Tone Arm and Cartridge for Dohmann 2 Mk. 3 Turntable

what is the point of the Minus K isolation being incorporated into the turntable? The Minus K isolation platforms supposedly isolate down to 1.5Hz horizontal natural frequency and our signature 0.5 Hz vertical natural frequency.

seems crazy that you can walk over to the table and the arm skips.

Good luck in getting it fixed.
I find the Minus-K to be an incomplete product that’s incredibly difficult to adjust. The turntable’s center of gravity needs to be perfectly aligned with the center of the Minus-K platform, but it’s nearly impossible to balance the springs both vertically and horizontally. The manual is unhelpful, and the support I received over the phone was equally vague—much worse than bouncing instructions for the Linn LP-12. Please don’t think I’m inexperienced or clumsy; I’m quite skilled with setups like this. However, balancing the springs to achieve absorption down to 0.5Hz is exceptionally challenging.

In my opinion, the Minus-K should be built to fit each specific unit, considering both size and weight distribution, and it should come pre-adjusted from the factory using the proper tools.
 
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I am in the process of purchasing a new Dohmann 2, Mk. 3 Turntable. I have not decided upon an arm or cartridge as of yet and was hoping that some of you are familiar enough with the Dohman 2 Turntable to offer suggestions and the reasons for your suggested tone arms and/or cartridges. I am currently using a Boulder 508 phono preamp, but am considering moving up to the Boulder 1108 phono preamp for more cartridge flexibility (I would really like to go to 2108, but cannot justify the cost). The phono preamp goes into a Boulder 1110 pre amp, into a Boulder 1160 amp and into the new Magico S3 speakers. Any guidance/suggestions would be appreciated, especially with the reasons for said suggestions. Thank you.
You need the Supatrac and a DS Audio Grand Master EX and also a proper alignment using Measurements from your table and not Voodoo Magic. Private message for information ,PM
 
I find the Minus-K to be an incomplete product that’s incredibly difficult to adjust. The turntable’s center of gravity needs to be perfectly aligned with the center of the Minus-K platform, but it’s nearly impossible to balance the springs both vertically and horizontally. The manual is unhelpful, and the support I received over the phone was equally vague—much worse than bouncing instructions for the Linn LP-12. Please don’t think I’m inexperienced or clumsy; I’m quite skilled with setups like this. However, balancing the springs to achieve absorption down to 0.5Hz is exceptionally challenging.

In my opinion, the Minus-K should be built to fit each specific unit, considering both size and weight distribution, and it should come pre-adjusted from the factory using the proper tools.

That is supposed to be part of the design of the Dohmann table. One of the big selling points. The minus-K platform is an integral part of the table.
 
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what is the point of the Minus K isolation being incorporated into the turntable? The Minus K isolation platforms supposedly isolate down to 1.5Hz horizontal natural frequency and our signature 0.5 Hz vertical natural frequency.

seems crazy that you can walk over to the table and the arm skips.

Good luck in getting it fixed.
Hi XV-1 This is a complex interaction with a number of variables. If the MinusK suspension natural frequency (Fz) is sitting at 1.5Hz and a wooden floor with sufficient "give" where the rack is situated is stimulated with a "bouncing displacement" this will create an interaction between the floor and the rack top shelf (which is usually about 700 to 1000mm from the floor surface). if the floor bounce is stimulated to 1.5hz.

As a user walks over to the rack on this wooden floor with lots of "bounce" the subsequent movement in the vertical will "dip" one side or oblique of the rack stand at the base which then is amplified over the distance from the floor to the top of the rack. The horizontal amplitude of this movement will overwhelm most systems when the movement Hz and the DUT (Device Under Test) Fz closely coincide. This includes non suspended tables as well as the tonearm mechanism can form its own resonant "suspension" (due to the fine free moving bearings and linkages).

It will create a large displacement which the suspension system (even if active or air based) will try to settle once the disturbance stops. So the MinusK is actually working during the oscilation and will continue damping once the disturbing force is stopped.

In some tonearm designs the counterweight is connected low on the rear of the arm then if you draw a line from the counterweight into the connecting link to the tonearm wand you can trace a "Z" like shape. So any horizontal movement there will be a displacement which travels through this link and causes an upward motion at the stylus tip. As the armwand keeps moving upward the counterweight travels in an arc downward and forward thus reducing the tracking force even further. In some instances this can accelerate the downforce at the stylus quickly and the arm rises and skips. With super heavy arms this inertia can overwhelm the VTF at the stylus.

In arms like the SupaTrac the physics have been carefully managed and the pivot point and counterweight system resists these forces and keeps the stylus tracking superbly. In other tonearms this energy can be excited even on a rock solid table with no suspension by something as simple as a record warp.

Personally I have installed a good number of the Kuzma Safir arms with positive listening experiences including houses with wooden floors. In some cases the floor joists underneath are spanning extra large (over 7 meters) and are made from natural non-laminated timbers such as Oregon or Pine and have wide joist spacings.

