Recent Concerts You've Enjoyed

Thought this might be a fun thread and a way to find out about acts on tour.

My wife and I saw the Smoke Fairies at the Tractor Tavern last evening as the opening act for Rasputina. The Smoke Fairies are a 'folk blues' duo from Wales and have been described as "Bob Dylan's dream." I thought that their debut release "Through Low Light and Trees" was one of last year's best. It was just the two principles singing and playing guitar. Really terrific concert with excellent acoustics and thankfully not too loud.

If you are ever in Seattle, the Tractor Tavern is a great venue in the Ballard neighborhood. Very fun people watching...I think my wife and I were the only ones without tattoos! I got to chat with them after their set and had my LP signed. I love the lilting Welsh accents!

Here's a video of "Hotel Room" from their debut LP:

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Dead & Company, The Sphere, Las Vegas May 9, 2025

It would take a lot of effort and writing to present a detailed coherent summary of seeing Dead & Co at the Sphere last week. I've avoided seeing them since they first banded together in 2015 for the obvious reason- I just wasn't sure I wanted I wanted to hear them at all since they are not the Grateful Dead that I knew back in the day. But having seen the Eagles a the Sphere last December, I knew one thing for sure which is that the venue would be special. And indeed it was.

In a word, it was an excellent show especially because I went into this with no expectations so I was very pleasantly surprised. John Mayer is just outstanding and was the key to making it a worthwhile experience. That guy is one very talented guitar player. He's not Jerry, so if you go into this expecting Jerry, you are at the wrong place and will almost certainly be disappointed. However, Mayer actually incorporated some stylistic influences from Jerry as well as his guitar sound which was great to hear and even brought me to tears at one point. Most surprising, Bob Weir was in good voice and was his usual fine self playing rhythm guitar. He interacted well with Mayer. which was great to watch.

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As many Deadheads know, it was the unspoken interactions between the Dead members that in large part made the band special musically. But aside from Bob Weir and Mickey Hart, the original members are no longer playing or have departed the planet (Jerry Garcia passed on Aug 5, 1995- 30 years ago and Phil Lesh passed this past October!). Chementi on keyboards was good as was Burbridge on bass (former bassist with the Allman Brothers). Mickey Hart was there in all his glory on percussion and the new drummer who replaced the iconic Kreutzman (who stopped playing with them about 6 mo ago?- says he retired) was quite competent. All in all, it was a tight and well-oiled machine. The vibe of the show was more like a laid back Dead Concert from the 80's and early 90's rather than the psychedelic concerts of the 60's and 70's. But still, the visuals were, not surprisingly, beyond the beyondo. The visual experience of the Sphere couldn't even be dreamed about in those decades.

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The crowd was a total Deadhead crowd with most of the crowd on its feet most of the time. The age range was broad but tilted to the 50 and older crowd. Most everybody wore their best tie-dyed but me (intentionally)! Not a single vape pen was to be found, but everyone was juiced on something; gummies and liquor most likely. There was not a wheelchair in site, which considering the age of the crowd, was surprising. The "kids" around me had never seen a genuine "Dead" concert, but most of them were repeat Dead & Co attendees at the Sphere.

The saying is, "you can't go back". But in hearing songs I first heard over 50 years ago, the truth is that while you can't go back, the music still delivers an emotional and physical lift that any Deadhead would appreciate. Would I go back? Yes but not for a while. Hopefully, Weir will still be alive by then. (Me too!)

FWIW, for Sphere novices, although I sat in the front center of the 200 section for the Eagles, I sat in the front of the center 300 section for Dead & Co and preferred it as the immersive visual "Ganzfeld" effect (look it up) of the Sphere (without any projection) is a bit more overwhelming with seats a little higher up in the globe. You simply see more, particularly above you, without the need to strain your head by looking up a good deal of the time. The good news is that there are no bad seats in that place no matter where you sit. Even better, the extremely well balanced audio system at every seat is as good as it gets for a venue of this size (or any other). No earplugs needed! Built-in Subwoofers in each seat didn't hurt, either. The only place I wouldn't want to be is in the front section of the 100 level which is the "general admission" section with no seats and is preferred mostly by people who want to dance and have enough drugs on board to survive the 3+ hour concert without collapsing.
 
