Of course, I’ve heard the AG Trio G3 with its dual basshorns. Just put a solo piano through that setup and tell me you don’t hear the excessive coloration in the mid-bass—not to mention the plasticky character in the treble. It’s an impressive speaker, like most horns, on certain pieces. But this isn’t my idea of an ultimate setup.I am not exactly a horn fan (at all), but I have to say I have been very impressed with the AG Trio G3 with its dual basshorns. If you've heard it would appreciate your thoughts on what you think.
Equally, what is your reference speaker(s)? For me, prior to the AG Trio G3, my references were the Rockport Arrakis and the Genesis 1s (though the bass towers were something I felt I would need to listen to again more critically.)
If you want to see/hear what reference loudspeakers look like, just check out the new S5—arguably the most impressive speaker JA has ever measured (and heard). Unlike some audiophiles, I actually prefer well-engineered loudspeakers.
Magico S5 2024 loudspeaker | Stereophile.com
I have lost track of how many loudspeakers I have measured with DRA Labs' MLSSA system since Stereophile started accompanying its reviews with measurements in the late 1980s, but it must be close to 1000. Most of those speakers have long since faded from my memory, but there are some whose...