I respectfully believe the statement above that square waves only require signal integrity of frequencies up to and including the test frequency is factually incorrect. A square wave is mathematically equivalent to the sum of a sine wave at that same frequency, plus an infinite series of odd-multiple frequency sine waves of diminishing amplitudes. That is what makes its reproduction such a demanding test, since accurate recreation requires signal integrity of a bandwidth that far exceeds that of the test signal's frequency.
Hopefully the 'signal integrity of frequencies up to and including the test frequency' is a typo.
But anyway a 12 kHz square wave, when examined through an audio frequency bandpass filter is the same a a 12 kHz sine wave.
The only things that are at extremely high frequencies (I'll let you pick that number) are noise, interference and oscillation.
Yes. Though the concept of a square wave is only an ideal anyway, as no system can actually reproduce one perfectly, since neither rise time nor fall time time is ever 0, etc.
I apologize for the confusion. Was mixing elements in my head, thinking more of the practicalities of speaker response to square waves and what not. An original intent was to point out that the number of speakers that can reproduce a square wave can be counted (almost) on one hand. And even they can be separated into how high in frequency of square wave can be reproduced. So whats the point of a cable that can? But that part got left out.
Anyway, the point was not the specific frequency. It was the combination of amplitude and time.
TA seem to roll off well below the audible upper limit - do you suppose that is because a slope is needed? They also roll off deep bass too, is the same thing going on in the lower frequencies?
I've seen nothing to suggest that TA intentionally rolls off bass. And as far as rolling off at the upper limit before the limits of audibility, well, a lot of that depends on matching the output impedance of the electronics with the network. Perhaps not an ideal match? I don't know.
My feeling is that it is inevitable that ANY network parts (regardless of being in parallel) will absorb signal energy. (Nothing works "ideally".) I would expect that this would result, not so much in the rolling off of deep bass, but softening it by virtue of that energy lost in the network. But that's just a guess.
I think the idea that TA has, eliminating noise above the audible frequency range by using a low pass filter, is a clever one. I just think it falls under the category of trying to scratch your left ear with your right hand. Yes, it's possible and it works to some extent. But is it ideal or even advisable?