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Esteban Batallan will be the soloist with the CSO next week with Ricardo Muti conducting.

He has given a lengthy interview regarding the CSO and his sojourn to Philadelphia:

Star trumpet: Chicago was troubled, Philadelphia more so

Full interview:
 
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Actually took my camera to a gig last night. We weren't going to see this performance of Onegin because we saw another pairing a few months ago (Hayward/Corrales) and we'd seen these two dance it at La Scala in 2022. Nunez and Bolle are so old it's ridiculous, but she's still at the top of her game. It was a joyous evening. A hardcore audience, the whole company knew this was a special night and the band were on top form.
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Takuya Kuroda at Cervantes' Other Side in Denver. Awesome performance, tight band, deep groove, good crowd on a Tuesday night. I think bands like this have the potential to attract the next generation of "jazz" enthusiasts.

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The Who at Prudential Center Newark Aug 19

The Prudential Center is far better known as the home of the 3 time Stanley Cup winners NJ Devils than a performance arena that is a little smaller than Madison Square Garden, but it's an enjoyable although nothing spectacular venue to hear music. This year’s Summer Concert was The Who, who played the Pru Center last night. I’ve never seen The Who before and since they ain’t gonna be around forever, decided to go. I had no idea what to expect and was pleasantly surprised. I estimated the 25K seat venue was about 90% sold out last night. The average age, not surprising, was older and them some. Your Medicare card should have been required at the door.

To begin, we’re talking about a legendary band whose talents are obvious, but seeing them live made it easy to understand their greatness in the rock pantheon. Roger Daltry, much to my surprise, can still sing. He ranged from good to “didn’t-embarrass-himself” and even though his hairpiece is not quite at the level of Ted Danson's, he looked pretty good for 81. I really had no idea he’s quite a competent harmonica player as well. Plus he played guitar on occasion.

Pete Townsend, the youngster at 80, was even more impressive. To begin, he’s obviously a damn good guitarist. He has fine chops and has an arsenal of sonorities and techniques that he can pull out of his bag of tricks anytime to get your instant attention. Not to mention, his voice is still powerful and unique in its gravely tone that works beautifully as either a lead or in harmony to Dalty’s lead vocals. Even better, it was easy to see that Daltry and Townsend still love what they do. Rather than end the show and come back for a high powered encore, they ended the show quietly with one of their beautiful ballads and stepped off the stage gracefully as Townsend bid adieu by saying “We’re not what we once were, but hope you enjoyed the evening anyway”. Very classy. Very memorable.

The other original members, the legendary drummer Keith Moon and bassist John Entwistle are long gone, but there was a very competent array of keyboard player, drummer, percussionist and 3 guitarists who serve the band nicely on the current tour. (The guitarist on the far left is Townsend's younger brother, Simon)

What was perfectly done were the nostalgic videos and graphics shown on the stage-wide screen behind the band that was pure homage to the technology that was typically seen at rock concerts 50 years ago. It’s hardly the caliber of the technology we can now see at the Sphere in Vegas, but it was both charming and highly enjoyable for the band’s current show. Almost everyone would recognize most of the tunes easily although there were several tunes I didn't know or recall easily..

Bottom line, It was a delightful show and I’m glad I went and saw these living legends (Pete Townsend, Far right; Roger Daltry 2nd from right). Truly memorable.

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The IMAX re-release of "Sign 'O The Times' was terrific. Everyone dressed up in Prince swag :cool:. Hadn't seen it in > 20 year and better than I remembered.

 
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In action in the second movement of Mahler 5

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Ravel and Mahler 5 with the NEC Philharmonia, Hugh Wolff conducting

Two days ago I attend above concert in the Jordan Hall of New England Conservatory in Boston. The hall is not just beautiful but also has wonderful acoustics. NEC Philharmonia is a student orchestra.

The concert started with Ravel's Valses nobles et sentimentales, which was played beautifully. I loved the sounds and harmonies from the woodwinds.

This was followed by Mahler's 5th Symphony. I knew that I could expect a good performance from this student orchestra, and I was not disappointed.

Hugh Wolff is a terrific Mahler conductior, whom I have seen at work with this orchestra before in Mahler 7 last year, which was a great interpretation. Also here his interpretation was passionate, rock solid and very well judged.

