USA importer is https://vanaltd.com/ with a big list of dealers on that site.I would like to if I could find them in the states or if someone had a quad they had laying around that they are not using...
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USA importer is https://vanaltd.com/ with a big list of dealers on that site.I would like to if I could find them in the states or if someone had a quad they had laying around that they are not using...
You are correct especially when they were Tesla branded. At that time they were 80 GBP a pop.The more I investigate these tubes the more I run into reliability issues keep coming up. I should point out these issues undoubtedly would be with amps...KR Audio (I have several) have been very reliable...
The TS 6550 have always intrigued me. Not inexpensive. Did you play with 3-getter gray plate or black with D-Getters only on top?You are correct especially when they were Tesla branded. At that time they were 80 GBP a pop.
They weren't reliable in demanding applications like an ATM2. I had quite a few replacements under warranty.
They were reliable in low power applications like a Lampi circuit or low power amps.
Then EAT acquired them and 8x'd the price or something like it.
Looking at the current photo they look similar but not exactly the same as the Tesla output. I am talking 20 years ago plus. Concerns on reliability - they may well be posts from me TBH.
Seriously though those suckers sounded unbelievably good. They made the amplifier. I could never get it to sound anywhere near as good with any other alternative. I did roll an awful lot of that type and the next best was NOS Tung-Sol 6550. Nice. Not as good sonically.
Grey plates. IIRC they were made by TS but branded RCA.The TS 6550 have always intrigued me. Not inexpensive. Did you play with 3-getter gray plate or black with D-Getters only on top?
Oh my goodness, thank you, you asked a question that I really wanted to ask!I know this is the tube rolling thread, but does anyone have details concerning the new digital Engine 12 and Engine 12x2?
What the hell is that? Where is that info coming from?I know this is the tube rolling thread, but does anyone have details concerning the new digital Engine 12 and Engine 12x2?
Not a PAC owner but trying to determine if vintage PX25 are considered superior of new versions. Anyone done a comparison?Exciting news for Pac users which the latest upgrade to e12 engine will be ready by Q1 2026!!!
Already sent a message to Lampi team to check the timeline for ordering
Running a quad set of RK PX25 for few days which reminded me the good things before one of my RK242 died, very dynamic and got something really special in this tube, but im still figuring out which recti works better, cause the PT35 + subminis and Raytheon VT244 (Large H shape mica) sounds the best in my PAC2, also Stradi 5u4g and Raytheon RK60 sounds really good, but none of these work well with PX25...
Got the advise from Chris and ordered a few Type 80, any other recommendations?
I was going to purchase an EML 5u5g mesh next week for my Lampizator Poseidon. I am using a 1950s NOS RCA 5u4 with about 100 hours on it now. It opened up the top end after about 30 hours. Fantastic tonal balance, 3D sound, wider soundstage and more textured deep bass compared the the OEM Sovtek tube. So, am I wasting my money/time with the EML Mesh? It was supposed to be tighter in the bass with better imaging and highs/openness than the RCA. I listen mostly to classical, vocal and jazz with occasional rock and electronica.From rectifiers my absolute favorite is Valvo g2504, or very close to it RGN or telefunken 2504. Then really well balanced Phillips 5u4gys, also quite good but in my opinion a bit too bulky KR 5u4g RK Edition and darkish sounding Takatsuki 274. In the last tier I would place EML 274b and EML 5u4g Mesh.
And funny tube which is super cheap and known as potato masher Chatham 5r4wgb. It's not super airy, but has solid slam and good dynamics.
It really comes down to your personal preferences and the overall balance of the system. Since my setup is already highly resolving and airy, adding the EML 5U4G Mesh shifted the tonality a bit too far toward a thin, fast sound. I prefer instruments and vocals that are a bit meatier and more “real”-sounding.I was going to purchase an EML 5u5g mesh next week for my Lampizator Poseidon. I am using a 1950s NOS RCA 5u4 with about 100 hours on it now. It opened up the top end after about 30 hours. Fantastic tonal balance, 3D sound, wider soundstage and more textured deep bass compared the the OEM Sovtek tube. So, am I wasting my money/time with the EML Mesh? It was supposed to be tighter in the bass with better imaging and highs/openness than the RCA. I listen mostly to classical, vocal and jazz with occasional rock and electronica.
In my opinion any vintage high quality tube is better sounding than it's modern versions, mostly because of the materials used etc.Not a PAC owner but trying to determine if vintage PX25 are considered superior of new versions. Anyone done a comparison?
Exciting news for Pac users which the latest upgrade to e12 engine will be ready by Q1 2026!!!
Already sent a message to Lampi team to check the timeline for ordering
Running a quad set of RK PX25 for few days which reminded me the good things before one of my RK242 died, very dynamic and got something really special in this tube, but im still figuring out which recti works better, cause the PT35 + subminis and Raytheon VT244 (Large H shape mica) sounds the best in my PAC2, also Stradi 5u4g and Raytheon RK60 sounds really good, but none of these work well with PX25...
Got the advise from Chris and ordered a few Type 80, any other recommendations?
Use the Takatsuki 274b with the RK242s , and find it very refined , with lovely tone and articulation.Exciting news for Pac users which the latest upgrade to e12 engine will be ready by Q1 2026!!!
Already sent a message to Lampi team to check the timeline for ordering
Running a quad set of RK PX25 for few days which reminded me the good things before one of my RK242 died, very dynamic and got something really special in this tube, but im still figuring out which recti works better, cause the PT35 + subminis and Raytheon VT244 (Large H shape mica) sounds the best in my PAC2, also Stradi 5u4g and Raytheon RK60 sounds really good, but none of these work well with PX25...
Got the advise from Chris and ordered a few Type 80, any other recommendations?
My system is highly resolving with excellent dispersion although not as airy as the new ceramic and beryllium drivers. It is a 9 year old upgraded Von Schweikert VR9SE Mk2. Equipment includes Westminster Labs REI Class A mono amps, Quest 2 preamp, Jay's Audio CDt3Mk3 CD transport linked with Westminster Labs Ultra cabling except for the SPDIF cable. It sounds tonally rich with the speakers in the flat control position (a custom, great listening room) as the designer intended. The RCA initially was too dark but opened up and the bass is balanced against the rest of the frequencies now, yet more textured than the OEM tube and only as bright or dull as a recording or mastering error.It really comes down to your personal preferences and the overall balance of the system. Since my setup is already highly resolving and airy, adding the EML 5U4G Mesh shifted the tonality a bit too far toward a thin, fast sound. I prefer instruments and vocals that are a bit meatier and more “real”-sounding.
I took that advice some time ago and have been using them ever since. BUT- I’ve had the best luck with the Globe 80’s, not the later ST bottles.Got the advise from Chris and ordered a few Type 80, any other recommendations?
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