The older Nuvista stuff uses nuvistors, as well as the Allnic head amp, which I have in my system.
I gather Abbey Road was mastered with a nuvistor tape deck from Ampex, one of only a few ever made. I think nuvistors sound pretty good, on the 'clean and clear' side of the spectrum, but still tubes in spaciousness and depth.
They are (were?) used in studio microphones. They didn't have a long production life because they were displaced rather quickly by solid state. They were kind of a 'last gasp' to produce a tube tech that could compete with the compact solid state devices.
The studio guys would comment quite a bit about how they had to go through several pairs to find quiet ones, and I had to go through several pairs to find quiet ones for the Allnic. They can sometimes start quiet, then go noisy, too, so thus the remark about their staying quiet for a year to make sure they are OK for the long run. My current set have remained quiet for several years now (relatively for a head amp, which is never perfectly quiet).
I gather Abbey Road was mastered with a nuvistor tape deck from Ampex, one of only a few ever made. I think nuvistors sound pretty good, on the 'clean and clear' side of the spectrum, but still tubes in spaciousness and depth.
They are (were?) used in studio microphones. They didn't have a long production life because they were displaced rather quickly by solid state. They were kind of a 'last gasp' to produce a tube tech that could compete with the compact solid state devices.
The studio guys would comment quite a bit about how they had to go through several pairs to find quiet ones, and I had to go through several pairs to find quiet ones for the Allnic. They can sometimes start quiet, then go noisy, too, so thus the remark about their staying quiet for a year to make sure they are OK for the long run. My current set have remained quiet for several years now (relatively for a head amp, which is never perfectly quiet).