The Audio Engineering Society (AES) was founded in the US in 1948.
The AES standard for XLR pinout is:
Pin 1 - Ground
Pin 2 - Hot
Pin 3 - Cold
That is how virtually all microphones and professional gear is wired.
Whoever wrote that manual at Marantz must have been smoking something funny.
Yes, you just have to change the absolute phase in the equipment or in the speaker cables. Some manufacturers used this reverse pin 2 and 3 assembly - I remember that some old Jeff Rowland and Accuphase units had this characteristic.
...often Japanese components have the phase designed differently. Luxman, for example, has a switch on the rear panel to change the pin config (Phase Inverter).
The Audio Engineering Society (AES) was founded in the US in 1948.
The AES standard for XLR pinout is:
Pin 1 - Ground
Pin 2 - Hot
Pin 3 - Cold
That is how virtually all microphones and professional gear is wired.
Whoever wrote that manual at Marantz must have been smoking something funny.
...often Japanese components have the phase designed differently. Luxman, for example, has a switch on the rear panel to change the pin config (Phase Inverter).
As far as I remember there is 3 wiring types for xlr bal topology why I have no idea but it’s matters big and I suspect why some like certain interconnections over others
Even if we couple one to another to make them longer matters if the coupling is not the same