while music is a lifelong passion for me, I’m not nearly as deep into the technical aspects as you clearly are. So at this point Tom I’m gonna kick back and enjoy the music.
But you’ve piqued my interest a bit so next time I speak with my close friend from high school, Don Was, I’ll ask him what his experience has been with SpeakOn and Benchmark gear. As the most famous producer in rock ‘n’ roll music today, the man has been in more studios than Carter has pills, so he’d know. If you’re not familiar with Don, just look him up. At last tally I think he’s won five Emmy’s and has produced everyone from Bonnie Raitt to Elton John to Dylan to the Rolling Stones and is presently president of Blue Note records. He and I speak often enough these days but generally talk about music and art and people as opposed to all the technical stuff addressed in these forums. Having been close friends with other musicians like (sadly deceased) Doug Fieger from The Knack I spent most of my life curiously observing how most every artist I know in rock ‘n’ roll is not nearly as much into the equipment as they are the art itself, which I’ve always found to be odd but when thought through, not surprising.
Cheers,
Don Was seems like a seriously nice guy. He was nice enough to spend some time with a friend of mine and I after a record release party for Was not Was at a club in Santa Cruz, CA. We must have chatted for a solid 30 minutes after the show and it was a pleasure. I later found out we have a mutual friend who confirmed my feelings about Don. And yes, he is a powerhouse of an influence in the music world.
I stumbled into this post because I'm a new Lyngdorf 1120 owner and want to exploit more of it's features which are discussed at length in this thread. But I think where this is all leading is that there will be a new Lyngdorf processor or 2210 in my future.
And @tmallin thanks for your exahustive work in explaining the Lyngdorf amp and streaming.
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