New Tweak - Good Bang for the Buck

Huggster99

New Member
Jan 26, 2025
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Ottawa Ontario
Hi all - I am an avid audio hobbyist, and going on about 45 years into this hobby. My first receiver was from Radio Shack with Cerwin Vega speakers and a turntable. I was 14 years old with a paper route, an audio system, and all set to listen to The Rolling Stones, Led Zeppelin, Yes, etc.

Now many years later, obviously older (perhaps wiser), I have played around with various setups, new components, and trying to keep up with the advancements in hi end audio. Which in my opinion, should included tweaks (but only those of benefit and not hinderance for our search for the Nirvana of awesomely recorded music in our home setup)! Which leads to my first ever blog in an audio forum.

What pushed me to partake in a blog? Certainly not to find everyone in agreement, from reading these over the years, everybody has an opinion. I get that. Some are polite and some not so polite. I hope that this thread will have an established decorum of civility, even when expressing difference of opinion, etc.

I have been playing around with various tweaks over the past 5 years. Recently, I came across something by happenchance in the blogs, and IMHO, this tweak is a real bang for the buck kind of item. Somewhat similar to the big boys of audio tweaks but perhaps a bit different - small firm, no splashy expensive advertising, and pleasant customer service.

I have a mid hi-end system, about $50 K purchased used, and have now used a number of tweaks including Synergistic Research, Akiko, Solid Tech - Feet of Silent, Stein Music, Acoustic Revive, etc. Many of these tweaks I still use but I did prune down to a few I found more effective.

Then during my audio journey, I decided to buy some used Bybee iQSE's on Canuck Audio Mart. So like always, it was off to do some research and visit the audio blogs.
This research too me way down a rabbit hole, wherein I started to read about Bybee which then lead to a few plugs for Heartsound Audio and specifically Halostages.

I read that her site (Krissy) was sort of simple, and that she had other items she sold as well. And it was best to try to contact her and that she was approachable and pleasant to deal with.
Long story short, I fired off an email and shortly thereafter we contacted each other. We spoke briefly, and I was impressed with her knowledge of tweaks, sonic characteristics, etc., and so I decided to giver her products a try. I was also advised, if I wasn't happy with them, I could return for a refund - as she believes in her product.

So before, any individuals decide to perhaps take a negative approach to my sentiments, I want to set a Disclaimer. Until a few months ago, I had never heard of Heartsound Audio, Krissy, or Halostages.
Therefore, I don't know Krissy, and never met her, as I live in Canada, and no investment of interests whatsoever, other than to provide a no nonsense review of something new, that works, and is relatively inexpensive to the gamut of other audio tweaks out there!

After my order, the items arrived within two weeks and seriously, I got them at 4 PM Christmas Eve - Santa dropped off some audio goodies!

I then opened the UPS box and found another indiscreet black box. No marketing logos. Inside said box were 4 individually wrapped Halostages inside little satin bags with an Audio note on them.. Cute!

After letting them acclimatize to my home, I placed them in my system. With a few discussions with Krissy, I moved them about my audio room. I also, set my CD Player to repeat and let er go for about 72 hours to get that "burn in" done with.

After this, I did some audio critiquing on my sofa. And I noticed some definitely good traits and improvements:
- I noticed a substantial drop in the noise floor
- both the soundstage and depth had improved
- I found less silence in between tracks - and was able to listen to the fade out of music far longer
- tones of instruments, became much more discernable and any etching or sibilance in vocals all but disappeared
- began to hear much more air and space around instruments, and individual singers, drumkits, guitars, started to become much more noticeable, and similar to a live event
- increased my desire to go through my CD collection and pull out some of my favorite CD"s and to hear them much more life-like and well engineered music

I was quite pleased with this purchase, and for my own purposes, for the money, it has been a great tweak added to my rig.
 
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Thanks for the review. Where did you end up placing the Holostages? Is your room symmetrical?
 
Good question - unfortunately, I got divorced and my awesomely symmetrically room in the other home is gone and now I have an odd sized room. Long in one direction and another tuck out portion. But not so bad for audio set up. So I ended up placing my halo stages in my window sills. This turned out to be best option for me. As I had to large Grounding boxes on top of my speakers. Hope this helps....
 
