I'm sorry that perhaps in you country freedom of speech and freedom of expression is not ok. You don't get to tell me or anyone else what we can read, write or say. Having an open discussion is actually how we bring issues to light and hopefully solve them.
I did not say you cannot learn as a beginner? I said the principles you learn as a beginner, when you are at 0, is not something you should be continuing on when you have 20 years experience, unless you assume you learned the perfect thing in your first upgrade. If you did not learn the perfect thing, you should have changed quite a bit instead of repeating the same mantra as your beginner learning.
Keb, I had a flight delayed early this summer and looked you up. I thought we were fairly close based on what we do for a living. Even our business balance sheets are remarkably similar but recent your recent posts show me that we're not even close. The difference in learning audio before one embarks on acquiring high performance audio equipment versus starting at 0 is unbridgeable.
There is far too much to learn in audio to not begin with education. Much of high-performance audio cannot be self-taught. You can drag all kinds of trial and error through the learning process and the acquisition of audio equipment, but you can't replace the time spent at the beginning learning audio properly.
Well said, but I would just add that in some some very particular cases, where someone’s opinions are arrogantly and unremittingly put forth as if recited from the Dead Sea Scrolls, that an occasional “in my experience/opinion” would make them more palatable.
I understand. Written phrases such as "in my experience", etc. can stand in for empathetic non-verbal cues that we might pick up when we are person-to-person.
Do you find the "arrogantly and unremittingly put forth" posts tend to be ones with whose substance you disagree?
What of internet forum principal's or social media influencers that use their communication platforms to review, comment and be enthusiastic directly on products or services on those platforms? What if these influencers or platform owners are also selling equipment ,services , unique forum space or advertising on their media ?
Should they be identified as industry affiliates with the same rules that might apply to your list? This is to allow for all us to "formally" take with a grain of salt anything that is communicated by these persons on their media platforms.
There is no accounting for taste- however, its difficult to embrace the enthusiasm by industry affiliates without wrapping it all around their relative conflict of interest.
Yes it is a traditional list, a pre-internet list.
My approach in response to your comments is likewise traditional and fairly simple:
1. Industry affiliation requires a member to create something of audio value through a public manufacturing source point. Manufacturer-->Distributor-->Dealer is obvious. Reviewers may interact directly with any of these entities.
2. To have industry affiliation, reviewers require association with a publisher and an editor that stands between them and the public. Publisher and editor have no financial relation to Manufacturers, Distributors, Dealers other than through advertising, not unlike the traditional press. I've written for three different publishers and each had guidelines and code of professional behavior to which their reviewers agree to follow.
Anyone with a pickup truck and a decal can call themselves a contractor. Anyone with a keyboard and a phone can call themselves an audio reviewer. Absent the above two criteria, my answer to your question "Should they be identified as industry affiliates with the same rules that might apply to your list?" is No.
No. We aren't selling anything, we aren't influencing anything, we get no discounts or special treatment from other industry folks and we don't make deals or negotiate anything. We are not affiliated with writing reviews for any magazine or online rag, we have no book deals and absolutely no industry influence whatsoever. We are all just regular members who also moderate a forum that discusses audio.
What measurement numbers count and why they count as the best is a subjective decision. There are paradigms consisting of reasons and beliefs that support what we think is true. Paradigms shift.
I don't see that people are 'struggling' with the difference between the objective and the subjective. And I don't see much in the way of intentionally confusing or conflating what those terms mean or how they are applied. I think there is an imprecision in the language and sometimes the logic in what people say.
I do see a handful of posters, one in particular, constantly using "... but that is only your subjective personal opinion" as a form of argument. Denigrating opinion as such, especially without offering a different opinion, is a trick or bullsh*t response.
IMO it is not denigrating, I read it as meaning mostly an "weighting factor", not as an argument. But yes, I do not know what posts you are exactly addressing.
I agree there is a certain sensitivity among some posters that require them to object to what someone says if they don't see an imo in their post. Simply assume that every single post is the opinion or viewpoit of the writer, don't expect self-deprecation for it to be palatable.
Although I assume we post mostly opinions, I am one who often uses IMO,YMMV in my comments. Probably also expecting people to react and debate them in a civil way.
Today there are many "influencers" and those trying to influence both the influencers and gen pop.
For example a reviewer getting a long term loan with no return date, say a 400k pair of speakers that the reviewer could never ever afford, that remain in their possession until the useful market life has passed . IMO that is a not so grey area of influence. You may diasagree but I know that if someone gave stuff like that to me it would be in my interest to make sure they are not displeased.
I do not disagree and I have no equipment on loan to me for the short or long term.
The typical TAS or Stereophile justification is "reviewers need long term loans to have gear available for comparisons to reviewed gear." And as you imply, there is the potential for bias with this practice.
It is also the case that the manufacturer/distributor/dealer who makes a long term loan is trying to influence.
Yes it is a traditional list, a pre-internet list.
My approach in response to your comments is likewise traditional and fairly simple:
1. Industry affiliation requires a member to create something of audio value through a public manufacturing source point. Manufacturer-->Distributor-->Dealer is obvious. Reviewers may interact directly with any of these entities.
2. To have industry affiliation, reviewers require association with a publisher and an editor that stands between them and the public. Publisher and editor have no financial relation to Manufacturers, Distributors, Dealers other than through advertising, not unlike the traditional press. I've written for three different publishers and each had guidelines and code of professional behavior to which their reviewers agree to follow.
Anyone with a pickup truck and a decal can call themselves a contractor. Anyone with a keyboard and a phone can call themselves an audio reviewer. Absent the above two criteria, my answer to your question "Should they be identified as industry affiliates with the same rules that might apply to your list?" is No.
