Only if you think it is.I am just listening to Tool: Fear Inoculum, Tidal Master (MQA) and I'm enjoying both the music and sound quality. Is it wrong?
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How do you know the MQA and stock were the same master? I believe that is one of the hurdles to hearing exactly what MQA is actually doing. I heard that they remaster the cut, before applying the MQA filters.
Or it might be construed that you in fact have your answerI also prefer LP playback in many cases over the digitized version so take my opinion with a grain of salt
It would be nice if people would just accept my wisdom.Really? You seem very argumentative (anti MQA) and looking for a fight from anyone who may disagree with your basic premise. Talk about ignoring reality.
I assume you are not serious.It would be nice if people would just accept my wisdom.
He seems very serious lol. wow.I assume you are not serious.
I was being facetious. Not that it would ever happen. It would be nice would it not?I assume you are not serious.
Just my opinion:Simon says whatever is not captured in the original digital recording is loss forever. Thus a lossy recording is forever lossy.
Can MQA perform some digital slight of hand to make it appear lossless?
Master quality recording being compressed to an MQA file, let's you save broadband. It the past when it was expensive and slower, streaming high-res files used to be more problematic.Simon says whatever is not captured in the original digital recording is loss forever. Thus a lossy recording is forever lossy.
Can MQA perform some digital slight of hand to make it appear lossless? I don't know. Please explain it to me?
Even then, why do I need MQA to achieve lossless? I can get that from Redbook. Perhaps MQA is making or remastering original recordings that are superior 0veraall.
Again enlighten me, please.
There are far more points to be made than this, as Gregadd has discussed. Any equipment that is MQA-compatible has had to pay a licensing fee to MQA, so even if you don't think it sounds better you are probably paying for it; the MQA marketing apparatus, supported by the reviewing industry shills, has made it difficult to market a DAC without that capability. Likewise the record companies are paying a licensing fee for each album that they encode; even if the MQA version only goes to TIDAL you can be sure that the cost is spread over all versions of that album (even the LP in all likelihood). Contrast that with other codecs (MP3, ALAC, FLAC), all open source and for FLAC and ALAC lossless as well.The real point to be made is does it sound better period...
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