Thanks, Huggster99. If you click on your ID on upper right, and then Signature, it will allow you to enter and update your info (at least on a desktop Windows system via Chrome).
 
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FWIW....


Tom
 
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Cheap tweak?
What is cheap? A usd 500 tweak in a usd 500 thd system is cheap. So let us go through my successful toolbox of tweaks, starting from the cheapest to the most expensive. I chose 10 tweaks. Warning: they will only work if the system owner has successfully covered the basic infrastructure of any hifi system: power management and good platforms which deal with vibration but also internal resonance.
1. Furutech pc-A cd cleaner (spray): euro 30; spray your cds and wipe clean; you need apply only once; the result is amazing; price abt 0.15 euro/cd.
2. AE? dummy plugs to insert in unused RCA inputs (the XLR version did not work in my ssytem): euro 10?/plug. I got these some years ago, and they did make a positive contribution. I cannot trace the manufacturer.
3. Acouplex Schu Schuko Socket Damper: GBP 50 each; try a few, return the rest; warning: they are directional
4. For vinylistas: combination of Audioquest Destat brush (euro 30) followed by Furutech Destat III (euro 450); the Furutech Destat III is a piece of plastic junk as the battery container keeps breaking off; I am on my 3rd. Shame on Furutech! However, the result of a 15s application is astounding. I suspect ionizers do a better job.
5. SR fuses euro 250-600; try one Master in the DAC, rest Pink; warning: they are directional and need 100-200 hours burn-in; they are shouty and hollow when new: persevere! Return if dissatisfied.
6. Acoustic Revive Rio 5-II: euro 700; this coffee grinder-shaped machine will blow "tourmaline charged" hot air over your cds before playing (viceversa 15 s each side, twice). Ludicrously overpriced, and total gobble the gooks. But Boy! The result is shattering. I tried using it in various combinations with other gimmicks, but results deteriorated.
7. Record clamp and record mat: euro 50-1000; experiment! I settled on a Pluto copper/carbon/copper mat (euro 200) and a Clearaudio Statement clamp (euro 900); permutations are endless: enjoy exploring! (I read raving reviews on the cheap Teac record mat)
8. Degritter MkII ultrasound record cleaner: euro 3,500, abt euro 1-2/record over a lifetime; I owned an AudioDesk ultrasound cleaner; it was unreliable; more importantly, the Degritter does an audibly much better job. A WBF contributor suggested I use the 2 tanks programme. A revelation! To speed up the process, I dry the records on a Pro-Ject record cleaner (euro 100 2nd hand). I can now clean 2 records in 20 minutes. An absolute must for vinylistas.
9. Nordost QB10 power distribution block: euro 18.000. Apologies: eye-wateringly expensive. However, High End starts with this distribution block. I owned Isotek solutions (used to be excellent value for money), moved to Nordost QB8s but the QB10 is in a league of its own. Hearing is believing. Except for Isotek and Nordost, I have not listened to other solutions. I am convinced there are equally valid solutions "out there". But hey, life is too short!
10. For those earthing their equipment with Nordost QKore: if you own a QKore1 and a QKore6, as I do, earth the QB10 to the QKore1`and daisy-chain the AC earths on 1 and 6. Danny at Nordost just told me to do so. Huge boost!
 
