What turntables do you use? Pictures would be nice as well :-)

kodomo

Well-Known Member
Apr 26, 2017
1,004
1,615
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Remarkable. Looks museum quality. I’ve been hunting for that cartridge (and arm!) for a while…currently i’ve got the xl-55 pro on a Bokrand on an L75/PTP 6, and it is a stunningly good cartridge. I can only imagine how fabulous the ‘88 is.
Here it is with my xl55 pro
 

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Ron Resnick

Site Co-Owner, Administrator
Jan 24, 2015
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Beverly Hills, CA
Yes, the latest plycraft rack from Arnold @ Core Audio Designs. I am very happy with the racks but have not compared to others — I have been a Core Audio rack user for 15+ years.
Hi Bob,

Do you use Arnold's amp stands as well?
 

Bobvin

VIP/Donor
Jun 7, 2014
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Portland
www.purewatersystems.com
Hi Bob,

Do you use Arnold's amp stands as well?
I had a pair made up for the REF160 monos back when I had those, now I am using one under the Extreme with a Daiza platform, and one under the Pilium Achilles amp.
 
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shakti

Well-Known Member
May 9, 2015
1,444
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Cologne, Germany
Today I completed my

Acoustic Signature Invictus jr MKII

with 4 tonearm bases


IMG_2808.jpg
 

tom539

Active Member
Dec 28, 2021
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Replaced my old Colibri with the XGW Stradivarius:

IMG_5565.jpeg

IMG_5569.jpeg

Mounted on StSt Motus II DQ 9‘‘, Sorane SA-1.2 and Yamamoto HS-4 Headshell.

Sounds verry „Clear“ - Colibri… ;)

Now „burn in“ is in progres…

atb, Tom
 

tom539

Active Member
Dec 28, 2021
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166
40
50
Replaced my old Colibri with the XGW Stradivarius:

Mounted on StSt Motus II DQ 9‘‘, Sorane SA-1.2 and Yamamoto HS-4 Headshell.

Had some „trouble“ on several LPs on the Sorane SA-1.2 - so I mounted the Colibri today on the DPS3:

IMG_5583.jpeg

IMG_5585.jpeg

IMG_5588.jpeg

Now the records, which have jumped on the StSt, run through without any problems.

Sound is awesome

atb, Tom
 

je2a3

Well-Known Member
Apr 25, 2020
89
262
125
north of philly
jelabs.blogspot.com
Sweet!! Bokrand/SPU is a great combo. What’s on the other arm?
SME 3012 + DL103

And are those SUTs from Redboy?

Over a decade ago, I wrote about microphone transformers for MC step up duty in my defunct website.


Back then there were no cast aluminum boxes.

Now I've updated them inspired by Nate's (Redboy) idea.:)
 

Porsche

Member
Apr 22, 2023
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54
Burmester 217 system with Massif weight
 

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Salectric

Well-Known Member
Jan 15, 2012
382
502
998
Hi all,

What a great TT show is here in the forum and so great stuff. However allow me to post my over 15 years old modest DIY tt.

Thank you for the granted space. View attachment 120351

Adelmo
It looks nice! Can you give us some details about the table and arm?
 

Adelmor

Active Member
Nov 21, 2023
43
103
35
68
Imola, Italy
It looks nice! Can you give us some details about the table and arm?
Hi,

The wood plinth part is made with okoume ply wood and another softer ply wood, 5 layers, 20 mm each. Inside I have inserted leads and glued to fix them. The platter s bearing is a conventional oil bearing made form solid bronze, have the spindle diameter of 13 mm, allowance is pretty tight and once I inlet the oil take very long time for the spindle to reach the bottom. The first time I inlet the oil from the bottom part. The bearing is fixed to an aluminum floating plate, in the bottom of this plate I added sound proof material. The floating is achieved with 3 mag and some OR to keep the lower and upper mags entered. There is no metal to metal contact, all is decoupled. The acrylic platter is about 4.6 Kg, i bought from Scheu Analog at that time. The puc is made of acrylic and aisi 316, all the 3 part decoupled. The motor is an old 5 inch floppy disk motor, brush less type , 12 V DC with its electronic cards control. Has a pretty good power/torque and not too bad speed stability. I use now a single motor with 3 round belt. The tonearm is a kind of clone of the Supatrac, it is 12 inch, arm wand in bamboo and inside I inserted balsa. Case of the motor is all made of steel, the base is very heavy as it is the top.

Best rgds
Adelmo IMG_1513.jpg
 
Last edited:

Solypsa

Well-Known Member
Jun 7, 2017
1,811
1,401
275
Seattle
www.solypsa.com
Hi,

The wood plinth part is made with okoume ply wood and another softer ply wood, 5 layers, 20 mm each. Inside I have inserted leads and glued to fix them. The platter s bearing is a conventional oil bearing made form solid bronze, have the spindle diameter of 13 mm, allowance is pretty tight and once I inlet the oil take very long time for the spindle to reach the bottom. The first time I inlet the oil from the bottom part. The bearing is fixed to an aluminum floating plate, in the bottom of this plate I added sound proof material. The floating is achieved with 3 mag and some OR to keep the lower and upper mags entered. There is no metal to metal contact, all is decoupled. The acrylic platter is about 4.6 Kg, i bought from Scheu Analog at that time. The puc is made of acrylic and aisi 316, all the 3 part decoupled. The motor is an old 5 inch floppy disk motor, brush less type , 12 V DC with its electronic cards control. Has a pretty good power/torque and not too bad speed stability. I use now a single motor with 3 round belt. The tonearm is a kind of clone of the Supatrac, it is 12 inch, arm wand in bamboo and inside I inserted balsa. Case of the motor is all made of steel, the base is very heavy as it is the top.

Best rgds
Adelmo View attachment 120356
Quite a diy journey :)
 

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