You certain? Take a listen to Rob Watts talk about all the problems with digital reconstruction filters (various YouTube talks) and how he’s trying to solve them with his products and you cannot help but think, “ah, this is why vinyl sounds so good - it already has *all* the critical information that he, and others in their own way, are trying to reconstruct”. I realise this is an appeal to (Rob’s) authority, but he has some interesting insights and his gear is very well regarded, so perhaps he’s on to something? I personally think so, but could be wrong, of course. Anecdotally, the digital chain also seems extremely susceptible to electrical noise that degrades the output. As you attend to these issues digital does seem to get better and better, but you ultimately still run into the reconstruction issue… and that’s the fatal blow, IMO.