A very basic question. Although a few us (me included) appreciate reviews and have a few favorite reviewers, in general WBF has a notorious anti-reviewer bias and anti-audio press feeling. Why should reviewers have industry affiliation in this forum? Are we considering that their opinions should be considered as "compromised" with the industry?
A very basic question. Although a few us (me included) appreciate reviews and have a few favorite reviewers, in general WBF has a notorious anti-reviewer bias and anti-audio press feeling. Why should reviewers have industry affiliation in this forum? Are we considering that their opinions should be considered as "compromised" with the industry?
I understand. Written phrases such as "in my experience", etc. can stand in for empathetic non-verbal cues that we might pick up when we are person-to-person.
Do you find the "arrogantly and unremittingly put forth" posts tend to be ones with whose substance you disagree?
That's a good question. It's certainly more about presentation than content. But, those two things, for me, are bound together as one.
I can think of 3 or 4 people I know whom I regard as "Wise Men of Audio." For instance, all of them believe the best pressings of vinyl have more to offer than the current state of best digital. I respect their opinions not only based on their knowledge and experience, but also on who they are as people. They each share an abiding humility as to all they don't know. That's the difference.
I do not disagree and I have no equipment on loan to me for the short or long term.
The typical TAS or Stereophile justification is "reviewers need long term loans to have gear available for comparisons to reviewed gear." And as you imply, there is the potential for bias with this practice.
It is also the case that the manufacturer/distributor/dealer who makes a long term loan is trying to influence.
A very basic question. Although a few us (me included) appreciate reviews and have a few favorite reviewers, in general WBF has a notorious anti-reviewer bias and anti-audio press feeling. Why should reviewers have industry affiliation in this forum? Are we considering that their opinions should be considered as "compromised" with the industry?
For me it is just an issue of disclosure. I watch reviews for many products, and like it, for example, when a camera reviewer says clearly that “X company flew us here for this camera launch, but it will not influence our opinion.” Affiliations, discounted or loaned gear, etc. aren’t an issue; not disclosing it is. I don’t care if WBF staff get discounts, concessions, special treatment, etc. but this should be stated when they comment on those products. Also, there has been, for me, an issue with the way questions/criticisms are handled, i.e., a dealer/company starts a thread and someone asks a questions or posts a criticism and then the company and WBF in any way team up or make those comments feel unwelcome. This discussion itself is a step in the opposite, positive, open and clear direction, IMHO. We should occasionally have open discussions about our discussions and what best serves this community, not the owners of the forum we love or the companies profiting from it. Without us, they aren’t valuable anyway.
That said, I care because I like this place and am grateful for all I have learned, including from its founders.
That's a good question. It's certainly more about presentation than content. But, those two things, for me, are bound together as one.
I can think of 3 or 4 people I know whom I regard as "Wise Men of Audio." For instance, all of them believe the best pressing of vinyl have more to offer than the current state of best digital. I respect their opinions not only based on their knowledge and experience, but also on who they are as people. They each share an abiding humility as to all they don't know. That's the difference.
When expressing my thought on the ultimate question of what, be it equipment, format, etc., sounds "best" I generally will say it sounds best to my ears. There are two reasons for this caveat. First, that's all anyone can speak to with authority because no one can know what sounds best to you unless you tell them. In your example, if I happen to think digital sounds better and note that it sounds better to my ears, I cannot be wrong. No matter how wise the wise men are they can never be right in disputing my statement. All of which just acknowledges the fundamental truth that the ultimate question is ultimately subjective. We can debate designs, measurements, etc., but presumably what matters most is what brings us the greatest joy. That is inherently subjective.
The second reason, just as important, is that acknowledging that you are only speaking for how you hear is a way to engage in meaningful discussion without attacking someone who disagrees as being unenlightened, ignorant, wrong. Which seems more productive to me, although in some of these discussions the argument seems more the point than the substance. But that's just my opinion.
I agree. I don't know what the long term equipment loan length should be, or whether the practice should be allowed at all. It does exist and I don't see it changing but maybe could use some oversight. There are no industry standards.
Whomever loans components presumably is the final arbiter on loan length. I understand why the loaner does it -- to keep a product's name in front of the public in virtue of a loaned-to reviewer publishing his equipment list, and for whatever cachet (if any) is attributed to the reviewer choosing to use it. If there is an onus to the practice I put that upon those who make the loans. Without them the practice does not exist. Personally I don't have a problem with it and believe loan recipients should disclose and there should be a time limit.
As you know, there is a thread on the topic here where R Resnick talks about potential conflicts of interest, reviewers as beholden to those who loan and generally castigates Harley for exclaiming the value of long term loans. You and I both have posts there. We could re-litigate on that thread.
In the March 2023 issue of The Absolute Sound Robert Harley, Editor-in-Chief, defends broadly and unashamedly the arrangement of long-term loans of high-end components by manufacturers to reviewers. 1) Robert writes that "[l]ong-term equipment loans are essential to writing the most accurate...
www.whatsbestforum.com
My current publication, Positive Feedback, allows reviewers to use loaned equipment. However, loans must be disclosed. Each reviewer is required to publish his equipment and all those lists included the following: "All components in BOLD are loaned; all components in standard face are owned by me." PF may have a limit on loan length, I don't know. I have no loaned equipment.
Why should reviewers have industry affiliation in this forum? Are we considering that their opinions should be considered as "compromised" with the industry?
I can think of 3 or 4 people I know whom I regard as "Wise Men of Audio." For instance, all of them believe the best pressing of vinyl have more to offer than the current state of best digital. I respect their opinions not only based on their knowledge and experience, but also on who they are as people. They each share an abiding humility as to all they don't know.
Well…he is rather stating that if they do no play for pay they should not have industry affiliation tag in this forum as that is what the tag insinuates