I am curious as to what people prioritise in the analogue chain and why? If money were no object to buy a single component what will it be? For my part I had thought it was:
1. Table
2. Arm
3. Cartridge
4. Phono Stage
My take is the same. And IMO, no matter the pricepoint, the table must always take priority before considering anything else.
At my level ($5,000 for 1,2 & 3) I would upgrade the cartridge before the arm as I believe I would get a higher level of playback detail and satisfaction.
Those guys playing with uber tables have said that the tonearm is more important than the cartridge. I wouldn't know about that, but I take their word for it.
I like the internal phono pre on my Marantz KI Pearl, so a dedicated standalone unit is not a priory right now. Maybe next year.
1. Table
2. Arm and Cart compatibility
3. Phono stage
My philosophy is that the cartridge being the transducer needs optimal conditions to do its job properly. To me that means a table that is quiet, has very good speed and as a bonus can help keep the record as flat as possible. I put arm and cart together because there are many outstanding carts out there that aren't mid compliance. Using them on arms that don't match will rob them of potential, in extreme cases decimate performance with poor tracking. I think one's choice of phono stage need not be rehashed. It carries the same decision process as other electronics. Gain requirements, etc.
I tempted to say phono stage first....table, arm, cart....however good all the stuff is before it, it's only going to sound as good as the phono stage that it feeds.
While I think we both belong in the everything matters camp Christian, I don't think even the greatest phono stage can save us from mechanical problems upstream. Even a modest phono stage however would be greatly benefitted by a clean input signal.
While I think we both belong in the everything matters camp Christian, I don't think even the greatest phono stage can save us from mechanical problems upstream. Even a modest phono stage however would be greatly benefitted by a clean input signal.
While I think we both belong in the everything matters camp Christian, I don't think even the greatest phono stage can save us from mechanical problems upstream. Even a modest phono stage however would be greatly benefitted by a clean input signal.
In the hierarchy, I think we have to consider source first..and that means: TT, Arm, Cart and lastly phono stage.
My table manufacturer ( Linn) has a specific hierarchy which I believe is correct...in their case: The table consisting of 1) Bearing, then 2) power supply, then 3) sub chassis and suspension, then 4)top plate, then 5) plinth, 6) arm board 7) arm 8) cartridge and cabling and lastly the phono stage.
I tempted to say phono stage first....table, arm, cart....however good all the stuff is before it, it's only going to sound as good as the phono stage that it feeds.
I have to say I perhaps ought to have made the presumption that we are talking about turntables of around the Linn Sondek transcription level and above as opposed to a Rega Planer 2/3 level.
My own experience should perhaps have also required me to add tonearm cable given the massive improvement it gave my system when I put a Nordost Tyr into my chain (previously a TCI)
I am thrilled by the fact that I am gonna get my hands on a Vendetta SCP2a after a 9 year trawl... The phono amplification stage is the largest amplification in an Audio set up, and therefore the most difficult to do well. I very much see your logic and will probably report back at some point. My current phono stage is a Whest 0.20 which isn't peanuts financially - though I know there is better out there.
Anyway will be nice hearing other views on this, because it's always nice getting considered perspective on a topic.
I'm new to this forum so please be easy on me. I am not new to to this hobby. I've been assembling systems for myself and friends since my high school days which was 40 years ago. I believe it is the phono stage. Speaking of high school, way back when I was an 11th grader I took a photography class taught by the high school shop teacher who happend to moonlight as a wedding photographer, R.D. Reynolds. First day of class, twenty of us are seated around our tables with our parents' SLR cameras proudly foisted in front of us. R.D. pulls out an ancient Brownie camera and says to all of us arrogant punks, "you see this old simple Brownie? Well, I am here to tell you that I can take a better photo with this here simple point and shoot Brownie than any one of you can take with those fancy SLR's you brought with you today. It is all about the skill of the photographer, not the fancy bells and whistles of the camera in the photographers hands!". Well, the same holds true for any fundamentally sound table and cartridge. Set up optimally with the skill of a pro, a humble table and cartridge can sound amazingly good IF the signal is fed into a very good phono stage. Sticking with my analogy, the phono stage would be what in the old days we photographers called an enlarger. Good ones had top knotch lenses and it was impossible to enlarge a negative into a great print without a top notch lens even though the camera lens was much less vital. Hope you don't mind my story or first post.
Until a few days ago I would have ranked it; 1) Table, 2) Cartridge, 3) Phono Stage and 4) Arm.
What changed my mind was a phono stage I heard that brought a fairly modest system up to heights I hadn't heard in it before. Until I heard that I would have sunk the majority of money into the table and built the rest to compliment it. After hearing this phono stage I could live with it taking up 80% of the budget of the analog system, and filling in the rest.
Others may have equally transformative experiences with other pieces in the chain, so it goes to show that everything matters. Also if you are considering making changes I would think that it's going to be dependant on your system as to waht makes a greater difference.
Based on my personal experience, yours may be different, I would rank importance in the following order:
Tonearm
Turntable
Phono Stage
Cartridge
I had a Basis 2000 turntable (just above their entry level) with a Basis branded tonearm, and changing from the Rega to a Basis Vector tonearm made more difference than almost anything I have done in my system
I don't know squat about tables, but I know that transducers are the weakest links by far. So pay attention to your source and your speakers. If the speakers and amp are well-matched, everything in the middle is much less significant by comparison.
Without regard to actual cost, my own experience is that nothing downstream can ever uncover something smeared or eliminated by a component upstream. Therefore, we must begin with the transparency of the table, then the cartridge, then the arm and internal cabling, then the cabling to the phono stage, and finally the phono stage itself. Just my two cents.
Without regard to actual cost, my own experience is that nothing downstream can ever uncover something smeared or eliminated by a component upstream. Therefore, we must begin with the transparency of the table, then the cartridge, then the arm and internal cabling, then the cabling to the phono stage, and finally the phono stage itself. Just my two cents.
I look at this question in terms of: that to which the highest gain is applied is the most important (because, of course, that is the sound whose signal you are amplifying to the greatest extent). Therefore, I think turntable/arm/cartridge is the most important, because those components, collectively, are generating the signal to be amplified from the electrical nothingness in the grooves. The phono pre-amp would be the second most important because it is amplifying that source signal to the greatest extent after the cartridge tracks the grooves.
I tempted to say phono stage first....table, arm, cart....however good all the stuff is before it, it's only going to sound as good as the phono stage that it feeds.
Christian,
I will agree with you. I have changed many times of cartridge, tonearm and turntable, but changing the phono stage has given me the most fundamental rise in global performance. The others were mostly variations of preference and need careful matching with each other.