Cheap tweak?
What is cheap? A usd 500 tweak in a usd 500 thd system is cheap. So let us go through my successful toolbox of tweaks, starting from the cheapest to the most expensive. I chose 10 tweaks. Warning: they will only work if the system owner has successfully covered the basic infrastructure of any hifi system: power management and good platforms which deal with vibration but also internal resonance.
1. Furutech pc-A cd cleaner (spray): euro 30; spray your cds and wipe clean; you need apply only once; the result is amazing; price abt 0.15 euro/cd.
2. AE? dummy plugs to insert in unused RCA inputs (the XLR version did not work in my ssytem): euro 10?/plug. I got these some years ago, and they did make a positive contribution. I cannot trace the manufacturer.
3. Acouplex Schu Schuko Socket Damper: GBP 50 each; try a few, return the rest; warning: they are directional
4. For vinylistas: combination of Audioquest Destat brush (euro 30) followed by Furutech Destat III (euro 450); the Furutech Destat III is a piece of plastic junk as the battery container keeps breaking off; I am on my 3rd. Shame on Furutech! However, the result of a 15s application is astounding. I suspect ionizers do a better job.
5. SR fuses euro 250-600; try one Master in the DAC, rest Pink; warning: they are directional and need 100-200 hours burn-in; they are shouty and hollow when new: persevere! Return if dissatisfied.
6. Acoustic Revive Rio 5-II: euro 700; this coffee grinder-shaped machine will blow "tourmaline charged" hot air over your cds before playing (viceversa 15 s each side, twice). Ludicrously overpriced, and total gobble the gooks. But Boy! The result is shattering. I tried using it in various combinations with other gimmicks, but results deteriorated.
7. Record clamp and record mat: euro 50-1000; experiment! I settled on a Pluto copper/carbon/copper mat (euro 200) and a Clearaudio Statement clamp (euro 900); permutations are endless: enjoy exploring! (I read raving reviews on the cheap Teac record mat)
8. Degritter MkII ultrasound record cleaner: euro 3,500, abt euro 1-2/record over a lifetime; I owned an AudioDesk ultrasound cleaner; it was unreliable; more importantly, the Degritter does an audibly much better job. A WBF contributor suggested I use the 2 tanks programme. A revelation! To speed up the process, I dry the records on a Pro-Ject record cleaner (euro 100 2nd hand). I can now clean 2 records in 20 minutes. An absolute must for vinylistas.
9. Nordost QB10 power distribution block: euro 18.000. Apologies: eye-wateringly expensive. However, High End starts with this distribution block. I owned Isotek solutions (used to be excellent value for money), moved to Nordost QB8s but the QB10 is in a league of its own. Hearing is believing. Except for Isotek and Nordost, I have not listened to other solutions. I am convinced there are equally valid solutions "out there". But hey, life is too short!
10. For those earthing their equipment with Nordost QKore: if you own a QKore1 and a QKore6, as I do, earth the QB10 to the QKore1`and daisy-chain the AC earths on 1 and 6. Danny at Nordost just told me to do so. Huge boost!
Puritan..
 
Jack Pot, can you help me better understand daisy-chaining the QKore1 to the QKore6? Are you running banana from the QKore1 to the QB10, and spade from the QKore1 to the QKore6?

Thanks!
 
Jack Pot, can you help me better understand daisy-chaining the QKore1 to the QKore6? Are you running banana from the QKore1 to the QB10, and spade from the QKore1 to the QKore6?

Thanks!
Danny explained as follows. Never connect DC earths to AC earths. Apparently, in my system only the QB10 is an AC earth. So, I had correctly earthed the QB10 to the QKore1 with, in fact, a spades Qline. However, I had incorrectly used the QKore6 AC earth port to connect a DC earth. I had earthed the Burmester amplifier chasis this way. By removing this spades Qline connection, with no audible change, the QKore6 AC port was "free" again. I used a bananas Qline to connect the QKore1 AC port to the QKore6 AC port. Good point: I should one day swap spades and bananas to see if it makes a difference.
 
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You seem a tinkerer yourself. I stored my Townshend Isolda cables. Amazing value!
I have since gone 100% Purist Audio Design Poseidon Diamond Loom in both my systems. My son has the Isolda cables now. Yes they are an amazing value and he loves them. I may update my list one day, I have made a few changes.
 
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Hi all,

Yay - thread is active now!

Jack Pot - like your list and your perspective. I wasn't trying to imply cheap. As I find there are tons of cool and impressive tweaks out there; but I simply can't afford them (and rarely found on used market). So I have to work within my budget and was thinking "good value" tweaks.

