In case anyone missed it, there's a great article by Michael Fremer on Chad Kassems new Quality Record Pressing project in the latest issue of Stereophile. It'll be interesting to see if all the mods they've incorporated into the presses, translate into better sound. On paper, some sound like they have real promise.
I read the article. I 'm still waiting for their Cat Steven's LP to show up. I ordered it months ago and the release date keeps slipping so it appears they are still working some bugs out.
I read the article. I 'm still waiting for their Cat Steven's LP to show up. I ordered it months ago and the release date keeps slipping so it appears they are still working some bugs out.
I remember as a youngie when the Cat's LPs were regarded as the cat's meow for recording quality. Are those original Island pressings still considered special or was that just a fad of the moment?
I remember as a youngie when the Cat's LPs were regarded as the cat's meow for recording quality. Are those original Island pressings still considered special or was that just a fad of the moment?
Though the sound varies from cut to cut, the original Island pressings are the ones to have. The most disappointing pressing were the ones mastered by Tim de P back in it was either late '90s or early 2000s. Had high hopes and just didn't cut the mustard. Oh and the A&Ms pale next to the early Island.
Oh and to see what an original pressing of DSOTM goes for:
Myles-That is his opening bid price and no one has submitted a bid yet. It may never sell for that price. I could put up my ARC PH-3SE on ebay and set my opening bid at $10K if I wanted to. However, I haven't been tracking prices on original EMI copies of DSOTM to see what they are going for and maybe it's realistic.
Myles-That is his opening bid price and no one has submitted a bid yet. It may never sell for that price. I could put up my ARC PH-3SE on ebay and set my opening bid at $10K if I wanted to. However, I haven't been tracking prices on original EMI copies of DSOTM to see what they are going for and maybe it's realistic.
i guess i'll settle for my UHQR pressing and low-gen 15ips master dub.
i did read Fremer's article and appreciate that Chad has put to work all that money he made on all the 45rpm reissues....it took lots of vinyl business to be able to underwrite that effort. don't mis-understand, i appreciate Chad's efforts.
i guess i'll settle for my UHQR pressing and low-gen 15ips master dub.
i did read Fremer's article and appreciate that Chad has put to work all that money he made on all the 45rpm reissues....it took lots of vinyl business to be able to underwrite that effort. don't mis-understand, i appreciate Chad's efforts.
Works both ways. Int. shipping rates suck. I've given up mostly buying from Europe, esp. Holland, where the shipping rates are ridiculous. But I have the same complaint when I buy used LPs from Canadian dealers
Works both ways. Int. shipping rates suck. I've given up mostly buying from Europe, esp. Holland, where the shipping rates are ridiculous. But I have the same complaint when I buy used LPs from Canadian dealers
Fair enough, and yes, other than Amazon UK (from where I've bought quite a bit of vinyl through the years), those rates are insane as well. It's just frustrating as a collector and music fan, and I know you know of what I speak!
I spent around hour with Fremer and Chris Sommovigo and Todd Garfinkle at the bar at AXPONA this year. He was really jazzed about the quality of the pressings including the vibration control on the pressing machine. I am quite interested in hearing the Cat Stevens. I have some minty WLPs of these albums that sound amazing but I suspect these could top them.
I spent around hour with Fremer and Chris Sommovigo and Todd Garfinkle at the bar at AXPONA this year. He was really jazzed about the quality of the pressings including the vibration control on the pressing machine. I am quite interested in hearing the Cat Stevens. I have some minty WLPs of these albums that sound amazing but I suspect these could top them.
Now here's my question. MF reviewed a test pressing of the Cat Stevens, yet the production version is still awaiting. There's obviously some issues to be ironed out but will the production version be better or worse than the test pressing that was reviewed?
Now here's my question. MF reviewed a test pressing of the Cat Stevens, yet the production version is still awaiting. There's obviously some issues to be ironed out but will the production version be better or worse than the test pressing that was reviewed?
Just picked up the Cat Stevens vinyl. Took it for a spin on my 26yr. old Linn Sondek LP12 and SQ wise it's a A+. Quiet, dynamic the best recording of this album that I ever had. A reference recording.
I received my copy a few days ago: damn fine it is!
I do wonder, though, why it isn't a 45 RPM job, or why it's not pressed on Clarity vinyl (given that Chad bought all the appropriate stuff from Classic Records last year)...
I got a quick chance to listen before heading out on vacation. I like that Chad minimized the time per side, eg. only using the first couple of inches of the record, thus optimizing the sound of the 45 rpm.
I didn't have time to compare to the reissues to the originals but if memory serves me right, the Muddy Waters sounded better than either of the 3 pressings that I have. The Cat Stevens sounded great, and as someone pointed out, very dynamic and less compressed eg. less limiting and its product, congestion.
The Freddie King was also very good but though the Gentle Ben was the best!
Like Rich, I did wonder why Chad didn't remaster Cat Stevens at 45 rpm. Maybe he thought the Cat Stevens wouldn't sell at $50 and the Muddy Waters, being an audiophile fave, could command $50?
If you can find a copy Mel Torme and Friends: Recorded Live At Martys, New York City. Off the Finesse Record label. His duet w/Janis Ian Silly Habits is a real showstopper. The SQ makes you feel that your right in the room.
I guess I got the one lemon for the Cat Stevens LP. Mine has rumble you can hear on side 1, cut 1. I have lots of LPs that impress me-this one not so much.