Introducing Olympus & Olympus I/O - A new perspective on modern music playback

I do understand your query. In the section MUSIC I think he attempts to highlight the prowess the Olympus exhibits. Audio adjectives can be very much like explaining wine characteristics. Allusive at best. Emotionally captivating is often not easy to explain in verbiage, whether it's art, music, or anything that stirs the soul...
 
I do understand your query. In the section MUSIC I think he attempts to highlight the prowess the Olympus exhibits. Audio adjectives can be very much like explaining wine characteristics. Allusive at best. Emotionally captivating is often not easy to explain in verbiage, whether it's art, music, or anything that stirs the soul...
John. You're right that describing audio experiences is challenging. However, I feel reviews should go beyond technical specs that are already on the manufacturer's website. A good review should attempt to convey those listening impressions, even if it's difficult to put into words. A more balanced approach would combines technical assessment with authentic listening experiences that would provide value to the reader, rather than simply restating what's already available on the manufacturer's website.
 
...and stir the soul it does. A couple of articles came into my inbox recently from a local audio pal regarding Roy DuNann.

2002 Stereophile article, if interested:

I did not know his work by name, but I did know some of the pieces he worked on, including Sonny Rollins' "Way Out West," as a reference.

I did a dive into DuNann's work on the Contemporary jazz label, with perhaps a dozen or more albums that are on Qobuz.

Holy Mackerel! The recordings are terrific, and you can skim around in the article about that, or for a Marianas-Trench-depth dive at:

But wow, the sound from the Olympus on these sides is a knock-out. And not just a TKO, but a 10-count carry you off the canvas event.

Sweetie is away on science business, so it's me and the dog, and I must have gotten up three times to make sure no one was trying to break in the house. The drums and over-all sound is real, palpable, visceral.

I finally intellectualized that I could relax, because the dog upstairs would know if something evil was happening, and would sound the canine intruder alarm.

I imagine these recordings sound great on many systems, but man they really burst forth here with the Olympus. The sound is lively...and alive.
 
John. You're right that describing audio experiences is challenging. However, I feel reviews should go beyond technical specs that are already on the manufacturer's website. A good review should attempt to convey those listening impressions, even if it's difficult to put into words. A more balanced approach would combines technical assessment with authentic listening experiences that would provide value to the reader, rather than simply restating what's already available on the manufacturer's website.
Valid point...More explanation regarding musical involvement....
 
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...and stir the soul it does. A couple of articles came into my inbox recently from a local audio pal regarding Roy DuNann.

2002 Stereophile article, if interested:

I did not know his work by name, but I did know some of the pieces he worked on, including Sonny Rollins' "Way Out West," as a reference.

I did a dive into DuNann's work on the Contemporary jazz label, with perhaps a dozen or more albums that are on Qobuz.

Holy Mackerel! The recordings are terrific, and you can skim around in the article about that, or for a Marianas-Trench-depth dive at:

But wow, the sound from the Olympus on these sides is a knock-out. And not just a TKO, but a 10-count carry you off the canvas event.

Sweetie is away on science business, so it's me and the dog, and I must have gotten up three times to make sure no one was trying to break in the house. The drums and over-all sound is real, palpable, visceral.

I finally intellectualized that I could relax, because the dog upstairs would know if something evil was happening, and would sound the canine intruder alarm.

I imagine these recordings sound great on many systems, but man they really burst forth here with the Olympus. The sound is lively...and alive.
Mark thank you for sharing this. Wow!! Lots to digest in 8481 Melrose, sill taking it in! Good Stuff...
 
...this won't be perfect, but will help get to some titles I liked. The list is from the Melrose site. If you search the titles on Qobuz, the result set will get you there, or close. I pulled a few things into a play list and shot pics for y'all. Maybe this will help too. A couple of the Previn sides were not my flavor, but overall, lots of good (to me) stuff that sounds great.

IMG_2687.jpegIMG_2699.jpegIMG_2698.jpeg
 
The Olympus review from Mono&Stereo seems overly impressed with the technical specs but doesn't really tell us how the music actually feels. I want to know how the Olympus compares emotionally, and organically to other music servers - does it actually make your favorite songs sound better or more moving?

Agreed, it is a difficult thing to do without shared reference, but I think it is important to capture subjective emotional impressions and share them the best you can (if you search for "Extended Listening Impressions" about 1/2 down this page, you'll see mine)

 
Completely agree with you.
We are lucky to have Ben Lau/Volent Audio as the official dealer of Taiko in Hong Kong.
He is fabulous!
Disagree. Ben never bothered to apologize after putting me through an unconscionably long two-month wait (Oct 2 - Nov 21, 2019) to release my fully prepaid PLiXir BDC because I decided not to buy his optional 1.0m PLiXir Statement DC cables worth just US$130. Reported his abhorrent behavior to the Better Business Bureau equivalent in Hong Kong but was advised to pursue a case via the small claims courts. Exasperated, I applied pressure through James Soh, the boss of PLiXiR, and our very own dear CKKeung, before he finally relented. Sorry, I'm not on a campaign to name and shame, but this was absolutely the worst experience in 45 years as an audiophile! The fallout was that Ben/Volent was dropped as a dealer for PLiXiR, so good to know that karma catches up sooner or later.
 
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Any initial thoughts on the new Roon update (1528)?
Have some power washing going on so I have updated but can't hear a thing until they leave
 
Any initial thoughts on the new Roon update (1528)?
I'll move from XDMS back to Roon when I get my Olympus later this year. Sounds like they never developed the capability for an administrator to control the application of updates? IIRC, Pink Faun has this capability with their version (again IIRC, a customized UI around a Linux-based Roon Core).
 
I'll move from XDMS back to Roon when I get my Olympus later this year. Sounds like they never developed the capability for an administrator to control the application of updates? IIRC, Pink Faun has this capability with their version (again IIRC, a customized UI around a Linux-based Roon Core).


Set to:

Ask before downloading any updates​

With this option, Roon will not automatically download any updates. When a new update is available we will display a notification that will allow you to update if you so choose.
 
Just for clarity it is recommended to always do the Roon Updates whether it's with the Olympus or Extreme...Correct?
Yes, we recommend staying up to date. And if you do decide to skip an update, avoid skipping too many, as this may lead to issues when transitioning from an old version to the current version, when Roon has made significant changes.
 
He sure is! Vassil has been amazing and is an enormous asset to Taiko.
 
1528 sounds like a smidgeon of reverb has been added to everything imo.
Definitely sounds airier than many of my CD rips but is it ‘right’ ?

More testing later in the week.
 

Set to:

Ask before downloading any updates​

With this option, Roon will not automatically download any updates. When a new update is available we will display a notification that will allow you to update if you so choose.
"Ask before ..." is standard. I was thinking more of a corporate environment, where nothing is pushed out until the domain administrator checks it out.
 

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