read on robGenerally, with NOS tubes you take your chances. However, with a loose base/bottle it's easy to spot and easy to fix for the vendor. I bought a matched pair of NOS/NIB 6SN7 tubes and the vendor warned me that the base of one tube was slightly loose. He asked me if I still wanted to proceed with the purchase. I did. The base was only "slightly" loose when it arrived. I used 3 discreet drops of hi-temp clear epoxy. That pair has been in service for over 3000 flawless hours, so far.
Sorry, for your experience. I bought two matched pairs of ECC32 tubes from Ian. One pair enjoyed a long service life in my H1 before giving up the ghost (just prior to my switch to the H360). The second pair (with "coffin" getters) is currently in service in my H360 with no issues.
Ian's refusal to return your TP adapter and the faulty tube is very disconcerting to hear. That's unacceptable because of what it represents.
Ray
Hello my WBFolks (I recently learned that "folks" is gender neutral). We have a couple of women in our local audio club, so gender neutrality is both appropriate and relevant.Hey Marty (our typical Canadian salutation). Thank you for going above and beyond, in both the steps you took to compare SE vs. Balanced operation of the H360 in your system and to explain in simple and cogent terms why SE puts a bigger smile on your face.
I never considered keeping in place my XLR cables between my H360 and preamp and using them as essentially SE wire by simply removing the right bank of tubes. I love elegant solutions. I'll give that a try and report my findings to the group. Kudos, Marty!
Steve, thanks for sharing Lukasz' tip that the right bank pentodes can be left open as a simple way to assess SE operation/sonics. Another reason (in a long list of things) to love the Horizon - for not only it's incredible performance, but its versatility too.
I have always run SE in all 3 of my Horizons but have always filled the right bank if for no ther reason that my OCD mind would not be able to look at the DAC with 2 empty socketsHello my WBFolks (I recently learned that "folks" is gender neutral). We have a couple of women in our local audio club, so gender neutrality is both appropriate and relevant.
Since my April 6th post (above) I have run my H360 in balanced and SE mode to assess whether I prefer one over the other. My findings, as reported here, may be controversial. But, I hope the reaction from the "SE club" members will fall short of assertions of heresy.
First, I tried using an XLR interconnect in SE mode, as some our our fellow H360 owners have done and prefer. But, it didn't work out for me. The XLR from the back of my H360 into my Octave Jubilee preamp created a very audible ground differential hum. Fortunately, the Jubilee has a ground lift for the balanced input, which mitigated most of the hum when I used it. I then switched to two SE interconnects - DAC to pre and pre to monos. The slight residual hum disappeared completely. In both instances, I did not use dummy/carrier tubes in the right pentode bank (i.e. the right bank seats were empty).
However, the sonic result was the same. Without all 4 power pentode seats occupied, the stage collapsed slightly and overall sound became slightly compressed (e.g. less bloom, sustain and atmosphere). Consequentially, there was a slight loss of inner detail, particularly at the back of the soundstage. Note the use of the word "slight". The sonic difference between Balanced vs. SE was not dramatic but, in my system, it was noticeable.
I recognize that for others, in their systems, there is a preference for SE operation of the H1 and H360. For me, this comparison has provided a greater appreciation for why Lukasz designed the H1 and H360 with "a fully balanced digital engine that produces 4 analog outputs simultaneously". I know from Fred, that Lukasz believes balanced operation provides a better sonic outcome. I agree - in my IMHO.
Daggers out!![]()
Steve, just to clarify, the seller offered me a small portion of the amount that I paid for both pairs. I refused to send them back for penniies in the dollar. I did send them back to Brent Jessee who confirmed that one pair tested unusable and the other tetaed poorly. Of source, the seller refused to take the tubes back for a refund claiming it was my issue. .@dminches ...I recall a thread by you in the past year where you received what you were told was a tube that's to be NOS and your measurements proved otherwise and you wanted money returned and there was a huge discussion as to what is proper. IIRC you wnted to keep the tube until your money was returned.
I remember vividly David.To me you are the pinnacle of wiseness when it comes to buying vintage tubes. WE should all have tube testers and do as David did when he received the tubes...and to take it one step further he had a neutral 3rd party confirm his findingsSteve, just to clarify, the seller offered me a small portion of the amount that I paid for both pairs. I refused to send them back for penniies in the dollar. I did send them back to Brent Jessee who confirmed that one pair tested unusable and the other tetaed poorly. Of source, the seller refused to take the tubes back for a refund claiming it was my issue. .
On my vintage Pacific I, I too vastly prefer balanced operation, since the rest of my system is usually all balanced ARC electronics. I do run a single-ended system where I use a CJ GAT S2, but compared to the balanced ARC, it sounds quite wimpy to my ears, not to mention noisy as well. I know the arguments for and against, but to my ears, balanced always wins in terms of freedom from noise (even tube artifacts) and of course, the ability to do ultra-long cable runs. I also like the sheer tactility of balanced cabling, where there's a satisfying click as you make a connection.Hello my WBFolks (I recently learned that "folks" is gender neutral). We have a couple of women in our local audio club, so gender neutrality is both appropriate and relevant.
Since my April 6th post (above) I have run my H360 in balanced and SE mode to assess whether I prefer one over the other. My findings, as reported here, may be controversial. But, I hope the reaction from the "SE club" members will fall short of assertions of heresy.
First, I tried using an XLR interconnect in SE mode, as some our our fellow H360 owners have done and prefer. But, it didn't work out for me. The XLR from the back of my H360 into my Octave Jubilee preamp created a very audible ground differential hum. Fortunately, the Jubilee has a ground lift for the balanced input, which mitigated most of the hum when I used it. I then switched to two SE interconnects - DAC to pre and pre to monos. The slight residual hum disappeared completely. In both instances, I did not use dummy/carrier tubes in the right pentode bank (i.e. the right bank seats were empty).
However, the sonic result was the same. Without all 4 power pentode seats occupied, the stage collapsed slightly and overall sound became slightly compressed (e.g. less bloom, sustain and atmosphere). Consequentially, there was a slight loss of inner detail, particularly at the back of the soundstage. Note the use of the word "slight". The sonic difference between Balanced vs. SE was not dramatic but, in my system, it was noticeable.
I recognize that for others, in their systems, there is a preference for SE operation of the H1 and H360. For me, this comparison has provided a greater appreciation for why Lukasz designed the H1 and H360 with "a fully balanced digital engine that produces 4 analog outputs simultaneously". I know from Fred, that Lukasz believes balanced operation provides a better sonic outcome. I agree - in my IMHO.
Daggers out!![]()
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