Question for you?
I have a monster older EAD PowerMaster 2000 (heavily modified because UPS killed it - so sent back to Noble Electronics for major rebuild) and since I have incorporated some of Krissy's tweaks - I believe I have very clean power.
But now I am finding my toroidal transformer buzzing like crazy at times. I noticed the DC blockers available but most require another cable. I really don't want to add another PC. I have some passive grounding boxes but not comfortable knowing if I can hook them up to a huge amplifier? Any suggestions on how to resolve this issue best?

Would like to add to the above list of effective tweaks (that I could afford....LOL)

Another suggestion for an amazing Power Conditioner that IMHO, and other's, doesn't limit power or gain (and can hook up amplifier without it being throttled and blood curdling volume:))
1) Inakustic AC-3500 (German)
Tried older Synergistic Research and older Audience Rt - 14 or something but both limited high current amps

2) Another amazing tweak for me was the Acoustic Revive RG - 24 (Japan) under the power supply of my tube preamp!

Republicoftexas69 - if I win the lottery, I would be so all over the Purist Audio Design - have read great positive comments elsewhere. So glad that you took the plunge and tried the other items and had good results.
 
Hi Huggster99,

I have no experience with hum. I was spared that problem. But a low "noise floor" is what separates a good Hifi setup from a less good one. So, it is very worthwhile trying to get to the bottom of it. Perhaps other WBF members can help.
However, I have limited experience with power conditioners (Isotek Mosaic Genesis, no longer produced because it was too good value for money?). I also auditioned the entry-level Stromtank 1000 (not cheap!). I was not impressed. Swapping out the Isotek out for the Nordost QB10 - at twice the price - was a revelation.

Regarding cable looms: no need to win the lottery. There are plenty of excellent looms on the 2nd hand market! I personally LOVE Nordost Odin power cords, boosted by Acoulpex Schus.

Regarding earthing solutions? Yes, they work. They substantially drop the above-mentioned "noise floor". But I would personally give priority to good power management, proper support for the equipment and a good cable loom (in that order). IMHO, these are not tweaks, but fundamental building blocks of a Hifi setup.
 
swiss digital fuse box. see other threads on this
 
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I am lost for words… I thought I would find a usable tweak here, but no.

What people spend on such things… cheap? Mid-Fi at 50 000 USD??

Tweaks should be either be free of so cheap that it is no loss if they do not work.
Like strategically placed BlueTak, record clamp or platter mats.. speaker feets etc.

Tweaks that cost 1000s of dollars and without any objective nor reasonable effects are something else. That is a separate marked to satisfy the need to “do something “ without replacing main components. Better call it Audio Jewellery or Audio Aftersales, Audio Accessories, I can think of other less flattering names too…for a non descriptive box with no info at all. Have you tried 4 bricks and compared?

I honestly think the Moderators should take a closer look on the original post and authenticity of it..

My latest tweak was to remove the platter mat on my TT, original design is without mat.
It actually made the frequency response more equal in the top octave. And that is not only something I think I hear

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The value of a tweak is in the ear of the beholder.

Some tweaks are for free, like removing a mat if that is what takes your fancy, some tweaks are almost for free, like cleaning cds with Furutech's cleaner (or similar), some tweaks are excellent VALUE FOR MONEY, like adding socket dampers or a fuse or two, some tweaks are transformative and will cost more. The latter are still tweaks, because they are not commonly applied. You, the listener, choose.

There is absolutely no harm mentioning tweaks and alterations which a WBF member has tried and tested. That is what I like about reading these columns. They helped me in my search for better sound.

And no, Bluetack - which has a cost! - did NOTHING for me, in my system.
 
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I am lost for words… I thought I would find a usable tweak here, but no.

What people spend on such things… cheap? Mid-Fi at 50 000 USD??

Tweaks should be either be free of so cheap that it is no loss if they do not work.
Like strategically placed BlueTak, record clamp or platter mats.. speaker feets etc.

Tweaks that cost 1000s of dollars and without any objective nor reasonable effects are something else. That is a separate marked to satisfy the need to “do something “ without replacing main components. Better call it Audio Jewellery or Audio Aftersales, Audio Accessories, I can think of other less flattering names too…for a non descriptive box with no info at all. Have you tried 4 bricks and compared?

I honestly think the Moderators should take a closer look on the original post and authenticity of it..

