...and stir the soul it does. A couple of articles came into my inbox recently from a local audio pal regarding Roy DuNann.
2002 Stereophile article, if interested:
I don't remember the year, but I remember the moment when I first became intensely curious about Roy DuNann. It must have been about 1975, right after I moved to Seattle. I bought a Sonny Rollins LP called Way Out West, took it home, cued it up on my Thorens turntable, dropped the tonearm, and...
www.stereophile.com
I did not know his work by name, but I did know some of the pieces he worked on, including Sonny Rollins' "Way Out West," as a reference.
I did a dive into DuNann's work on the Contemporary jazz label, with perhaps a dozen or more albums that are on Qobuz.
Holy Mackerel! The recordings are terrific, and you can skim around in the article about that, or for a Marianas-Trench-depth dive at:
A deep-dive research site dedicated to cataloging the history of west coast jazz label Contemporary Records.
www.8481melrose.com
But wow, the sound from the Olympus on these sides is a knock-out. And not just a TKO, but a 10-count carry you off the canvas event.
Sweetie is away on science business, so it's me and the dog, and I must have gotten up three times to make sure no one was trying to break in the house. The drums and over-all sound is real, palpable, visceral.
I finally intellectualized that I could relax, because the dog upstairs would know if something evil was happening, and would sound the canine intruder alarm.
I imagine these recordings sound great on many systems, but man they really burst forth here with the Olympus. The sound is lively...and alive.