Looking for an external remedy to eliminate high frequency static noise that I believe is generated from Class D integrated amp (output stage?). I don’t want to give up on the attributes of Class D but the intermittent distraction is causing me buyers remorse. Open to suggestions (not purchasing Class A’s). TIA.
What makes you think it's EMI?
Class D amps can be extremely musical but they have a problem. Class D is not digital but they do induce a digital-like bi-directional noise much like or even identical to digital due to their high-speed switching modules. Bi-directional implying that the noise goes back up the AC line back into the wall and some say even as far back as the service panenl and then impacts other instruments.
That said, most likely what you are experiencing is this bi-directional digital-like noise at the int. amp's single AC inlet such that the noise is being shared there for both L&R channels.
But in your case, it's even worse than that with an integrated Class D amp. The pre-amp section must borrow power from one of the 2 channels so the pre-amp section is already bombarded with digital-like noise from the two channels.
But it's even worse than that. Now you have the two channels polluting pre-amp or line-stage and then those distortions are magnified by the gain-stage.
I've gone thru this myself years ago, ran a few experiments to confirm, etc. and to the best of my knowledge, there's not a darn thing you can do about this.
Again, Class D can be fabulous performers but there are several rules that must be followed:
1. Never buy stereo Class D amps unless each channel has its own dedicated AC inlet.
2. Never ever buy an integrated Class D amp because the linestage must borrow already distorted power from one of the channels.
That leaves only one reasonable / musical solution for Class D and that's Class D monoblock amps. Additionally, find yourself some superior passive, dedicated, and bi-directional filtering line conditioners for each of the monoblocks but also for all of your other gear too.
This is my current config as I employ Wyred-4-Sound Class D monoblock amps and compact Jena Labs The TWO passive, dedicated, and bi-directional filtering line conditions everywhere regardless of component or type. Problem is either absolutely minimized or solved.
When I decided to try Wyred-4-Sound back in 2014, I initially purchased their 575wpc Int. amp and what I experienced was insanely unmusical. I tried to reason thru what the problems could have been and just before my 30 day satisfaction guarantee expired, it dawned on me what the problem most likely was so I swapped out the int. amp for their 575wpc monoblocks and still have that same config to this day. Tremendously musical monoblocks in my book.