i would love to hear both of these stunning speakers but I doubt I will ever get the opportunity.
I expect a more zesty snarky criticism. You keep repeating yourself. And you talk about models that are over 10 years old. I'm trying to encourage you.
So Bonzo confirmed what the HK Magico dealer said about the Wilson XVX? But Bonzo has not auditioned XVX or Wamm?
It's good that you clarified. I don't think there are any dealers who sell both Magico and Wilson. So it is no surprise.
I expect a more zesty snarky criticism. You keep repeating yourself. And you talk about models that are over 10 years old. I'm trying to encourage you.
So Bonzo confirmed what the HK Magico dealer said about the Wilson XVX? But Bonzo has not auditioned XVX or Wamm?
It's good that you clarified. I don't think there are any dealers who sell both Magico and Wilson. So it is no surprise.
I confirmed the coherence point. Different data points. People can judge. I can see why you are trying to make noise about this. Btw, ten years is not long for a speaker company that's been around so long. Lol. Plus your comments are misleading as his dealer friend is neither Magico nor Wilson dealer, so stop being defensive
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Actually with audio I have found that many people who get serious about the hobby have an "AH HA" moment where they hear something that they heretofore had never thought was possible. I had a couple of those over the years that took me from one level to the next. I have shocked some people with my setups where they were not at all audiophiles before but then became so afterwards.
IMO, audio is not like wine. Wine is the real thing and as such has an endless level of variety and therefore is pure subjective in terms of what one likes or doesn't like. You can say that there is some level of objectivity in terms of the description of specific taste/smell components...in this regard it is similar to audio. The main difference is that audio is a step (or three) removed from the real thing (the act of making music itself). This means that audio is a reproduction of the real thing as such there is a reference for how it should sound. That doesn't mean it has to be an exact replica (as if that is even possible given the complexity) but it has to evoke the response and the feeling that the sound resonates with live music. Wine doesn't require this because it IS the thing. This makes audio a more abstract experience and perhaps even more demanding on ones imagination.
I would say that $1000 wine is not 10 times better than $10 wine! Although there are some very ordinary $10 wines
I think Penfolds is now overpriced. I used to drink Bin28 and Bin128 15 years ago when living in London. I would pay 8 pounds for a bottle. It is now triple the price, and you can get just as good wine here in Australia for a fraction of the price.
May I repeat what I have stated clearly on #642 :
That hifi dealer friend of mine who had listened to both XVX and M9 in the HK M9 owner's music room is neither a Magico dealer nor a Wilson dealer.
Therefore I think he is neutral and his comments trustworthy.
Not carrying Goldmund too.
He is merely a good friend of the M9 owner.
He is merely a good friend of the M9 owner.
It may not be 100 times better than $10 wine but I’m certain it’s easily 10 times better than $10 wine.I would say that $1000 wine is not 10 times better than $10 wine! Although there are some very ordinary $10 wines
A good $1000 wine may be given a score of 97 or 98 by judges. It is easy to get a wine that scores in the mid to high 80s for $10 to $12, and a 95 scoring wine can be had for just over $20. Now how much YOU enjoy each of these wines may be a different matter.
By the way, I never drink $10 or $1000 wine. I do drink $20 wine on a regular basis and $100 wine on special occasions.
And if you drink a lot you cant remember as to whether you were listening to a Bose or Wilson anyway .So you normally listen to Bose, but on Special Occasions listen to Wilson.
All jokes aside , i hope they will show with the M9 in munchen next year so i ll be able to listen to them
nice oneSo you normally listen to Bose, but on Special Occasions listen to Wilson.
. Are you saying Wilsons only equate to $100 wine.
nice one
Only a drunk man would say such a thing.
Keep in mind the richest billionaire audiophiles are buying western electrics, and use $5 cables. Cheung himself (he owned Hyundai and is now part owner of Samsung) spends a 100k or some obscene amount getting his crew and gear to Munich to expose people to the truth every year and does use expensive electronics and carts. Great recordings. The system almost every year is by far the best and plays great music.
Leif, for example, is a highly committed audiophile. Stromtank, audiophile cables are small things for him. He and his friends have spent ages comparing the best drivers, and use their own low priced cables to produce gorgeous sound including renditions of something as complex as Beethoven's 9th to rock and roll. Looking at Stromtank and Transparent vs first pressing of original LPs and combining the right drivers is a matter of perspective. Those looking at Stromtank and Transparent will probably have never though of the latter.
To me, committment comes in the form of research. I find those who order the first expensive good that shows on some front page or marketed list as non discerning. Does not mean that occasionally they won't get it right. Also does not mean that good stuff is not expensive, Western Electrics and first pressings are the costliest things in hifi. But they require research.
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