You can feel the floor give underfoot and literally bounce the floors. In these instances there may be opportunities to move the equipment rack closer to the walls where displacement is lower.

In other instances additional stiffening underfloor is possible using underslung trusses or added laminated beams to help support the wider span. One solution for super compliant flooring is to create a tie from the top shelf of the rack to a wall anchor point which prevents the max displacement and sudden forward movement from floorwalkers.

We strive to proivide quality advice and support to all our community and are confident the MinusK technology still delivers the massive cleanup in the bass region under music signals punching in to these softer floors via subwoofers and heavy bass articulation from speakers. The nomograms published by MinusK show 0.5hz in both vertical and horizontal in our Helix One and 0.5hz vertical and 1.5hz horizontal in the Helix Two model which uses a smaller more compact model form MinusK.

Getting comparative nomograms from other suspension isolation systems (Active and Air etc) will show the MinusK technology has the lowest Fz commercially available on the market. This is why the solution is still favoured by the scientific and engineering community for their most difficult vibration isolation problems. In domestic environments sometimes there are additional challenges which must be addressed as they arise. A good dealer backed by quality distributor in close consultation with the manufacturer that understands the issues, means a lot of the technical challenges can be resolved.

We hope this helps shed some light on the discussion in this thread. We also are keen to provide timely responses to any customer enquiries via our email mark@dohmannaudio.com and george@dohmannaudio.com which being in Australia are UTC+10.
 
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Thank you for the information. Before receiving your information I decided to go with the Kuzma Safir and ordered one (expensive but worth it I think). But good to hear that someone else ordered and prefers the Safir. I am now waiting for the Dohmann 2, MK 3 to arrive and be set up. I am really looking forward to this new table and arm.
For solid, if not always the most stylish, I have always been a fan of Kuzma tonearms. High-value, rock-solid reliability, ease of set-up, fantastic performance. Frank Kuzma is the real deal no question about it.
 
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what is the point of the Minus K isolation being incorporated into the turntable? The Minus K isolation platforms supposedly isolate down to 1.5Hz horizontal natural frequency and our signature 0.5 Hz vertical natural frequency.

seems crazy that you can walk over to the table and the arm skips.

Good luck in getting it fixed.
Hi XV-1,

This is an excellent question and if you dig deeper into the kinematics at play one can see where the interaction with suspension systems and some tonearm designs can affect stylus tracking force.

The Minusk system is still working under playback and removing bass feedback loops which would muddy the sound.

However if you look at mounting the table on top of a good stand (which tend to be rigid at low frequencies) on top of a wooden floor then the floor with the weight of the stand and components and perhaps loudspeakers on either side can load the floor beams and timber covering and create an area of flexing under load of say a person walking over to the rack / table.

That downward pressure and undulation will bounce the base of the rack. If the floor has give at the front of the stand and less give at the rear of the stand (due it being closer to the rear wall and perhaps stiffer) any downward pressure will be accelerated and amplified into a forward movement at the top of the stand. If the pressure is released then the stand will be pushed upwards and via the typically meter high stand then accelerate backwards at the top of the stand.

The suspension system in a table will then be displaced and go through its settling process. The suspension in a Helix 2 Minusk is 1.5 Fz horizontal. In some instances on wooden floors with a matching Fz it can lead to displacement before settling. Important to note it’s not the music signal causing this.

Now if a tonearm has a counterweight design that is sitting low and you trace the bearing points (they end up looking like a Z shape from side elevation) then any forward movement from the suspension being roughly pushed) will lead to the counterweight pushing forward on the bottom of the Z and the tonearm moving upwards at the top of the Z as the arm extends out from the top of that Z profile. This causes the cartridge at the end of that Tube attached to the Top of the Z to flick up and out as the VTF is not stable.

Arms like the SupaTrac counter this behaviour and stay put in the groove under these massive forces ( massive from a stylus view).

So it is not the fault of anyone in particular but a combination of forces. So under music load the Minusk is doing its thing and this can be experienced by placing extra weight on the suspension to bottom it out and thereby reducing its performance. The bass feedback is audible. Float the suspension and this signature is significantly lessened.

Under foot step bending load on the floor beam interaction with stand height and any twisting displacements one thing is to raise the resistance to this gross deflection by stiffening the top of the stand by attaching a tether or brace to a rear wall (classic example is Linn wall mounts that countered the same problems back in 70/80s and onward).

Another method is the brace underfloor beams (not easy in some cases).

Steve is working through getting his Kuzma Safir arm optimised. Note the excellent 4-Point is very stable in same position and it’s a straight swap in and out with Safir. So it was not expected that a Safir would differ significantly in its kinematics. Franc Kuzma makes wonderful arms and the new Safir sounds amazing. It is more sensitive to these conditions due to the bearing design and the counterweight mass and positioning. It’s a super heavy arm wand and once moving is harder to stop.

Under playback the table is settled and these forces are removed thus letting it perform to its best. Solving the beam displacement and stand rocking is achievable.

With good dealer and technical support this should resolve and make the music sessions special.

Happy to discuss

Kind regards
Mark Döhmann
 

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