The orchestra played with great passion as well, and with an astonishing clarity as the conductor's excellent interpretation of the score required. There was no amateurish confusion at all. The clarity obviously was helped by very good timing, perhaps just a notch below top playing.

The trumpet beginning the piece was played with a beautiful tone, but perhaps not with the last bit of secureness. Yet the exposed French horn ensemble and the French horn solo in the 3rd movement, Scherzo, were phenomenal. In general the playing of the brass was excellent. The woodwinds again were beautiful, and the string playing was very competent. In the famous Adagietto the strings just sounded beautiful.

Not only did the Mahler performance not disappoint -- it was simply spectacular. Unbelievable from such young players. They are the future, and it is bright. Thunderous applause with standing ovation at the end. Audience was at 80 - 90 % of full capacity.
 
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Late in posting this.

Steven Wilson "The Overview" Tour. September 14, 2025, Paramount Theater, Denver, Colorado. Terrific set list that covered songs from Porcupine Tree and Steve's deep solo career, (Insurgentes, The Raven That Refused to Sing, Hand.Cannot.Erase, The Harmony Codex and more, set list here) ably performed by Steven on vocals, guitars, keyboards, sequencers, with Nick Beggs on bass and Chapman Stick, Adam Holzman on keyboards, Craig Blundell on drums, and Randy McStine on guitar and backing vocals. If you are a fan, don't miss this tour.

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Alison Krauss and Union Station last night at the St Augustine FL Amphitheater. Alison with Barry Bales, Ron Block, and Jerry Douglas now joined by Russel Moore and Stuart Duncan were an incredible ensemble. The Amp was sold out and the show lasted 2 1/2 hours.
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Jon Batiste at the Rady Shell in San Diego. Phenomenal high energy performance and amazing acoustics for an outdoor venue if you are closer to the front.
 

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Not been yet, seeing Al Stewart on his farewell tour, this coming Friday 3rd October at the bridgewater hall Manchester.
 
My wife and I recently saw an Arc Du Soleil show and if I had been blindfolded, I would have sworn it was Khruangbin.

I mean that as a good thing.

Also, Moby is back playing live and gives a great energetic show.
 
This year’s Bluegrass and Beyond program at the Country Music Hall of Fame in Nashville is scheduled for November 8th. Jim Hurst will be the MC as usual.
This annual event is free. It honors Rick Crump’s parents (George and Marjorie) who were pioneers in presenting Bluegrass to a wide radio audience through their station in Virginia. It is a CMHF endowed event.
The venue is CMHF’s Ford Theater, well recognized for its great acoustics.
I wrote about last year’s event here in post 1023.

 
Concert Updates: Three wonderful concerts in the past 2 weeks

1) Steve Winwood- Mayo Theater, Morristown, NJ- Sept 24

I actually wondered if I’d ever see Steve Winwood as he was a no show the last 3 times I was supposed to see him at various venues. But I was fortunate this time. He showed up and played a veritable greatest hits from a stellar career that is very much a part of the rock pantheon and the soundtrack of our our lives (for those of us of a certain age).

Winwood was impressive not only in being able to sing pretty well at 77, but his instrumental talents on guitar, mandolin, organ, and piano were also on full display.

What I loved was looking around the audience and seeing a very happy bunch of about 1600 campers who all performed the classic white man’s head bob during every song. Heads moved front and back -and only on the downbeat- like it was an orchestrated ballet. No syncopated head bob on the upbeat for this crowd. No axial head bobs of any kind. Just a classic front to back bob that was relentless among a grateful audience who enjoyed watching a legend make one of his final tours. My respect for this multi-talented musician and performer grew even larger.

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2) Nadine Sierra in La Sonnambula at the Metropolitan Opera NYC – Oct 6

I’ve now seen Nadine 3 times (at the Met a year ago in Donizetti's Lucia di Lammermore and in Barcelona last Jan in her most famous role as Violetta in Verdi's La Traviata, in Bellini’s La Sonnnambula). I can’t get enough of her. Not only is she a spectacular Bel Canto singer, but her acting is equally superb. Her coloratura just makes you weak in the knees. She’s such a joy to listen to and her beauty makes her a joy to watch as well. She's one of today’s pre-eminent sopranos to be sure. I can’t wait to see her again somewhere. It’s hard to believe Bellini composed this opera in his 20’s and died at the age of 33.

