Perhaps premature again.
http://www.nytimes.com/2013/11/22/arts/music/records-are-dying-not-here.html?_r=0
http://www.nytimes.com/2013/11/22/arts/music/records-are-dying-not-here.html?_r=0
Perhaps premature again.
http://www.nytimes.com/2013/11/22/arts/music/records-are-dying-not-here.html?_r=0
Agreed. It was 'bubble' pricing. I did get a WLP of St. Dominic's Preview, and it was dead quiet, like it had never been played. I bought a dozen or so records -all older pressings, but the stuff I was looking for wasn't there and the stuff I might have considered- again, old pressings- was far too expensive.There was a ton load of new vinyl at yesterday's WFMU record fair. Unfortunately felt the rest was a bunch of overpriced LPs driven by the prices paid on ePay. $100+ for a Candid jazz release? Didn't even look at the condition given the prices. Didn't see the LPs flying out of the bins at those prices.
Is that record rack custom made?
Ikea's finest. And they still make them.
https://www.facebook.com/photo.php?fbid=536075583154678&l=3a996c31cb
Also Ikea's finest, although not as germane to this thread.
Ditto these. Quite some media housed in Ikea's finest.
https://www.facebook.com/photo.php?fbid=536070029821900&l=fa0de7af20
I haven't been to a brick-and-mortar store in years. I buy almost all my music from the internet on Redbook CD, because that's the medium where all the music is that I am interested in, mostly classical music in the interpretations that I want, and contemporary 'classical' music, or 'classical' avantgarde. I buy some jazz and rock as well.
Sometimes the sound is phenomenal, often very good, at times just good or even just acceptable. Great depth of soundstage is only heard on a minor percentage of recordings (when it is it can be fantastic on my system). So be it. Music is music. I don't buy my music for the sound, I buy it for the music. I just want that my system reproduces the recordings that I have in the best manner possible that I can afford.
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The fact that soundstage *can* be deep but often is not shows that the problem are recording techniques themselves, not the Redbook CD medium. A spatially flat recording, or one with lackluster timbres, will not be miraculously 'rescued' by hi-rez digital or vinyl. The recordings themselves and their mastering are far more important than the media through which they are transmitted. Interestingly, on the vast majority of modern-day recordings of classical and 'classical' avantgarde music both macro- and micro-dynamics are excellent, as judged from transmission through CD. On the typical rock recording, not so much.
This has nothing to do with the OP? Please take this to your own thread. I'm not going to have the thread ruined by a analog vs. Digital bashing contest.
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