I have heard about this debate for a long time but never engaged in it and would have taken the same stance had Greg not asked me to comment. One thing about me: if you ask me by name, I will come!

Not sure what about that is taking the bait Greg as if I had not answered, then it would become, "I asked Amir about it and he was too scared to answer" kind of argument.
Mike, appreciate your feedback. After taking the position that there was no science to back CD mats and such and learning that there was a way they could contribute to better sound (in a hypothetical way), I have learned to not start off with the position of "it can't work." My position in this thread however was not that. It was to examine the work and statements the company and reviewers had done and poke holes in them -- kind of what I do in my regular posts on "reviewing the reviewers." I can't stand sloppy work. Either say nothing or do it properly. Don't set out to say that "I was hoping I could say this product does not work" and after one listen become converted. If you were really that convinced it should not work, then use that to really dig into whether the device really, really works. Ask the company to loan you a Gauss meter. If they don't one, well that gets me into the second rant:
I have no use for a company who claims to have a product that improves audio but has no idea or real data as to why. This is important because without that, they can't test the device leaving the factory to see if it is working. The purpose of a bulb is to make light. Add electricity to it and you can see light and are you are sure the device works. These guys don't have a Gauss meter of their own yet are building a de-magnetizer. Maybe some of the people who are buying these things have non-working machines. Who is to say otherwise? They don't sell this device for $19.95. They sell it for 100X more. The guts of it probably doesn't cost more than $19.95. They can surely afford to buy the proper equipment and test these things. And if they have such test equipment, then they should do some research and characterize it more. It is not our job or the reviewers for that matter, to go and invent the theory of why they might work.
I have to repeat this story that I told in my embarrassing moments thread. When I have failed the null test the first time, where identical files sounded different, one sounding less digital, with more ease and air around instruments (did I cover all the adjectives?

), it was very hard to accept the truth. I was so sure of the improvements. So much so that I was angry at my guy conducting the test on me that he and his team must have been deaf to no here the difference. But there I was with proof that the files were identical. So I listen again, this time with an objective mind and of course, now they sounded the same. Then I forced myself to think that one file is as different as it was. I tried to read more air, ease, etc into one track and it all came back!
So I believe people are "hearing" the differences. Problem is, I can't separate the times that is due to real changes or above episode. Unless you have lived through what I have lived through above, you are never going to accept that it can happen to the level that it does. How hard is it to walk out the room and have someone treat some random number of LPs/CDs and then come back and see if you can spot them. If you cannot, you are welcome to say such blind tests don't work. I much rather hear that, than hear that these devices work

. At least then, some of us have objective data -- even if disputed -- that the device may not really work. As it is, we are left with no way of knowing based on *our* standards.
I know you said you don't care if we believe it or not. But I hope that is not the case. We are all here because we share a passion for improving audio performance. The more you believe in these devices working, the more you owe us to help us become converted. That is no different than telling us such and such speaker is better than another. No?