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3) David Byrne, Radio City Music, NYC Fri Oct 10th

One of rocks greatest legends continues to perform in concert using the formula he perfected when his show “American Utopia” was on Broadway a few years ago. He performs with 12 others (6 musicians and 6 assorted dancers and singers, each remotely wired so each song is a nonstop, precisely choreographed performance. Yes, he did many of his greatest hits from the Talking Heads repertoire, but also had some new material and a few stories thrown in as well. Unlike American Utopia, there was constant video accompaniment on the screens and walls behind him on stage. One can only hope this was a prelude to him appearing at the Sphere which would be an experience not to miss at any cost. I must admit that I had to swallow hard at some of his political comments and graphics but that didn’t stop the majority of the audience from expressing their obvious enthusiastic support with hearty applause. For me, it was a minor distraction from a concert that was carefully planned and meticulously curated from one of the most creative and highly regarded art rock/punk/new wave rock musicians who enjoyed success right from the get-go since their first album in 1977 (the self-titled “Talking Heads”) and contained their first hit “Psycho Killer”. Now 73 years young, I only wish that My Byrne continues to live long and prosper!

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Concert Updates: Three wonderful concerts in the past 2 weeks

1) Steve Winwood- Mayo Theater, Morristown, NJ- Sept 24

I actually wondered if I’d ever see Steve Winwood as he was a no show the last 3 times I was supposed to see him at various venues. But I was fortunate this time. He showed up and played a veritable greatest hits from a stellar career that is very much a part of the rock pantheon and the soundtrack of our our lives (for those of us of a certain age).

Winwood was impressive not only in being able to sing pretty well at 77, but his instrumental talents on guitar, mandolin, organ, and piano were also on full display.

What I loved was looking around the audience and seeing a very happy bunch of about 1600 campers who all performed the classic white man’s head bob during every song. Heads moved front and back -and only on the downbeat- like it was an orchestrated ballet. No syncopated head bob on the upbeat for this crowd. No axial head bobs of any kind. Just a classic front to back bob that was relentless among a grateful audience who enjoyed watching a legend make one of his final tours. My respect for this multi-talented musician and performer grew even larger.

View attachment 159548

2) Nadine Sierra in La Sonnambula at the Metropolitan Opera NYC – Oct 6

I’ve now seen Nadine 3 times (at the Met a year ago in Donizetti's Lucia di Lammermore and in Barcelona last Jan in her most famous role as Violetta in Verdi's La Traviata, and now, in Bellini’s La Sonnnambula). I can’t get enough of her. Not only is she a spectacular Bel Canto singer, but her acting is equally superb. Her coloratura just makes you weak in the knees. She’s such a joy to listen to and her beauty makes her a joy to watch as well. She's one of today’s pre-eminent sopranos to be sure. I can’t wait to see here again somewhere. It’s hard to believe Bellini composed this opera in his 20’s and died at the age of 33.

View attachment 159549

3) David Bryne, Radio City Music, NYC Fri Oct 10th

One of rocks greatest legends continues to perform in concert using the formula he perfected when his show “American Utopia” was on Broadway a few years ago. He performs with 12 others (6 musicians and 6 assorted dancers and singers, each remotely wired so each song is a nonstop, precisely choreographed performance. Yes, he did many of his greatest hits from the Talking Heads repertoire, but also had some new material and a few stories thrown in as well. Unlike American Utopia, there was constant video accompaniment on the screens and walls behind him on stage. One can only hope this was a prelude to him appearing at the Sphere which would be an experience not to miss at any cost. I must admit that I had to swallow hard at some of his political comments and graphics but that didn’t stop the majority of the audience from expressing their obvious enthusiastic support with hearty applause. For me, it was a minor distraction from a concert that was carefully planned and meticulously curated from one of the most creative and highly regarded art rock/punk/new wave rock musicians who enjoyed success right from the get-go since their first album in 1977 (the self-titled “Talking Heads”) and contained their first hit “Psycho Killer”. Now 73 years young, I only wish that My Bryne continues to live long and prosper!

View attachment 159550
It’s David Byrne . Cool concert to have been there Marty.
 

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