He is a good designer, also the man who fixes the border patrol amps, I thinkHi Keith,
I don't know David Wright or Lee - please enlighten me? What do you know?
Cheers
He is a good designer, also the man who fixes the border patrol amps, I thinkHi Keith,
I don't know David Wright or Lee - please enlighten me? What do you know?
Cheers
Lee is I believe a graphic designer by trade, and I believe he designed Kevin Scott's website, David services Kondo for Kevin I suspect that's how they met.
Lee had some ideas about some electronics and asked David to make them work.
David really knows his stuff ,designing for as Ked says ,Border Patrol, ANUK amongst lots of others, he designed some cost no object hybrid amps for me and they are superb.
However I don't believe David has anything to do with Lee's other projects, which are aimed squarely at the HK market.
Keith.
(...) But you are complete right, they are tweaks and you should only investigate them after you have your system up and running. Only after getting to know your audio system inside out you can really appreciate what the SM devices are actually doing.
Very nice, Keith. Wow. What do you use these for - the Liszts? Are these your own personal commission then?
Aesthetics are personal but the quality of parts inside these will never be found in a commercially produced amplifier, just too expensive.Bedside Cabinet? Aspidistra Plinth? Chamber Pot Holder ?
Aesthetics are personal but the quality of parts inside these will never be found in a commercially produced amplifier, just too expensive.
Keith.
Right - a tip of the hat to our very own Harlequin of this parish. I noticed his upside down use of resonators on the classis and noted that Greg Baron is also a fan of this approach. I removed my ultras from the GG and placed one on each Krell and one on the GG upside down. They are extremely effective used in this manner and bring the same benefits as the discs on the chassis only that the effecte is increased a lot. I got a fair amount more body and weight to instruments and orchestra today with this method.
Which way is better? Under GG or above GG?
Hi,
What I can say at this early juncture is that removing the 3 ultras from under the GG and placing 1 on each Krell monoblock and one on the GG along with the other Mooks (3 discs and tube resonators) brings a larger macro benefit than 3 under GG. The Krells get a real lift. I should probably try 3 resonators on top of the GG to see whether they are better that way up or normal. Mad stuff.
Right - a tip of the hat to our very own Harlequin of this parish. I noticed his upside down use of resonators on the classis and noted that Greg Baron is also a fan of this approach. I removed my ultras from the GG and placed one on each Krell and one on the GG upside down. They are extremely effective used in this manner and bring the same benefits as the discs on the chassis only that the effecte is increased a lot. I got a fair amount more body and weight to instruments and orchestra today with this method.
As mentioned in my answer to Ron a while ago I use in both my systems three SH feet upside down on my Kondo preamps for quite a while and I would not do this if it were not very effective. A friend of mine has been doing this for ages putting them on his CAT jl 1 power amps, albeit not three per amp of course.
Ah - nice one, Rudolph. Then I am slow to the party but have arrived at last
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