Ojas Audio - High Efficiency Speakers Made in NYC

Contrary to opinions expressed by a couple of respondents to this thread I would love to be nineteen again. For one thing I would again have unusually acute hearing as I did in earlier years.
 
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I first met Devon at ETF in Belleme, Normandie and it was obvious from the start that he is very dedicated and enthusiastic about what he does......he was on the lookout for some good bass systems for his speaker line and I hooked him up with Rune Skramstad of NNNN here in Norway.
they have had and still has a very fruitful and interesting cooperation and among other things they installed a great system at Public Records in NYC, that caused quite a stir
the audio industry need people like Devon and Rune to create some interest among people outside the regular "market"...especially young people
Devons "exhibition" in London last year also was a great sucess.....I shipped the A80 over and the gallery owner purchased the entire setup....he obviously saw the value of this kind of exposure.....
and if they end up making some money on it all, praise them....
 
With all due respect, but in my opinion, he is merely trying to sell new products and make money by exploiting the fame of older, highly renowned products that are widely accepted by audiophiles. Mimicking old, famous products doesn’t mean they will sound the same.

His Altec set up sounds poor . Everything is outsourced. Have heard it. Lacks knowledge of any recordings or LPs. He attracts a lot of non audiophiles, his background is design. The physical looks are excellent. People sitting in the room were the types who has taken off their shoes, crossed their legs on the lap, and were sitting with their eyes closed. The exhibition was successful. I posted a video somewhere, will try to dig out
 
 
The turntable does not seem to be the source.

In that case it is the Studer, the sound was equally bad either way throughout the day
 
Nice set Ojas and the turntable and tape recorder are excellent sources so if it played poorly there could be many reasons, he brought his own amplifiers and preamp from the US to the UK so it is possible that he used a 240/110 transformer and this can degrade the sound, I found a description of the system and I know these components a little
 
Since this is an audio forum with strict rules, we can discuss the disruption imposed by the high efficiency speaker to the establishment approach represented for example by the Wilson/Dagastino/dCS/ Transparent Audio type system fully supported by the audio media and dealer networks. One approach gets established to become the status quo as the customers values shift and alternatives become available and increasingly popular. These days, it seems to be inefficient cone speakers, big SS amps, digital streaming, and fancy cables. Of course there are many options.

This guy in New York is doing something different. I think the thread was started to simply point out a refreshing alternative.

Peter , what is an High efficiency speaker ?
 
His Altec set up sounds poor . Everything is outsourced. Have heard it. Lacks knowledge of any recordings or LPs. He attracts a lot of non audiophiles, his background is design. The physical looks are excellent. People sitting in the room were the types who has taken off their shoes, crossed their legs on the lap, and were sitting with their eyes closed. The exhibition was successful. I posted a video somewhere, will try to dig out

Ok , so no food , can imagine the trauma ..!

In that case it is the Studer, the sound was equally bad either way throughout the day

Their Really was no need to attend , it was bad 50 + yrs or so ago, only the
U -Toob video is different today....
 
Peter , what is an High efficiency speaker ?

That reminds me of a question asked of a nominee for our Supreme Court.

My speakers are high efficiency, or is it sensitivity, I am not sure, at 105 dB, 16 ohm load. I would say a speaker that can play loud without distortion with a low power amplifier. Where the cut off is likely varies in opinion, but I would say a speaker that can be adequately driven by 10 watts of SET power or less and reach 100+ dB in a normal sized room without strain. Also, preferably a 16 ohm load that does not dip below say 8 ohms. I am sure a speaker or amp designer would have a better definition.
 
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Not that it matters in the context of the conversation but I heard the Klipsch-Ojas speakers a couple weeks back and I thought they sounded very good. They play with cohesion and good balance between drivers, and with a more modern and nuanced presentation than I’ve heard from the Klipsch and Altec Lansing speakers that I’ve owned over the years.
I also think they’re a couple grand overpriced, for what they are, but I’m a cheapskate.
 
I also think they’re a couple grand overpriced, for what they are, but I’m a cheapskate.

Is that $8,500 for the pair? Ouch! I see what you mean for a 12" 2 way.

Rob :)
 
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That reminds me of a question asked of a nominee for our Supreme Court.

My speakers are high efficiency, or is it sensitivity, I am not sure, at 105 dB, 16 ohm load. I would say a speaker that can play loud without distortion with a low power amplifier. Where the cut off is likely varies in opinion, but I would say a speaker that can be adequately driven by 10 watts of SET power or less and reach 100+ dB in a normal sized room without strain. Also, preferably a 16 ohm load that does not dip below say 8 ohms. I am sure a speaker or amp designer would have a better definition.


Ok you mean very High Sensitivity with 105db, but where should the High Sensitivity nomenclature begin , 95+ or 100db + .

Industry standards are speakers systems above 93 db are considered High sensitivity and above 98 is considered very high.

89-93 is considered moderate ...
 
Ok you mean very High Sensitivity with 105db, but where should the High Sensitivity nomenclature begin , 95+ or 100db + .

Industry standards are speakers systems above 93 db are considered High sensitivity and above 98 is considered very high.

89-93 is considered moderate ...

It sounds like you already knew the industry standard and did not need to ask me what I think. My reference was to this system about which the thread was started. I don’t know the specifications, but I assume those speakers are high sensitivity as opposed to low sensitivity, which seems to be the direction the industry is moving, requiring solid state amplifiers of high power. By high power, I mean over 100 W. This system looks like an alternative to that approach.

I personally chose my amplifiers first and then found a speaker that was appropriate.
 
Love it! Devon seems like a cool guy. I’d like to meet him and hear his system.
 
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I first met Devon at ETF in Belleme, Normandie and it was obvious from the start that he is very dedicated and enthusiastic about what he does......he was on the lookout for some good bass systems for his speaker line and I hooked him up with Rune Skramstad of NNNN here in Norway.
they have had and still has a very fruitful and interesting cooperation and among other things they installed a great system at Public Records in NYC, that caused quite a stir
the audio industry need people like Devon and Rune to create some interest among people outside the regular "market"...especially young people
Devons "exhibition" in London last year also was a great sucess.....I shipped the A80 over and the gallery owner purchased the entire setup....he obviously saw the value of this kind of exposure.....
and if they end up making some money on it all, praise them....
Those NNNNxOjas speakers look fantastic, love what they're doing
 

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