And to note I don’t understand why you guys are running with really complicated ideas for the amps. I see plenty of room for a wide shelf for them to be on that has legs that go down on each side of the bass cabs between them and speakers. You could have the shelf be stainless, with heavy legs holding it up.
Allow me to answer for audioquattr since we have the same one. No. Not on sub and not under sub. First, look at sub of my pic, it looks like a one piece sub. But actually it consists of left and right sub put together. So in the case of audioquattr's pic above, the left and right subs were separately standing apart with enough space in between to put a rack of equipments in the middle.
New rule. Only suspend amps that weigh less than you. I'm gonna try some D'Agostino Relentless monoblocks...Those amps weigh more than Tang, he will end up being suspended under the ceiling![]()
This thread Is Tangs thread, and like him it has been many places, and will go manny more !This thread has taken a strange twist![]()
Ah ha , i didn’t think that could be the case with such a high end system, but is even between two subs a good idea ?Allow me to answer for audioquattr since we have the same one. No. Not on sub and not under sub. First, look at sub of my pic, it looks like a one piece sub. But actually it consists of left and right sub put together. So in the case of audioquattr's pic above, the left and right subs were separately standing apart with enough space in between to put a rack of equipments in the middle.
Ah ha , i didn’t think that could be the case with such a high end system, but is even between two subs a good idea ?
and if u can put something between why not a pedestal and amplifier stands for you ?
Sorry to be late to the party on this thread as it has only just popped into my inbox. Not sure why that was the case.http://zero-distortion.org/cessaro-...merican-sound-sme-3012r-many-carts-much-more/
Here you go...was waiting for the platform change to post.
- It is important to note that I was here for 4 days. My conclusions changed as we moved from Day 1 to Day 2 to Day 3. So, if you start reading, and stop somewhere in the middle, you could be simply be reading a thought in transition.
- I have presented Day by Day, added quite a few notes record by record, which I am aware can be too much detail to follow in one reading. All has been summed up in the conclusion.
Not much a fan of suspended turntable and isolation platform. Not that I don't have them or use them. They are equally pluses to minuses imo. My wife likes to say "not worth the calories."Sorry to be late to the party on this thread as it has only just popped into my inbox. Not sure why that was the case.
Anyway, it is absolutely paramount with speakers such as the Cessaros and if concrete floors are involved (even some wood floors) that you use a properly suspended turntable, or mount an unsuspended turntable on some sort of isolation platform that will filter frequencies out above 3Hz. High mass turntables or turntables with no suspension are very susceptible to acoustic feedback with large speakers such as Cessaro's, especially where bass horns are involved. This will give all sorts of acoustic anomalies which could cause areas of performance to be accentuated and effect results where meaningful evaluation is being done.
Graham, what do you think of Cessaro Ralph at Munich putting a TW Acustic AC-3 tt on a stand directly btwn the Beta IIs in front of Tang's basshorns?Sorry to be late to the party on this thread as it has only just popped into my inbox. Not sure why that was the case.
Anyway, it is absolutely paramount with speakers such as the Cessaros and if concrete floors are involved (even some wood floors) that you use a properly suspended turntable, or mount an unsuspended turntable on some sort of isolation platform that will filter frequencies out above 3Hz. High mass turntables or turntables with no suspension are very susceptible to acoustic feedback with large speakers such as Cessaro's, especially where bass horns are involved. This will give all sorts of acoustic anomalies which could cause areas of performance to be accentuated and effect results where meaningful evaluation is being done.
Graham, what do you think of Cessaro Ralph at Munich putting a TW Acustic AC-3 tt on a stand directly btwn the Beta IIs in front of Tang's basshorns?
I know what I think...amazed he can get a half dozen sales of these, and Zetas ie his big beasts, based on that setup faux pas.
So G T, where’s your white papers showing that SPL from physically larger speakers creates more vibrations in the floor than smaller speakers with equal SPL?
The vibration effect on Mike's TTs changed after he moved from MM3 to MM7'
The vibration effect on Mike's TTs changed after he moved from MM3 to MM7'
And yet that isn’t an indicator at all of SPL in itself. The MM7’s have multiple placements for lower frequencies and will inherently have different shaped modes/nodes.
It would be more accurate to say, “Mike’s vibration effect on his TT changed when addings subwoofers/speaker placement”.
So G T, where’s your white papers showing that SPL from physically larger speakers creates more vibrations in the floor than smaller speakers with equal SPL?
Hi Andrew,As bass is Omni directional is in front in between on top etc
any different
I am really confused that Tang or his friends set up make any sense with DHT with a bass horn
please enlighten me why it’s not so ?
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