My latest tweak was to remove the platter mat on my TT, original design is without mat.
It actually made the frequency response more equal in the top octave. And that is not only something I think I hear

Do your due diligence.
 
Tweaks should be either be free of so cheap that it is no loss if they do not work.
Like strategically placed BlueTak, record clamp or platter mats.. speaker feets etc.

Good afternoon, @Balle Clorin. We live in a world where it is generally accepted that nothing is "free". Someone has to pay for the time to manufacture, ship and the labor to do both. Yet, you want tweaks for free, like speaker feet? Just the metal can get expensive, not to mention the machinery and electricity needed to build them. No one I know would waste their time and take a loss just to please people who aren't willing to pay to try things out for themself. Unless you are a friend of someone who doesn't mind allowing you to borrow something, nothing is free.

Now, there is another option to get as close to free as possible. Find companies that are willing to offer a 100% money back guaranty, if you are dissatisfied with their product. I'll give you one example of a tweak that is effective and they will even pay for shipping back to them, if you are unsatisfied. That's as close to "free" as I could imagine. The tweak I am talking about is from a company called Vera-fi. They have a combo package that is less than 600USD and it is the Snubway and Master Class A/C Line conditioner combo. Of course, both could be purchased separately and I would suggest starting with the Snubway.

I honestly think the Moderators should take a closer look on the original post and authenticity of it..

If you click the link in the post I offered above, you will see a thread with many folks who have offered their thoughts on the "authenticity" of this product. There are actually so many who have chimed in (even heavy skeptics) praising the benefits of this product, I am planning on eventually getting a set.

As for measurements? I have a tweak that costs about 3K (new) and I very seriously doubt you could measure any difference at all. It's a Highend Novum PMR MKII Passive Multivocal Resonator. A local audiophile friend of mine brought one over one day at a get together we had with a couple of audio friends. We simply placed it on the floor and while it was subtle, it was also undeniable. I just had to have one. A year later, I had one in my system and got to play around with placement. It turned out that the carpeted floor was one of the worst possible places to place this passive device. It now resides on a dedicated Iron and marble table, with a wood block underneath it, pointed and leveled directly at the listening position at the precise height of the tweeters. While I still very seriously doubt one could measure any changes, the end result with the absloutely wonderful sonic differences in vocals and instruments makes this tweak something I would not want to live without now.

Tom
 
If you bring a Big brass Bell into your room, I’m sure you can make it resonate night if you play loud enough. But why do you want to do that ? you will only color the sound.
My wife once placed two large glass vases on a shelf in my library/listening room. At certain frequencies I could hear them sing, so I removed them, why should I pollute and distort the musical reproduction I put a lot of effort into?

The Holostages is a different category, A small square box cannot affect the room acoustics more than a randomly placed book= inaudible. It cannot affect the noise level in the room, or anything about the reproduction of music.

What is the explanation for how it interacts with electronics or speakers? For what I found here is utter nonsense:
Ions and static charge intervening with sound waves? I would back to school library and find some a physics class books to check the reality of these claims, but I already taken physics at University and read several Acoustic Textbook. None support these fantastic claims.
If the claims are true placing a battery in the room will alter the sound, and lighting a candle light too..

.Quote:”
Holostages are devices that utilize the principles of piezoelectricity to influence the sound field within a listening space. They work by interacting with sound waves and releasing ions, which affect how sound travels through the air, creating a more spacious and less congested soundstage.

Here's a more detailed explanation:
  • Piezoelectricity:
    Holostages contain piezoelectric crystals or ceramics. These materials generate an electrical charge when subjected to mechanical stress, in this case, the vibration of sound waves.

  • Ions and Sound:
    The electrostatic interaction between the sound waves (vibrating air molecules) and the released ions affects how sound travels.

  • Sound Field Isolation:
    Holostages are thought to help isolate the sound field from the room's acoustic environment, leading to a perceived expansion of the soundstage, increased dynamics, and a lower noise floor.

  • Improved Sound Quality:
    Some users describe a sense of "ease" or "tension between the notes" being reduced, resulting in a more fluid and natural presentation of “
    Quote End
 
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