Part of the design of the Extreme and the Olympus was built around integrating Roon.
A huge amount of work went into taming power-hungry Roon and keeping its impact to an absolute minimum.
From that point of view, the Extreme, and especially the Olympus, are real successes (and that’s putting it mildly!).
Taiko Audio’s approach is genuinely original in every sense.
They’ve got a refreshingly different way of tackling problems, properly out of the box.
That thinking led to the development of the XDMI interface (hardware and software), which sits right at the heart of the Olympus.
The interface really made a splash in the industry, it’s unlike anything else out there.
You’ve got to have a serious bit of intellectual horsepower to pull off something like XDMI (and not just the brainy kind either, have a look
here and
here 
).
As for Roon, choosing that platform was almost the obvious move.
There are other excellent music library managers, each with their own strengths, but in several areas Roon still leads the pack.
One thing I particularly appreciate is how it handles classical music.
The automatic recognition and tagging of albums, compositions and movements is simply unmatched.
For a classical music lover like me, who enjoys comparing different interpretations of the same work, Roon remains, in my opinion, the reference.
And that’s part of what Taiko Audio offers too: Roon, without Roon’s limitations.
Cheers,
Thomas