Yes, the speakers, turntable, tonearm, cartridge, cables, electrical infrastructure and room treatment will be new. I will be "hatching" a complete system, as Mike L says.
But I am afraid I do not understand your question.
Sorry
How are you coping ?
Yes, the speakers, turntable, tonearm, cartridge, cables, electrical infrastructure and room treatment will be new. I will be "hatching" a complete system, as Mike L says.
But I am afraid I do not understand your question.
It is. Where sound quality goes. Some things are opinions and preferences, this is not. And yes, I have been punching myself like Ed Norton in fight club to resist the expense on vinyl
An absolute then .. We finally found one in Audio. We must praise this day..
@XV-1
Of course I understood you listen to music first and by that I don't mean that you listen to CD at all. Sut since many if not most music these days, as pointed by microstrip, is digitally manipulated you must perforce listen to digital knowingly or unknowingly. I do accept it as a fact that the process of going through a vinyl playback production and reproduction chain is important to you and or confer the music, sonic superiority to your ears.. that is fine but you do listen to digital.
I don't know what vinyl set up you get at 8k, but the Goldmund Studio (used price 3 - 4k with arm), a 2k cart, and an ASR phono (used price 2 - 3k), beats many digital. So by reports, would PTP Lenco, retail at 2.5k Euro, but arm additional. Add FR 64s/SME 3012r, used price less than 2k. The Metronome CD+Kalista at 85k was beaten by a much lower priced analog set up, and there were 4 people in that room including me, all of whom agreed.
So is there a crossover point at cost till which digital is superior because of the cost of ancillaries in analog? Yes, I think so. 8k might be it. For me Marty's Goldmund Studio set up, the PTP Lenco at 2.5k EUR, and then the Schopper Thorens 124 (retail 7k EUR) can start surpassing digital. Arm cost FR 64s/SME3012r at < 2k USD, phonos (going by reports), ASR Basis Exclusiv, EAR, Tron, Aesthetix IO Sig, all of which used prices vary from 2k - 4k GBP. The Audio Technica Art 9 cart at a retail of under 1.5k GBP is great.
In fact, the cost is records - buying them, cleaning them, managing them and set-up. Unless you can buy the whole matched analog rig, you might have "discovery" costs till you hit the right combo.
Comparing used analog prices prices with new digital prices is misleading. You can now get excellent sounding digital for about one third retail price, even less if you just want to play CDs.
I can refer to occasions where digital sounded much better than analog and vice-versa. Most of the time question of recording and system composition.
Unfortunately the thread is drifting - it seemed to me the idea was to know what people do and why, not what they think others must do or what is the best.
Jeffrey,
Minor and obscure labels mostly, but also Soul Note and ECM. Perhaps with the resurgence of LP the situation has changed for LPs on labels like those latter ones (I stand corrected on this one), even though I am not sure if this also holds for new releases; maybe it does. Yet the availability of music on CDs has also changed. Early CD transfers were often terrible indeed, but that has changed as well.
What difference does that make? Considering vinyl sounds better the majority of the time is testament of the magic of vinyl.
How do you know on new releases whether digital, analog or a combination of both are used? It is not as if you have a choice like on reissues of what sounds best - original or reissue?
I buy new releases albums based on whether I like the music or not - if it sounds great, that really is cream. There are not many new release vinyl than truly sound terrible- does happen thou but the majority of my purchases sound fine.
I feel sorry for people who's systems seem to dictate the type of music they purchase, or do not purchase.
Cheers
This is an interesting opening to the question. Time is precious. When I spend time to listen to music I want the most emotionally involving experience I can create. For me, that means vinyl.
The tactile experience of playing vinyl is a hugely important factor for me. I somehow feel much more connected to the music and that is why I prefer playing vinyl. I don't nearly get as emotionally involved with digital.
(...) Since 3 weeks I can ripp my sacd's and play them as DSD files with my Big 7, I am listennig right now to the album " Spain" by Living Stereo as DSF 64 files.
SH Pioneer BDP 160.Are you using the PS3 or Oppo/Pioneer BD160/170?
The same for me. I listen classical and mainly voices choral music, opera... and with vinyl I can imagine I am at opera not with digital.
Recently I was listening to a Linn record of symphonic music and disliked a lot how it was made. You could not imaging being in the symphonic hall.
SH Pioneer BDP 160.
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