I have extensive experience with Wadax Reference DAC and Wadax Studio. I was fortunate enough to spend 4 days in a row listening to the Wadax Studio player mostly on cd playback as for in streaming mode it didn’t move me. The system consisted of Riviera Labs electronics, Gobel speakers, Kronos turntable,
Gobel cables, Tripoint Grounding, Kronos isolation stands, Isotek AC conditioner, room treated, also active bass traps. Very well executed room for Munich standards and being able to evaluate.
Wadax Studio provided great tempo, stage dimensionaly, dynamics, no added false low end energy, timing in this system was flawless. I noticed many attendees in this room were tapping their feet. Transients where a highlight in this system.
Only caveat Wadax Studio from a voicing perspective requires critical system matching and your foundation better be flawless. Riviera Labs are considered warm side of neutral, even the Riviera Labs tube magic could not tame the slight dryness in its midrange portrayal. Took some RevOpod footers, grounding experimentation, AC power cable re configuration to enrich the midrange. Once all calibrated properly this was my favorite source in that room.
I had the pleasure to visit Jay Audio Lab a week ago to listen to the MSB Cascade with latest software upgrade vs Wadax Studio. This system consisted of Solution 3 series integrated new series, Tad Reference 2 way speakers on their own stand. Not sure about all the cables in the system, but speaker wires where Jorma Statement. Jays Audio Lab room acoustics where excellent and the smallest changes are very highlighted through the Tad.
All listening test were conducted using streaming.
In this particular system configuration the Wadax got outclassed by the MSB Cascade dac. The complete neutrality of the Solution integrated with its bandwith capabilities in conjunction with the TAD reference 2 way monitor was mot the most musical combination. The Studio sounded dry , flat, and mechanical compared to the Cascade. Keep in mind I never liked the old MSB dacs, as I found them never to be able to reproduce the overtone harmonics in piano upper key registers. Well I guess MSB did their homework and figured out their shortcomings. The MSB Cascade is another beast all together. I can go own with all the audiophile adjectives. Yes, fluidity, micro/macro dynamics, soundfield expansion etc.. The most impressive aspect about the Cascade was a non mechanical feeling to the instruments, and voices that communicated a deeper emotional involvement. The feeling of listening to music and less reproduce sound. This is the highest compliment I can bestow on a piece of gear. Combine this musicality with added image density, and more spaciousness between the instruments and this outclasses the Wadax Studio. Wadax Studio is going to need more fire power compete. I also was able to demo for Jay my new Tripoint Emperor signal filter on the Cascade, male XLR version. Lets put it this way, as good as the Cascade performed, the musicians sounded in slow motion without this filter. No end to this crazy hobby.